Paul S. Briggs, "Belly (Poetry Series, after The Hill We Climb--Amanda Gorman)"

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 29.25 x 16.25 x 10.5 inches 74.3 x 41.3 x 26.7 cm Brooklyn-based Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisatory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 22.25 x 10 x 12.75 inches 56.5 x 25.4 x 32.4 cm Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisitory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as Assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Thaddeus Wolfe [American, b. 1979] Untitled, 2022 Glass 32.75 x 15.5 x 10 inches 83 x 39 x 25 cm Thaddeus Wolfe has developed a wholly original approach to sculpting glass. Combining techniques of glassblowing and casting, Wolfe achieves what would not otherwise be possible in the material--developing his signature vocabulary of angular, highly textured forms. His unique process begins by sculpting a form from broken and carved styrofoam pieces, using meticulous yet improvisitory methods. From this form, Wolfe generates a single-use plaster mold for casting the glass. Color and texture are achieved by layering different tints of glass onto a glass bubble, which is inflated into the cavity of the heated mold. After un-molding the piece, Wolfe carves and polishes certain surfaces to reveal the interior strata. The resulting works which he often refers to as Assemblages are part painterly, part geological. Wolfe has held residencies at Creative Glass Center of America Millville, NJ; Museum of Glass, Tacoma, WA; and Pilchuck Glass School, Stanwood, WA. His work is in the permanent collections of the Corning Museum of Glass, NY (where he was awarded the 2016 Rakow Commission); Indianapolis Museum of Art, IN; Musée de Arts...

Misha Kahn [American, b. 1989] Pig of Earth 2020 Wood, steel, wool upholstery 42 x 115 x 61.5 inches 107 x 292 x 156 cm

Fernando Laposse [Mexican, b. 1988] Agave fibers, brass, plywood 76.75 x 42.25 x 34.25 inches 195 x 115 x 87 cm

Daniel Arsham [American, b. 1980] Cleveland chair III, 3019 Upholstered fabric Maeaures: 40 x 33.5 x 29 inches 101.6 x 85.1 x 73.7 cm Daniel Arsham (b. 1980) lives and works in New York. Arsham has been exhibited worldwide, including at the Moco Museum, Amsterdam; the How Museum, Shanghai; High Museum of Art, Atlanta, GA, and the Contemporary Art Center, Cincinnati, OH. His works are included in the permanent collections of the Pérez Art Museum, Miami, FL; the Walker Art Center in Minneapolis, MN, and the Centre Pompidou, Paris. His artistic practice includes several high profile collaborations with choreographer Merce Cunningham, Producer Pharrell Williams, and Designer Hedi Slimane and companies such as Dior and Rimowa...

Bronze medallion featuring a portrait and marked "Barry Faulkner Painter MXMXV (1915)" Reverse features a nude angel over a harpist (lyre) marked "To The Ultimate Do We Pursue the Id...

A 19th century French very well cast Allegorical Bronze of Music and Poetry After Guillaume Coustou II.

Climbing raccoon on driftwood mount. 38'H x 15"W projects 12" Idaho Contemporary 38'H x 15"W projects 12" Family Owned & Operated Cisco’s Gallery deals in the rare, exceptional, an...

Sculpure Climb Bronze all in black green solid bronze. On bronze base: L 30 x D 30 x H 2,3 cm.

Fabulous Art Deco Sculpture after Paul Manship (1885–1966) of Actaeon and his dogs as he transform from man into stag. Manship had an ongoing fascination with Greek and Roman mytho...

Visceral, 2020 by Magda von Hanau From the series Visceral Clay Sculpture with Glass Glaze Dimensions: 10 H x 14 x 14 in. Unique The Visceral series delves into the intricate relat...