Antique Austro-Hungarian 800 Silver and Lapis Lazuli Clock

Antique 19th century Austro-Hungarian Highly ornate 800. silver, Viennese enamel and rock crystal ewer/coupe. Atop a majestic domed pedestal bedecked with radiant silver and glis...

Antique Hanau 800. silver gilt beaker. Tested positive for 800. silver. Made in Germany, Circa 1850- 1900s Dimensions: Diameter x weight: 7.2 x 8.3 cm W...

Antique highly ornate embossed 800. French silver tankard by Tétard Frères. Made in France, circa 1910s Fully hallmarked with maker's mark on base and Minerva 800. silver hallmark on upper rim. The dimensions: Diameter x height: 12 x 20 cm Weight: 688 grams Condition: The tankard is pre owned, minor signs of usage, good and pleasant condition overall. * Please note: customs and import charges may apply for international buyers, it is their responsibility for any customs duties fees. The history Established in 1880 by Edmond Tétard, the prestigious Tétard Frères company thrived under his skilled craftsmanship and creative vision. Taking over from the renowned silversmith Émile Hugo...

Antique early 20th century Chinese carved lapis lazuli figurine, featuring a recumbent pose with a wood base stand. The dimensions: Horse size: ...

Antique 19th century French 800.s silver and hand - painted on porcelain seal stamp is with a family crest, featuring a shield with two eagles standing opposite each other and pineco...

Antique Circuito del Montenero 6 a Coppa Ciano Italian 800. silver trophy cup Made in Italy, 1932 Hallmarked for 800. silver. The Coppa Ciano was an automobile race held in Italy. Originally referred to as Coppa Montenero or Circuito Montenero, the Coppa Ciano name was officially in use between 1927 and 1939. In 1927, the Livorno-born politician Costanzo Ciano donated a victory trophy: the Coppa Ciano. At first, this was awarded to the victor in a separate sports car race, run within a week of the Coppa Montenero. In 1929, however, the Coppa Ciano was merged into the main event and at the same time became the name most often used. In the 1930s, Italian Hall of Fame driver Tazio Nuvolari won this race five times, more than any other driver. In his 1936 victory he made his way through the field, beating the otherwise superior German cars. This victory was one of the reasons leading to the Italian Grand Prix being held at the Montenero circuit in 1937, instead of the usual venue, Monza. The 1939 race was run to Voiturette regulations and became the last before World War II stopped all racing for many years. In 1947 the 20th and final edition of the Coppa Montenero was run, with 1500 cc unsupercharged cars. At that point, due to Costanzo Ciano's connections with the now abolished Fascist regime, it was no longer called Coppa Ciano. The race was held in 1932, 31 of July and the trophy was awarded to the Alpha Romeo team. Dimensions: 23.5 x 17.5 x 28 cm Weight: 870 grams Condition: Trophy is in original Antique state...

This beautiful antique three-piece French clock set is comprised of a central clock and a pair of flanking candelabra. The central clock features a circular central dial surround...

Impressive antique Austrian champlevé enamel, silver-gilt and lapis lazuli clock set Austrian, Late 19th century Clock: Height 91cm, width 37cm, depth 37cm Candelabra: Height 64cm, width 24cm, depth 24cm Clock case: Height 97cm, width 44cm, depth 41cm Candelabra case: 67cm, width 27cm, depth 27cm Crafted in Austria in the late 19th century, this magnificent three-piece clock set was most likely gifted to the Imperial Russian family by the Austro-Hungarian Royal family. Its design is inspired by various cultures and styles, whilst its high quality celebrates some of the best craftsmen of the late 19th century. Of a tiered pagoda shape, the clock is surmounted by an eagle, its wings spread wide landing atop a vibrant lapis lazuli ball. The eagle is most likely a reference to Turul, a mythological animal which is a symbol of Hungary. This bird of prey is also a popular feature within Turkish traditions. Within a canopy, supported on four sturdy lapis lazuli pillars two prominent silver-gilt bells are hanging. These are carved with various motifs such as acanthus leaf design and connect to the clock mechanism below. The bells ring informing its users of the time. All four sides of the piece are inset with a clock, an unusual feature on an object of this type and a testament to its highest quality. The inclusion of clocks on all sides signifies that the antique is aimed to be a centrepiece, admired from all sides. The dial is decorated using the champlevé enamelling technique, whereby ‘parcels’ are carved into the silver gilt and into which enamel is poured. The 12 numbers are coloured in black with a gold outline and are surrounded by a white circular background making them stand out and easy to read. The hour clock dial is cast in the form of a sun, while the minute hand is represented as the moon. The two motifs symbolise one’s bright and gloomy sides of existence. The four corners around the clocks are mounted with three-dimensional female figures dressed in traditional garments from around the world. For example, one figure is dressed in typical Turkish clothing...

A Rare Austro Hungarian Gilt Silver & Jeweled Table Clock, Circa 1900, having semi precious stones throughout including agate, malachite, amethyst, pearl, coral and enamel DIMENSIONS...

The body of this fine table clock and barometer is veneered in lapis lazuli and supported by a hinged arm to the reverse. The clock and barometer d...

Antique late-19th Century Austrian exceptional solid silver gilt & lapis lazuli miniature clock, At the top, a cherub feeds grapes to a panther, while a pair of lion masks adorn the ...

French sculptor Etienne-Maurice Falconet (1716-1791) is the inspiration for this beautiful, sumptuous mantel clock. His clock, crafted in the late 18th Century and now on display at the Louvre Museum, caused such a stir when it was exhibited over 100 years later, at the Great Exhibition in Paris in 1900 that one reviewer claimed that it "attracted so much admiration from the crowds gathered around that the pressure was sufficient at times to endanger its safety." As well as this famed 'Three Graces...