Artist Elliot Bergman Patinated Dark Charcoal Gray to Black Aluminum Sculpture

Lorenzo Burchiellaro cast and etched aluminum square sculpture. Patinaed black and natural etched aluminum composes this open cube with a dish depressed center for either holding va...

ALBERT CHUBAC FRENCH ARTIST STEEL KINETIC ROTATING SCULTPURE GIROUETTE 2002 1/2 SCHOOL OF NICE Chubac was born in Geneva, Switzerland, in 1925 and re...

The French architect and artist Arik Levy mirror polish stainless steel small log sculptures from "Absent Nature" exhibit at Wright, 2007. Each signed w...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...

Claude Gaget ceramic wood fired tree sculpture created in La Borne, France. Elegant various shades of light to dark brown colors which are influenced by the position of the sculpture in the kiln and the effects of the wood fire. Signed at the base Original perfect condition Claude Gaget arrived in La Borne 13 March, 1973. He was working at Pierre Mestre’s house and set up his first workshop in Boisbelle. From 1974 onwards, he has shared his life with Claudine Monchaussé...

Sculpture Elliot Bronze all in solid bronze in green finish. Also available in polished bronze finish, price 5850,00€.

These beautiful sculptures were crafted in Austria in the early 20th century. They are signed, ‘Nam Greb’, after the famous ‘Bergman’ Viennese bronze foundry. Cast in the Bergman style, the Orientalist sculptures depict two women in Egyptian dress...

Sculpture Elliot Polished Bronze all in solid bronze in polished finish. Also available in green bronze finish, price 5250,00€.

Patinated bronze sculpture, circa 1970. Creator to identify composed of two assembled elements.

Modern Brutalism Cubist Sculpture Corrugated Aluminum Myrna M. Nobile. California artist 1960s in San Diego CA 11 w x 18.5 x 8.75 d Preowned Unrestored O...

This aluminum locomotive sculpture was originally a playground spring ride located throughout parks. Spring is not included. It's more sculptural and part of Americana history. We had this locomotive sand blasted and powder coated black. Locomotive measures 29" wide, 14" deep with handles and 15" high. Stamped J.E. Burke Co, Fond Du Lac...