American Gilt Bronze Eagle Mounted on Circular Plinth, Circa 1820

American gilt carved wood and gesso eagle with extended wings grasping gilt rounded bar. Eagle was used for center decoration on drapery rod. Early 19th c...

American walnut carved spread wing eagle perched to Flee on rectangular rocky pine plinth, Early 19th century. Eagle is 27 wide and 17 deep at base.

American hanging Apothecary show globe with a mounted cast iron painted and gilded eagle. Globe was filled with a colorful green or red liquid to...

American gilt carved wood and gesso Eagle with extended wings perched on decorative acanthus floral motif, Early 19th century.  

American cast iron Napoleon doorstop standing on a three-tiered step back squared plinth, Late 19th century.

American diminutive gilt copper spread eagle weathervane mounted on squared iron stand, Early 19th century. Squared iron base is 4.75 inches .

Antique 19th Century French Bronze Eagle on Marble Plinth, Circa 1880.

Engraved on the cupid's paddle "Omnia Vincit Amor" which translates "Love Conquers All". Signed by Thomas Weeks of Tichburne St.

American Federal (19th Cent) life size gilt carved eagle figure standing on serpent and round painted base

A bronze sculpture of an eagle about to take off mounted on a green marble base finely detailed, with foundry marks. this wonderful Model of an Eagle, is bronze cast, modelled perche...

Museum quality antique solid bronze 70lb sculpture by Roman Bronze Works of an eagle seated on the base with wings outstretched. Roman Bronze Works, now o...

This strikingly naturalistic bronze sculpture was created in Florence in 1895. The bust depicts an elderly man, most likely a farm worker, carrying a heavy sack of grain over his shoulder. He wears an old slightly ragged shirt which is open at his chest, revealing his thin body underneath. The man looks out into the distance on the left, his eyebrows slightly furrowed. His mouth is open as though he is breathing heavily with the strain of the work or calling out to someone unknown to the viewer. The sculptor has accurately rendered every detail, with great truth to reality. The faint stubble on the man's chin and the wrinkles on his face and hands are faithfully portrayed. In its naturalistic style and its everyday, unidealised subject-matter, this bronze may be described as a work of Realism. The Realist movement flourished in the arts in Europe in this period, the 19th Century. The bust is signed ‘G Rossi...