Nerone E Patuzzi Np2, Sculpture, 1972, Metal

Rare and interesting coffee table made by the creative genius of Nerone and Patuzzi Gruppo NP2. Coffee or side tables, created by the renowned NP2 Group, have an attractive and inte...

Original art sculpture designed by Gaetano Pesce; signed and dated 1963, Per Cassina 1968-1963. Red frame with lamented wood on metal feet.

Rare and precious sculpture made by Gio Ponti for De Poli in the 1950s The sculpture, made of copper enameled in shades of blue, depicts a bull They are an invention, these figures o...

Scultura in ceramica smaltata raffigurante un Orso Polare

Delightful Gino Vistosi Murano glass umbrella stand Made with a beautiful composition of clear glass and milky glass, the glass umbrella stand, in addition to its function of holding...

Comunemente noto come Settebello, secondo il nome coniato dagli operai che lo costruirono, l’automotore a sette vagoni Elettrotreno rapido 300 (ETR 300) è stato in esercizio presso le Ferrovie dello Stato dal 1952 al 1992. Un mezzo davvero unico, prodotto solo in 3 esemplari dalla ditta Ernesto Breda di Sesto San Giovanni (MI) con l’idea di dotare la flotta delle ferrovie statali di un prodotto che unisse nuova tecnologia e design avveniristico. Con una potenza di 2600 kW, più che doppia rispetto al suo predecessore ETR 200, L’ETR 300 poteva raggiungere agevolmente i 200 km/h, percorrendo l’intera tratta Milano-Roma in sole 5 ore e 45 minuti, ad una media di oltre 110 km/h quando ancora la direttissima Roma-Firenze non esisteva. Il progetto, caratterizzato da sagome aeronavali all’esterno, venne firmato da Giò Ponti, da Giulio Minoletti ed altri architetti e designers di grido dell’epoca, e prevedeva per l’arredamento interno innovative pareti vetrate, finestrini panoramici, salotti con poltrone mobili, sala ristorante ed ampio bar, servizio bagagli registrati. Forse l'elemento più distintivo erano le due carrozze bombate di testa che vennero progettate con cabine di guida sopraelevate per lasciare spazio in basso a confortevoli salotti belvedere per gli 11 posti di prima classe.

Nerone Ceccarelli was an Italian sculptor. He worked under the banner of research characterized by the integration of art and architecture, while he developed sculptures linked to a ...

Rare aluminum centerpiece by Nerone Ceccarelli and Giancarlo Patuzzi, Gruppo NP2. Thick aluminum crumpled sheet piece, it shows connections with the succeeding "Paperbag" vase by Ta...

Bronze sculpture by Nerone Ceccarelli, Italy 1970s. Unique piece made from solid bronze, metal wire and its special original travertine base. The bronze is showing great organic shap...

Beautiful 'elemento luminose' , illuminated wall sculpture designed by the renowned italian sculptors Nerone Ceccarelli & Giovanni Patuzzi (Gruppo NP2) for the gallery 'Forme and Superfici'. Turin,Italy in 1970. The panel has the engraved signature of both Nerone and Patuzzi and still bears the original 'forme and superfici' paper label to the rear of the panel. This sculpture is published in an original 'Forme e Superfici catalog' and the January 1971 issue of the renowned italian design periodical 'Interni-La rivista dell Arredamento'. Please see Literature section below for full reference. The central disc features a beautiful abstract hand crafted sculptural relief motif on metal , probably zinc, which is illuminated by a hidden fluorescent tube light. The frame surrounding the central sculptural disc is finished in stove enameled steel over a wood structure and features copper detailing. One of Nerone and Patuzzi's best known works is the enormous , 150 square metre, bas relief in zinc that they created in 1972 for the 'hemicycle' of the then new 'Schulman' building (1973) in Luxembourg which housed the early meetings of the European Parliament . The hemicycle was beautifully decorated following a project by the architect Simonis, combining different materials (leather, wood, metal) in a geometrical harmony, the whole integrated by Nerone and Patuzzi's huge zinc bas-relief on the rear wall. PLEASE SEE IMAGE 9. The zinc models were engraved using an etching technique, representing geometrical and abstract figures, and mounted on a surface of 150 square metres. The bas-relief was considered at the time to be the biggest sculpture in metal of the world. LITERATURE: Original 'Forme e superficie' catalog, confirms name as 'Elemto luminose' model ref C3 104 LZ', 'INTERNI , LA RIVISTA DELL ARREDAMENTO' January 1971, page 18, PLEASE SEE IMAGE 8. BIOGRAPHY In 1962 Nerone and Patuzzi founded the 'Gruppo NP2', an acronym that includes the initials of Nerone and Giancarlo Patuzzi: together with other artists "they experiment with new sources of poetic expression from the materials". = The aim of the group is to promote the integration of art in architecture together with other professionals, including Luigi Marchisotti, Dedalo Montali...

Italian midcentury abstract-geometric silvergrey alumnium bowl designed like a wrinkeled paper, signed NP2 at the bottom Nerone and Patuzzi (sculptor/architect Nerone Ceccarelli & Gi...

Mid-Century Modern Curtis Jere flower brass and metal sculpture / wall art. Signed Jere and dated 1972.