David Hymes, Contemporary, Boomerang Sculpture, Plywood, Steel Pedestal, 2010s

Contemporary, Modern Footstool or Ottoman, Chrome, Acrylic, Faux Snakeskin, 2010s Retails for $1,890. Faux snakeskin upholstery. 20H x 19W x 19D

Christopher Guy, Contemporary, Sofas or Settees, Celadon Velvet, Mahogany Pair of sleek and stylish modern sofas or settees designed by Christopher Guy. Newly upholstered in Celadon...

Pair solid wood horn floor standing high fidelity speakers Model FS-1 by A for Ara. Available immediately A fine walnut dot inlaid horn on an ebony base wi...

Contemporary, Modern Tufted Window Bench, Chrome, Acrylic, Green Velvet, 2010s Retails for $2,272 IPZ

A Holly Hunt Wrought Iron and Crystal Chandelier. From a spectacular home on the North Shore of Long Island comes this fine Holly Hunt wrought iron and crystal chandelier. This ico...

Contemporary Abstract Stone / Marble Sculpture on Base, Organic Form, 1990s Base, 1990s 13.25H x 9W x 7D

Shaman steel, found objects 20 x 6 x 20.5 in. Artist statement I seldom use stock material, but prefer distressed and rusted steel that has been scarred, bent, and made imperfect. In this state, the material becomes quite beautiful. There are figurative elements in my work, though I am more drawn to the non-figurative, to the raw and essential aspect of steel. The industrial purpose of steel must be considered, its use in construction, manufacturing, the military. Steel is forged with enormous energy and power. The process is violent, loud. Here, it is still and approachable. The compositions are constructed mainly from found parts. Their relationships manifest as I interact with the material. The pieces interlock, balance, and become fitted before I fasten or weld them together. The engineering is elemental. Altering the material is avoided. The number of parts kept to a minimum. Art is my spiritual exercise, my selflessness. It identifies me as a creator and satisfies my human longing for place and purpose. It needs not to be great, or preeminent, or commercial. Art speaks because it is primitive. It exists because it is sacred. Bio Scott Gordon was born in Ridgewood, New Jersey in 1966. He attended the University of Denver where he studied business and the University of Washington where he pursued an MFA in creative writing. While he was in Seattle, he was introduced to steel as an employee of the David Gulassa Company, a fabrication shop which produced custom furniture and architectural fixtures. At Gulassa, after hours and on weekends, Scott worked on personal projects, applying the tools and techniques used in his daily work. Lacking resources to purchase stock materials, much of the steel he used came from the scrap bins at Gulassa. He also used steel found along the railways, shipyards, and industrial corridors of Seattle. The characteristics and limitations of the material helped him to define his aesthetic and his approach to sculpture. He currently lives and works in Vermont. Inspirations: David Smith, Anthony Caro, John Chamberlain, Julio Gonzalez, Richard Stankiewicz, Tony Smith...

Stunning stone sculpture by African artist David Bangura. It has been mounted on a white pedestal. David Bangura was born in 1955 in...

Studio steel sculpture of animal using found objects. Sculpture measures 26" wide, 15" deep and 26" high.

One of several arresting sculptures by Aage Birck in which the Danish artist recontextualizes bones, teeth, or other once semi-living remains, using them as details or ornamentation....

Beautiful stainless steel ribbon sculpture by American artist Elijah David Herschler, the piece is to be hung from the ceiling. Goo...

Erich Bolinger contemporary steel sculpture.