Abstract Bronze Figure titled "Fruit Picker" by Gurdon Woods S F, Bohemian Club

Early 18th century Chinese Qing period carved Lohan figure in draped robes. Very finely carved heavy dark rosewood. The aged surface patina with tight gra...

Renaissance style figure of a pilgrim with a small dog. Continental hammered, repouusse and incised copper, circa 1860.

English Regency framed, fine gilt, repousse, copper figure of an exotic actor. Circa 1820. In the manner of a carriage decoration. Finely chiseled repo...

Gertrude Vanderbilt Whitney Bronze Sculpture "Chinoise" circa 1915. A standing figure of a woman in a flowing gown with Buddha-like hand gestures standing on a lotus form base. Ma...

Midcentury Russian Bronze Tray with a Scuba Diver Holding a Fish. A dresser or desktop tray.

Pair of Art Deco Austrian Bronze Rabbits Signed R. Desset Each rabbit mounted on a block of variegated green serpentine marble. Rabbits are ea...

Robert Graham (1938-2008) "Kim" 1984 signed: R. Graham A large patinated bronze figure of a standing nude lady on a rotating pedestal. Measures: Height 77" Width 14" Depth 14" Ex...

This very fine life-size patinated bronze figural torchere modeled as a classically clad female musician holding a mandolin and a torch. This symbolic representation of Music, falls within Coutan’s allegorical work. The sculpture stands on a period carved wood pedestal. Inscribed on base: Coutan, Thiébaut Frères, Fondeurs. Total Height: 101″ (259 cm) Bronze height: 67″ (170.1 cm) Pedestal Height: 34" (86.3 cm) Jules-Félix Coutan (22 September 1848 – 23 February 1939) is considered to be one of the most gifted French sculptors and designers of the 19th and early 20th centuries Coutan studied under the renowned Pierre-Jules Cavelier at the Ecole des Beaux-Arts in Paris, and was awarded the Prix de Rome in 1872; after his return to Paris he executed the fountain group France Bearing the Torch of Civilization for the Exposition Universelle (1889), one of the two prominent sculptural commissions for the Exposition grounds.[1] Later he taught at the École des Beaux-Arts from 1900, where he expressed his disdain for the researches of Rodin— fumiste—[2] and the Impressionist sculptors who followed him. Coutan was elected to the Académie des Beaux-Arts in 1905.[3] Coutan is best known in the United States for the sculptural group above the entrance to Grand Central Terminal in New York City. For Grand Central Terminal, Coutan was contracted to provide a quarter-size scale plaster model of the three-figure allegorical Transportation group, which he developed from 1911 through 1914. The carving was performed by the William Bradley & Son of Long Island City.[4] Among Coutan's students were Hippolyte Lefèbvre, Raymond Delamarre...

A bronze sculpture by Joseph A. Burlini signed J. A. Burlini etched in the lucite base. Done in the Brutalist style.

Modeled in a high stepping pose and shielding her face with her hand, on a stepped green rectangular marble base inscribed Caderra and with a seal for Galleria Artistica, Peru, furth...

Large scale one of a kind abstract bronze Mid-Century Modern sculpture commissioned by the CHICU corporation in LA and executed by Chicago artist Abbott Pattison in 1977. Masterf...

After a model by Constantino Barbella, late 19th century. The old man seated in a chair with the girl on his lap about to bestow him with a kiss, on a shaped square base. marked C. B...