Cedrus Deodara #1 by Marco Bellini

Qercus Rubra #1 by Marco Bellini. Dimensions: 33 H x 44 W cm Materials: Red oak Fire, beeswax. Marco was born in the middle of the rice fields of Vercelli, Italy, during the Y...

Untitled 36 by Neshka Dimensions: 23 x 23 x 166 cm Material: Charred cedar sculpture with fir and acrylic base Neshka ( Agnieszka Krusche ), is a native of Kraków, Poland, and a...

Untitled 37 by Neshka Dimensions: 20 x 20 x 55 cm Material: Charred cedar and wenge wood stand Neshka ( Agnieszka Krusche ), is a native of Kraków, ...

Corps Céleste III unique sculpture by Awaré Dimensions: L 40 x H 60 cm Materials: Cypress, silk, oxidation Awaré is the meeting of the sculptor Jérôme Pereira and the artist Sylvia Eustache...

Reduce by Kajsa Willner Dimensions: 30 x 1.6 x 30 cm Materials: Disposable Plastic casted in biobased plastic Swedish designer Kajsa Willner has cu...

Cover #2 by Neil Nenner and Avihai Mizrahi Cover Story Dimensions: H 39.5 x L 15.5 x W 26 cm Materials: iron Avihai Mizrahi (b. 1979, Jerusalem)...

This plaster sculpture is a reproduction inspired by different Roman originals depicting the renowned Roman Emperor Marco Aurelio. The Emperor is dressed...

“Rainbow” Heechee Probe with black glass spine abstract Sculpture By Thomas Kelly.

Koi Fish installation figure by Southern California Artist Robert "Bob" Matheny. This piece was acquired at Robert Matheny’s estate. The piece is 16” in...

We love this piece! Number 2 from an edition of 2, the other was sold recently on Saatchi online, and honestly we don't mind rat dog hanging around, he eats no...

Black geometric sculpture by Ursula Meyers conceptual Artist. Ursula Meyer (1915-2003) American sculpture signed and dated. This monumental geometric form sculpture is one the first work of art ever offered for sale, only at Greenwich Living, by renowned artist Ursula Meyer. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the Artist Studio. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...

"It feels like the branches connect us all to each other, entangling us in our complexities. They hold us up and anchor us down, like a melting pot that has stopped boiling half way ...