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Mid-Century Modern Faux Bamboo Frame with Relief Tile Border by Ron Hitchins

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  • Faux Bamboo Walnut large Framed Mirror, France mid 1800’s
    Located in London, GB
    A Large faux bamboo walnut mirror of beautiful warm tones, together with its original hanging chain in the Chinoiserie/Aesthetic Movement style. The mirror reflects the age of the pi...
    Category

    Antique 1860s French Chinoiserie Wall Mirrors

    Materials

    Mirror, Walnut

  • Boho Chic Style Faux Bamboo Walnut Framed Mirror Made in France in mid 1800’s
    Located in London, GB
    A faux bamboo walnut mirror of beautiful warm tones, together with it’s original hanging chain in the Chinoiserie/Aesthetic Movement style. Refreshed and revived by professional rest...
    Category

    Antique 1860s French Chinoiserie Wall Mirrors

    Materials

    Glass, Walnut, Mirror

  • Faux Bamboo Walnut Framed Mirror Made in England 1800’s in Boho Chic Style
    Located in London, GB
    A Faux Bamboo Walnut mirror of beautiful warm tones, together with it’s original hanging chain in the Chinoiserie/Aesthetic Movement style. Refreshed and revived by professional rest...
    Category

    Antique 1860s English Chinoiserie Wall Mirrors

    Materials

    Glass, Walnut

  • Mid-Century Modern Italian Glass Pendant Light by Mazzega
    By Mazzega
    Located in London, GB
    A Mid-Century Modern Italian pendant light or chandelier by the long established and respected glass maker Mazzega from the Island of Murano. The light has 10 white sugar spun sec...
    Category

    Vintage 1950s Italian Mid-Century Modern Chandeliers and Pendants

    Materials

    Metal

  • Mid Century Modern Ceramic Jardinière by Bernard Rooke
    By Bernard Rooke
    Located in London, GB
    An organic and Brutalist style Jardine which would work perfectly with trailing foliage. Bernard Rooke (born 1938) is a British artist and studio potter. Rooke has exhibited his "Brutalist" ceramics and painting both in the UK and abroad with work in many collections both public and private including the Victoria and Albert Museum, Cleveland Museum of Art, Nuffield Foundation, Röhsska Museum in Sweden and the Trondheim Kunstmuseum in Norway. Bernard Rooke attended Ipswich School of Art studying painting and lithography before going on to study at Goldsmiths College of Art. It was while studying here that he decided to take up pottery. Although unfamiliar with this craft and tradition, he found that working with clay provided new opportunities for freedom of interpretation and creativity. In 1960 Rooke set up his first pottery in Forest Hill in South London along with Alan Wallwork. It was a very small room with enough space for a small electric kiln. He was initially using mainly hand building, coiling, blocking and slabbing techniques. While researching ideas, he was supporting himself by part-time lecturing at London University, Goldsmiths College and St Mary's College. In addition, Rooke's membership of 'The Craftsman Potters' Association' enabled him to show his work in a shop in Carnaby Street in London. In 1967, both the need for a larger working space and becoming disillusioned with living in London spurred Rooke into moving out of the city and to an old mill building in Swilland in Suffolk. Rooke wanted to widen the range of work so as to become more commercial. With the birth of his son, Aaron, and much needed work to be done on the mill, it was important to be able to make a living. In 1968, the Grand Metropolitan Hotel commissioned Rooke to make 120 standard lamps, 120 table lamps as well as a 24 foot long ceramic mural and another 9 foot high, which incorporated interior lighting. The money from the commission helped to pay for much needed restoration work on the mill. By the 1970s, a gallery space was opened in the windmill and run by Susan Rooke, Bernard's wife, selling work to locals and tourists as well as to American airmen based nearby. The vision for Mill Gallery was beginning to develop and alongside this a reputation was building bringing in a good source of income. Sons Aaron and Felix were becoming more involved with the running of the pottery, giving Bernard more time to develop new ideas and designs and more time to continue with his painting. In 2004, the Rooke family decided not to sell to the public through the gallery anymore and close the pottery to concentrate more on painting and printmaking. In 2017 Bernard's lighting was featured in the Exhibition: “Glass, Light, Paint & Clay” at the Peterborough Museum and Art Gallery. The exhibition featured four artists: Bernard Rooke, John Maltby...
    Category

    Vintage 1970s English Brutalist Planters and Jardinieres

    Materials

    Clay

  • Mid-Century Modern Leather Medicine Ball
    Located in London, GB
    Early to mid-20th century leather medicine ball in good condition with wonderful patina that only comes with genuine wear and age. 2.5 kg in weight. General note: Shipping quotes...
    Category

    Vintage 1950s British Mid-Century Modern Sports Equipment and Memorabilia

    Materials

    Leather

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  • Mid-Century Modern Madonna with Child Murano Glass Torchon Frame by Venini, 50s
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  • 1950s Mid-Century Modern Mirrored Glass Picture Frame by Fontana Arte
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  • Mid-Century Brazilian Modern Picture Frame Circa 1970s
    Located in Miami, FL
    Brazilian modern picture frame in tessellated stone with wood backing circa 1970s. Viewable photo size: W6-1/2” H8-1/2”
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  • Pair of Picture Frame in Faux Bamboo Silvered Copper, Italy, 1970s
    Located in Rome, IT
    Beautiful pair of horizontal and vertical picture frames in faux bamboo silver plated copper. Made in Italy in the 1970s.
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