Geometric Aluminum Sculpture by California Artist Casey Cross

A painted aluminum sculpture by the noted American artist Frank Riggs (b. 1922). The piece is signed and dated 1990. In good condition with some minor paint loss along the edges and ...

Whimsical large figural abstract of a woman by the noted California artist Ed Hart. Signed on the base. Made of some exotic woods. In good overall condition wi...

A set of fabulous aluminum two sided monumental sculptures by the renown British Sculptor Roy Rasmussen. They were identified for us by a relative of the artist as "Ida II and Maren". They are mounted to bases by posts that can be easily set into the ground where they can be mounted outdoors. As aluminum they will not rust and can withstand the weather. Both are signed and dated 71. They are 77 inches tall as pictured. The actual rectangular pieces are 66.75 inches tall. They are 22.5 inches wide and approximately 8 inches deep. In good condition with minor imperfections and age appropriate wear and tear. From the artist's Website: Born in London, England in 1919 of Anglo Danish parentage, he was the third generation of a family of craftsmen in metal. His grandfather had originally worked with metal in Denmark, but it was an uncle in the United States who had used aluminium to produce artistic sculptural forms attracting press coverage. This was the catalyst which led him to embark on studying the techniques of exploiting that medium. Early working life had exposed him to the crafting of sheet metal and different welding techniques through the car industry at Rolls Royce and then working later in the production of artificial limbs. Initially pursuing art of a representational nature with great success, his first work was completed and exhibited in 1954. A year later he presented two new works, which were then exhibited at the Aluminium Centenary Exhibition in Britain run by the Aluminium Development Association at the Royal Festival Hall and visited by H.R.H Prince Philip. Roy Rasmussen was to earn widespread recognition from this landmark beginning. A chance spell in Egypt as a young man (due to military service during the War) had exposed him to ideas and inspirations which would be nurtured and regenerated some decades later. The mysteries and splendors of Egyptian art were enveloped and symbolized into shapes and emblematic forms, and were to remain a powerful influence in many of his works, as he turned away from purely representational or figurative sculpture. From the early 196os his works were exhibited widely: from many London West End galleries to, internationally, exhibiting at shows such as the British Council at the German Industries Fair and the English Expressionists at the Galerie Creuze in Paris. He had in the late fifties joined the artist Lyall Watson who founded and opened the Woodstock Gallery, off of Bond Street in London, and worked closely with him as a director and artist of the gallery throughout its formative years. In 1967 he left the Woodstock Gallery and moved to the newly opened John Whibley Gallery on Cork Street in Mayfair where he remained as resident artist until it closed in 1977. His association with the Free Painters and Sculptors group, where he had been an early member since the 1950s, was further sealed in 1984 when he became director of their Loggia Gallery with its sculpture garden, in Buckingham Gate, Westminster. He exhibited there throughout the many years following. After his death in 2014 the Free Painters and Sculptors set up the Roy Rasmussen Award to be presented annually, 'in recognition of one of our founding members Roy Rasmussen, a revered sculptor and historian, whose years of dedication have inspired generations of FPS artists'. SELECTED LIST OF MAJOR AND NOTABLE EXHIBITIONS Aluminium Centenary Exhibition, Royal Festival Hall 1955 Society of Portrait Artists 1957 Drian Gallery Exhibition 1957 'New Vision' Denis Bowen New Vision Gallery 1957 'Painter and Sculptor Collaborate' Woodstock Gallery 1959 Inaugural Exhibition Woodstock Gallery 1959 'Symposium' Royal Institute of British Architects 1959 'Expressionistes de Londres' Galerie Raymond Creuze, Paris 1960 'Art Alive' International Collection, Northampton 1960 Maurice...

A wonderful wood sculpture by the noted NJ artist Fred Scumm. It is inscribed near the base with no date. Likely from the late 1980s or early 1990s. Colorfu...

A beautiful large glazed terracotta sculpture by the noted East Hampton based artist Phyllis Hammond. It is quite large and extremely well done. It is signed Hammond lower back and the artist has identified the piece as having been done in the late 1970s. It appears to have been made in two parts and then joined. Please be sure to visit her website as well. A brief biography from her website follows: Born in Elizabeth, New Jersey, Phyllis has a BS in Education (fifth year graduate certificate) Tufts University, School of the Museum of Fine Arts, Boston, MA. In 1960 she was awarded a Travelling Scholarship by the trustee’s of the Boston Museum. She was the first American woman to work study at Kyoto City College of Fine Arts, Japan. A studio at Scarborough, NY until 1998. Relocation in 1998 to East Hampton, New York where a custom built studio and sculpture garden recreate sculpture in public places. Public Arts Commissions: The Will Award "The Shakespeare Theatre at the Folgers will present this sculpture to the first recipient of the William Shakespeare Award for Classical Theatre. Designed by nationally-recognized artist Phyllis Hammond, the intricate 14” cast bronze piece pays homage to Shakespeare and his work. The award will be presented April 23 during a gala evening under written by Shearson Lehman Hutton, at the National Building Museum." New York Times, The Arts Section C15 on Tuesday March 15, 1988. The 2002 award marks the 14th year of presentations. The Shakespeare Theatre Company... Past Will Award recipients. Connecticut Commission For The Arts, Percentage for the Arts Program. Hartford CT Phoenix1 and 2. Memorial Hall Library, Andover, Ma Acquisition, 1989 Stoneware Sculpture. American Savings Bank, corporate headquarters, White Plains, NY. Schmeltzer, Aptaker, And Shepard. law offices, Washington, D.C. Centerpoint, office complex: Fair Oaks, VA Atrium: Cadillac Fairwell, Corp. headquarters White Plains, NY. Guest Quarters Hotel, Bethesda, MD: 2 bronze sculptures, Visions/Revisions. One Clay TOTEM. Unitarian Fellowship in Mt. Kisco NY: 1992 the sculpture commissioned by Henderson Cole. Connecticut State University, New Haven, CT: 2 Clay Wall Panels. Associations: Artist Alliance of East Hampton (President) PO Box2242 East Hampton, NY 11937. Friends Of Guild Hall (Director of the Artist Studio Visits) 158 Main Street East Hampton, NY 11937. East Hampton Arts And Culture Council (Member) POBox232 East Hampton NY 11937. International Sculpture Center (ISC Member) 19 Fairgrounds Road, Suite B Hamilton, NJ 08619. Clay Art Center (Member)40 Beech Street, Port Chester, NY 10573. Gallery and corporate representation Kiesendahl & Calhoun Contemporary 122 Great Oak Lane Pleasantville, NY 10570. Exhibitions selected group: 2007 Artist Alliance of East Hampton Members Exhibition and Studio Tour. 2007 Clay Art Center, Port Chester NY. Past member exhibition 1969-1975. 2006 Spring Invitational, Springs Improvement Society, Springs NY. 2006 Artist Alliance of East Hampton Members Exhibition and Studio Tour. 2004 Guild Hall East Hampton NY Group Exhibits. 2004 Artists Studio Tour, East Hampton Artists Alliance NY. 2002 Guild Hall Invitational East Hampton NY. 2002 Artists Woods Amagansett NY. 2001 Artists’ Woods, East Hampton NY six sculptures. 2001 Springs Invitational Springs Improvement Society, Springs NY. 2001 Ashawagh Hall, East Hampton, N.Y. 1999 New Studio Space & Sculpture Garden, East Hampton NY. 1993 The Gallery Briarcliff Manor NY. 1992 Ashawagh Hall, East Hampton, N.Y. 1992 Seraphim Gallery, Englewood, NJ. 1991 Benson gallery: East Hampton N.Y. 1990 Art Gallery, Montgomery College, MD: "Sculpture Public Art”. 1989 Rockland Center for the Arts, Nyack, NY: "Clay Transformations” Travelled. 1989 Atelier Gallery, Zug, Switzerland: "Icarus". 1989 Chesterwood, Stockbridge, MA: "Contemporary Sculpture". 1988 Franz Badar Gallery, Washington, DC: "Architectural Ceramics" 1987 Kendall Gallery, Wellfleet, MA 1985 Silvermine Guild of Artists, CT: 33rd New England Exhibit of Paint & Sculpture. 1983 Robertson Center, Binghamton, NY: "Ancient Inspiration/Contemporary Interpretation". 1983 Cummings Art Center, Connecticut College. New London, CT: w/Poster. 1982 Women's Interarts Center, NYC: "Architectural Ceramics". 1982 Brookfield Art Center, Brookfield, CT: "Centennial Exhibition of Sculpture". 1981 Summit Art Center, Summit, NJ: "Paper, Clay, Metal, & Glass". 1981 The Gallery at Hastings, NY "Collage/Assemblage". 1981 Katonah Art Gallery, Katonah, NY "Sculpture. Invitational". 1980 Ikebono School, Shinjuku, Japan: International invitational (Travelled). 1979 Mamaroneck Artist Guild Juried Exhibition White Plains NY. Solo exhibitions: 2002 Ashawagh Hall, EH, NY. 1998 Exhibitions at Studio & Sculpture Garden, Scarborough NY. 1990 112 Greene Street Gallery, NYC. New Sculpture. 1990 Pindar Gallery, New Works NY. 1989 Pindar Gallery, NY. Visions/Revisions. 1989 Benson Gallery, Bridgehampton, NY 1986 Pindar Gallery, NY: Excavations: Clay. 1986 Hudson River Gallery, Ossining, NY Retrospective exhibit. 1984 Noyes Museum, Ocean Ville, NJ: Curator Anne Fabbri, Retrospective. 1981 Mari Galleries, Mamaroneck, NY. 1981 Pindar Gallery, NY: Transitions, Clay. 1979 Pindar Gallery, NY Emerging Images. 1979 Silvermine Guild of Artists, CT: 30th New England Exhibition of Paint & Sculpture. 1977 Museum of Fine Arts, Boston MA: "Art in Transition". Awards: 1991 University of Florida at Pensacola. Finalist for a Sculpture Garden. 1990 Ragdale Artists Community Lake Forest, ILL. - Fellowship. 1986 Woman in Design International Compendium - Certificate of Outstanding Achievement 1985 State Legislative Office Building, Hartford - Finalist, Percent for the Arts Program. 1981 CT Commission: Portals for a school - Finalist. 1981 National Endowment for the Arts - Grant. 1979 Mamaroneck Artist Guild Award - Juried by Mr. Doty, Whitney Museum. 1978 Westchester Art Society: Sculpture Award - Juried by John Bauer...

A wonderful abstract sculpture by the noted Palm Springs artist Anwar Fonseca. Mr Fonseca’s art has been featured regionally and this evocative work is titled “Desert Owl.” It is la...

Modern Brutalism Cubist Sculpture Corrugated Aluminum Myrna M. Nobile. California artist 1960s in San Diego CA 11 w x 18.5 x 8.75 d Preowned Unrestored O...

Abstract striking bronze sculpture by California artist Clay Walker, circa 1960s nice and heavy very impressive signed on the base.

Incredible and unique metal sculpture by Robert Ortlieb, A unique piece that captures Industrial Art Deco and Postmodern movements, Californian artist f...

Figurative Bronze Sculpture by California Artist Ken Vares, 1968. One of a kind signed 1/1 sculpture on base with artist signature and date of 4/68. Bronze on walnut base. Measures 2...

Welded steel Brutalist sculpture by Paul Kasper, circa 1960s. Was purchased from the estate of Paul Kasper. Biography Paul Kasper. Paul Charles Kasper was born in Whiting, I...

Black geometric sculpture by Ursula Meyers conceptual Artist. Ursula Meyer (1915-2003) American sculpture signed and dated. This monumental geometric form sculpture is one the first work of art ever offered for sale, only at Greenwich Living, by renowned artist Ursula Meyer. Provenance: From the Estate of Ann Pollon Re: The Collection of Ursula Meyer. Descendant. Acquired from the Artist Studio. Ursula Meyer was a German-born American sculptor, art-focused academician, and fine art critic, who proved an influential player in the transmission of and appreciation for European born Modernism to the United States in the post-World War II era. At first a ceramicist beholden to the teachings of 1930s Germany’s Bauhaus and Italy’s Futurists, she eventually became a creator and exponent of a crisp, geometry-focused sculptural lexicon in ceramics, and later wood and metal sculpture. Her legacy includes a decades-long exploration of Minimalism, as well as experimentations in creating and deciphering Conceptual and Expressive genres. Born in Hanover, Germany in 1915 to Ernst Josef Meyer and Elsa Katzenstein, Ursula Meyer is recorded as having “studied with former Bauhaus masters after the Bauhaus itself had closed under threat of National Socialism” in 1933. Spanning the years 1934 through 1937, Ursula’s Bauhaus tutorial is not fully documented, but it may well have included at least brief study with the French-born Marguerite Friedlaender Wildenhain (1896-1985), the first woman to earn the Master Potter certification in Germany, and who worked with Paul Klee, Wassily Kandinsky, Max Kehan and Gerhard Marcks (1889-1981). Meyer is recorded as having directly worked with Marcks, as well as with Otto Lindig...