Charming Regency Greyhound Paperweight

Count Gleichen’s Russian shell paperweight, the tooth shaped fragment of a Russian armament shell set above another of rectangular form both raised on a silver mount on an ebonized rectangular plinth, applied with a plaque reading ‘Two fragments of a Russian shell fired at Mr Fred Burne assist.t paymaster and Mr Henry Crave St John midshipman of H.M.S. Cumberland in Aug.t 1854 from Tsee Fort Bonarsund whilst conveying refreshments to the English camp – for their messmate – H.S.H. Prince Victor of Hohenlohe Midshipman landed with the Naval Brigade in 1854’. With a framed caricature of Count Gleichen inscribed Vanity Fair, London, July 5, 1884. Vice Admiral H.S.H Count Gleichen – the Queen’s Nephew.Russian and English, 1854. The print has the following biography on the reverse and on the mount ‘His Serene Highness Prince Victor …. of Hohenlohe-Langenburg, is better known in England as Count Gleichen and as the Queen’s nephew. Born fifty years ago, he was sent to school at Dresden; but at the age of fourteen he conceived ideas not to be bounded within the confines of the small life of a German principality. So he ran away from school to go to sea, and his aunt the Queen of England, being informed of the fact, proposed to her sister to let her adventurous nephew become naturalised as an Englishman and enter the English Navy. This was accordingly done, and Prince Victor, as he was then called, was appointed to the Powerful on the Mediterranean Station, in 1848. He served in the Crimean War and in the operations in China he proved a popular officer and a good sailor-man, and was three times wounded in battle. In 1861 he married the daughter of Admiral Sir George Seymour, sister of the fifth Marquis of Hertford on which occasion it was that he put down his title of Prince and took up for future use that of Count. He became, in due course a Vice-Admiral, and in the meantime he also became a sculptor. It is in the latter art that he now mainly busies himself, and he has created many pleasing busts of his royal relatives and some works of greater pretensions than family portraits. An Alfred the Great, a Beaconsfield, and a Prince Imperial...

A Regency tortoiseshell and ivory desk set, of shaped rectangular form with two glass inkwells, an ivory pot and two ivory pen holders above a curved pen tra...

19th century model of a ship's capstan in mahogany with a hinged lid enclosing an inkwell.

An aneroid desk barometer by C W Dixey, the 4inch silvered dial with blued indicator and gilt recorder needles divided to 32 millibars, with curved bar Fahre...

An Ottoman Empire parcel-gilt silver qalamdan, the slender rectangular pen holder with faceted rounded ends and a hinged lid attached to a squat, square section, bombé inkwell with a...

A fine early Victorian Boulle-work and ebony inkstand after George Bullock, of circular form with an overall design of tortoiseshell camellias against pewter leaves on a brass ground...

Early 19th century Regency brass paperweight in the form of a recumbent greyhound raised over cloth covered base.

A very handsome antique French Animalier bronze greyhound sculpture, paperweight, circa 1900. The bronze in the style of Emmanuel Fremiet, mad...

Porcelain paperweight printed with two figures in a chariot pulled by six horses. Marked Fornasetti Milano Made in Italy on the underside.

Early and original inkwell or quill pen holder in the form of a seated greyhound by Staffordshire. England, circa 1860. Features a finely execu...

Paperweight Achille in carved travertine with genuine suede leather covering in olive green finish. Also available in other suede colors finish, on request.

Quality antique Victorian Staffordshire Greyhound inkwell having a greyhound laying on a shaped blue coloured base, hand painted in wonderful blue an...