Artist Signed Sculpture of an Abstract Nude

Artist : Manfred Strake (1923) Title: 'Archaic Mask' signed with monogram Material: Bronze, brown patina. Part. With traces of oxidation. Provenance: With foundry stamp of famou...

LEO ERB 1923 – 2012 Multiple in cardboard slipcase with original box and leaflet, each typographically printed. Casting compound, painted white. From the limited edition of 500 copies. Based on the line sculpture from 1992. Each copy numbered on the underside. Signed and dated (recessed) on the base. From the Edition Art Collection 2002 published by the Friends of the University of Applied Sciences Hof, Hof /Saale. The copy number shown in the photo may differ from the one offered. Size relief: 20 x 5.5 x 5.5 cm. From 1940 to 1943 Erb attended the Kunstgewerbeschule in Kaiserslautern, where the St. Ingbert artist Albert Weißgerber had previously completed his initial training around the turn of the century. In the years 1946/1947 he attended the school for arts and crafts in Saarbrücken. There he studied with Boris Kleint, who represented the Bauhaus theory (color type theory) of the Bauhaus teacher Johannes Itten. Already in his early years (1948/1949) Erb set up his own studio in his hometown. During this time he created his first linear paper cuts, sculptures and "line drawings". In 1957, together with his teacher Boris Kleint and other young Saarland artists, he founded the "Neue Gruppe Saar", which counted itself among the avant-garde of the time. From about 1958 he began his structured "Line Pictures" and "Line Reliefs", which he u. a. 1958 in Düsseldorf as part of the 7th evening exhibition “Das rote Bild” by the ZERO group in Düsseldorf. In 1961 Erb moved to Paris, where he lived until 1975 and worked in the studio he built himself. During this period he continued to develop his line work and created "linear light objects", "solar sculptures...

Schäffenacker Ulm studio Helmut Friedrich Schäffenacker (1921 Ulm - 2010 Ulm) Helmut Schäffenacker was a ceramist who had a decisive inf...

Artist : GERTRUD KORTENBACH 1924 Solingen - 1960 Solingen Title: 'Jumping Horse' signed with monogram on front Material: Bronze, brown patina. Part. with traces of oxidation. Measurements: H. 36 cm, W. 34 cm, D. 1 cm. GERTRUD KORTENBACH was a German sculptor and painter. 1943 - 1948 she studied at the Düsseldorf Art Academy together with Joseph Beuys - to the master class of the sculptor Ewald Mataré...

Richard Lindner (1901-1978) signed and numbered lithograph of a male portrait, entitled "Profile." From Lindner's "After Noon" portfolio. Numbered 186/250 in pencil lower left corner...

Very nice tray with reverse glass painting and mother of pearl inlays. 2 Graceful dancers on water lilies framed with floral motifs. Edging with wic...

Bronze sculpture in the manner of Alberto Giacometti. Female nude with arms crossed mounted on walnut plinth. Signed Billing.

Nice ceramic sculpture of a lion. Beautiful mental piece.

Hand painted earthenware signed by the artist. Can be displayed on the wall or on a table top easel. Please confirm location.

Rare artwork by V. Nason This stunning work of handblown work of Murano art glass design is by Vincenzo Nason's art glass studio V. Nason & Co.

A 1976 abstract bronze sculpture of a nude figure by the American artist Theodore Gall (born 1941). Signed and dated “T. Gall 76", this bronze depicts a nude figure posing contrappos...

Ceramic sculpture by Carlo Zauli from the series "Sphere" done in the circa 1970s. Stoneware and very abstract. Influences of Lucio Fontana are apparent. Exhibited large scale installations during Milan Design Week 2013. Carlo Zauli is indisputably considered one of the most important sculptors of the twentieth century. After having won the main awards in ceramics in the fifties, the early sixties saw him evolve towards a markedly sculptural interpretation of his Craft. In these years he developed his own artistic language, imbued with informal atmospheres intertwined with a harmonious but disruptive "naturalness": these are the years of growing international success. From 1958, the year in which the great high-reliefs were made for the Baghdad palace and the Kuwait State Printing Office, he saw his fame grow continually, up to the end of the seventies and eighties, throughout Europe, Japan , North America, where he realizes exhibitions and placed work permanently. Carlo Zauli was born in 1926 in Faenza, where he died in 2002. Instead of ornate platters and decorative vases, his work seemed to have emerged from the earth itself, with organic curves, jagged edges, cracks and fissures that reflected the artist’s keen connection with nature. It was this passion for the natural world that made his work revered in Japan. Zauli first showed in the Japan as well in 1964 with the International Exhibition of Contemporary Ceramic Art that toured several top museums. At the beginning of 1960s, Carlo Zauli enters an artistic period in which he could be defined 'a sculptor of vases.' He subjects his vases to a progressive process of geometrical synthesis that, combined with a sort of abnormal growth, turns them into true sculptures. His studio receives frequent visits from Arnaldo and Giò Pomodoro, Giuseppe Spagnulo...