Modernist Perforated Italian Wastepaper Bin in Grey Metal and Brass, Italy 1960s

Italian 1960s Interchangeable and Rotating Desk Document Holder by Antonio Ferretti. Antonio Ferretti is one of Italy's earliest Office Supply company.  

Max Ingrand model 2291 paperweight for Fontana Arte, Italy 1960s Signed with the incised F X Reference: Quaderni Fontana Arte 6

Exceptional Gabriella Crespi 'Parrot' box. Wood and brass. Signed Gabriella Crespi.

Stilnovo Model 1262 ceiling lamp in chrome and white metal, Italy 1960s

Fontana Arte magazine rack in brass and glass, Italy 1960s.

Lion head table lighter in silvered metal, Italy, 1960s.

We are delighted to offer for sale this lovely Victorian hand carved English oak wastepaper bin A very well made and decorative piece, it looks smart and elegant in any setting ...

Italian modern office bins in black metal and plastic by Neolt, 1980s Pair of square-based office bins. The main structure is made of a perforated sheet met...

Five big file folders in wicker and brass details made in Italy in the 1960s.

England modern Round wastepaper basket in red and white metal, 1990s Round-based wastepaper basket in painted metal with red and white spiral stripes design. The upper profile is rou...

Three brass paperweights, Italy, 1960s. They depict three small fish and were probably retrieved from a piece of furniture or a lamp. Small signs of time and use.

"Carlo" is a riveted leather wastepaper bin, designed by Claude Bouchard and manufactured by Oscar Maschera. Genuine Italian leather vegetable tanned. Colors combination to be chosen from the available range: tan, sienna, orange, red, red-purple, dark brown, khaki, blue, black. DIMENSIONS: D. 10.2", W. 10.2", H. 13.3" The leather is doubled to obtain greater thickness and a color contrast between inner and outer surfaces; it's then folded and held together by metal rivets: the object has taken shape. Leather, robust and soft, which maturates over time like wood, wine, brandy and cheese, is a material suitable for a living relationship with people and things it has to do with: it absorbs their scent and gives its own. It protects, gathers and changes shape, as it retains something of the life it once had. Past experiences in working with leather, with objects of common use transformed into their own form by the material of which they were made (baskets, boxes, trays, writing-desk items, small pieces of furniture, in addition to bags and cases, of course) have led Oscar Maschera to today’s production which has exceeded even the limits of explicit reality to get the pure form of the objects, reaching beyond the risky limit of mere functionality. CLAUDE BOUCHARD, interior architect and designer by training, is well known for his pieces of design in ceramics, porcelain, glass, metal and wood for firms such as Hermès...