Ripped Wood Cabinet by Willem Van Hooff

Ripped Wood Table by Willem Van Hooff Handmade Dimensions: W 38 x H 68 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materials: Wood. ...

Ripped Wood Double Podium by Willem Van Hooff Handmade Dimensions: W 27 x H 91 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materials...

Ripped Wood Coffee Table by Willem Van Hooff Handmade Dimensions: W 50 x H 46 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materials:...

Ripped Wood Lounge Chair by Willem Van Hooff Handmade Dimensions: W 50 to 56 x H 70 to 80 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes...

Ripped Wood Tripple Podium by Willem Van Hooff Handmade Dimensions: W 45 x H 110 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materia...

High Ripped Table by Willem Van Hooff Handmade Dimensions: W 35 x H 63 cm (Dimensions may vary as pieces are hand-made and might present slight variations in sizes) Materials: Earthe...

The ‘Wood-Blend Cabinet’ is a large, functional art piece in the form of a round-edged cabinet that features ornamental detailing created using 3D modelling and printing software. ...

This cabinet sculpture was created by the German sculptor and furniture maker Eckehard Weimann. An abstract human represents this furniture. The head of fused maple with turned flap. The pannier door made of pear wood, with organically elaborated shoulders and body. Hinges and clasp made of wood (walnut). Base in relief of blackened oak. As eyecatcher, bar cabinet, clothes cupboard...

Container structure in linden wood with two doors made of windowed elements gradually reducing in size. The surfaces of each individual element are finished by carving with a hand plane...

Stunning contemporary sculpture but also a functional cabinet by Paolo Lumini an Italian contemporary artist from Tuscany. Made in carved wood and bamboo.

This maybe the most iconic form created by this under-appreciated artist. A tour de force executed in carved-stacked Walnut. Beautiful original surface.

Rare and unique brutalist bar cabinet decorated with hand carved bear. Koncz Vilmos (1932 – 2006). He started painting at the age of 30, using the following techniques: charcoal, pastel, oil. He has had solo exhibitions eight times in Budapest, and his works have been featured in seventeen group exhibitions worldwide. He was an experimental creator. Its more than 420 works include glass mosaics, terracotta, copper embossing and furniture carving. After his death, most of his oeuvre was “lost”. A decade and a half passed from painting to the first carvings. Middle Eastern and African culture had a major impact on his further artistic work. Traveled and created in Baghdad, Kuwait, Beirut and Tanzania. He became acquainted with the ancient folk art of the Makonde tribe, with carvings of ebony and ivory, which changed his creative career. When he made an authentic bracelet out of ivory, decorated with African motifs, the members of the tribe welcomed him among themselves. He became the tribe’s "Mister Vili." An exhibition of his painted paintings was held at the Kilimanjaro Hotel. He learned the machining of copper from the Arabs and the making of glass mosaics, and the tricks of jewelry making from the Hindus. He had forty large sculptures erected in various settlements of Hungary, mostly multi-field, made with a circular carving technique. Everything from ornaments on the table to the three-meter-high monument was found in his oeuvre. The Tiszakürt Arboretum also houses two wooden sculptures made of circular carvings: Tasso and the Tanzanian family tree. Donated works of his hometown: the 1956 headboard, the “Jászok” and “Kunok” (Old Hungarian Tribes), the “Flute”, the “Kolompolás” (Ringing the Bell) and the “Winged Altar”. In the 1980s, he also made carvings for the Budapest Zoo and Botanical Garden. His Ars Poetic was: “I do what I love, which drives from within, because I want to leave marks behind that I once existed and perhaps not uselessly” (2002). The term "Brutalist" originated from Le Corbusier’s Cité...