Andile Dyalvane, "uMbona, " Vessel, Brown, White Stoneware Clay, 2017

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 32.75 x 15.5 x 10 inches 83 x 39 x 25 cm Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisitory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as Assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 22.25 x 10 x 12.75 inches 56.5 x 25.4 x 32.4 cm Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisitory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as Assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 29.25 x 16.25 x 10.5 inches 74.3 x 41.3 x 26.7 cm Brooklyn-based Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisatory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Misha Kahn [American, b. 1989] Mole Eats Worm 2020 Foam, fabric, steel 38.75 x 107 x 45 inches 99 x 272 x 114 cm

Misha Kahn [American, b. 1989] Double Shuck Pea 2023 39.5 x 55.25 x 43.25 inches 100 x 140 x 110 cm

Fernando Laposse [Mexican, b. 1988] 2021 Heirloom corn husk marquetry on maple, eco resin 16.25 x 85.5 x 45.25 41 x 217 x 115 cm

Trish DeMasi Spora vessel, 2021 Glazed and raw speckled stoneware Measures: 11 x 12 x 22 in.

Egg designed by the Swedish ceramicist Hans Hedberg, who lived and worked in Biot, France. This egg is 25 cm (10") high including the stand. It´s in excellent condition and it has a ...

This sculptural object is a reflection upon the nordic-classicist architecture of Stockholm - produced by Marshall-Brown while on a long term graduate exchange between the Royal College of Art, London and Konstfack, Stockholm. The exchange was generously funded by the Anglo-Swedish society. The sculpture was press moulded using a complex multipart plaster mould. Inclusions were added to the clay body, so that when fired, they weep and ooze from the surface, creating small fissures and disturbances to the formal structure. Guy Marshall-Brown Guy Marshall-Brown is an artist, educator, and current practice-based research student - researching the relationship between architectural ruins and sculptural ceramic practice at University for the Creative Arts, UK. A graduate from the Royal College of Art, UK - MA Ceramics...

Inspired by Mid-Century Modern design, the pierced collection is wheel thrown and hand pierced stoneware with a satin glaze. Small holes are created when the clay is still wet and th...

Benoist Favre Midcentury bird ceramic sculpture realized, circa 1975. Brown stoneware pottery colors with effects. Excellent original conditions...

Claude Gaget Amazing large stoneware tree sculpture by the French artist. Original perfect conditions, signed at the base GAGET Brown and colored firi...