Aurelio Teno, a Group of Four Silver Sea Shell and Coral Animal Sculpture, 1950s

ABOUT A light, graceful female figure, as if floating in the air, with hair fluttering in the wind, trying not to spill, carefully carries in front of her a large sea shell filled wi...

Striking in form and perfect in its proportions, this graceful and elegant wooden sculpture is a shining example of American art of the mid-20th century - a kind of Venus in the perc...

Dimensions Total height: 12.5 inches Width: 19 inches Depth: 7.5 inches Base height: 1.5 inches DETAILS Unsigned, original wood base. CONDITION Excellent vintage condition, wear consistent with age and use. Stanley R. Stangren (American, 1928–2014) was an outstanding American jeweler, artist, sculptor and ceramist, residing in New York City. He worked in different styles and in different materials, including oils, watercolor, ceramic and stone sculptures; and fine jewelry. Stangren’s painting styles varied tremendously – from complete abstract works to Holocaust themes in the style of Georges Rouault and Hieronymus Bosch to portraits in the style of Moses and Raphael Soyer. He was also a passionate lover of the performing arts, and, as a young man, spent time studying dance at both the School of American Ballet and with Martha Graham. Although he worked with dance pioneers like Ms. Graham, Anna Sokolow and Charles Weidman, an injury prevented him from pursuing dance as a career. But he found other outlets for his artistic pursuits. In his youth, Stangrem attended the Brooklyn Museum School of Art, and graduated from the High School of Music and Art in New York City. He later studied at the Boston Museum of Fine Arts, the Art Students League, Bard Colledge and in Europe. Stangren studied jewelry design in Europe, attending Staatlische Kunst Werkschule in Pforzheim, Germany and Kunstgewerbeschule der Stadt in Zurich, Switzerland. His jewelry and designs were received with great success. His combination of precious and semi-precious stones, high-karat gold and sterling silver, and exotic materials executed with outstanding workmanship in the abstract modernist style gave a unique aspect to his designs, the metalwork usually electroformed, cast, or fused in varying textures. After returning to New York in the later 1950’s, Stangren opened and maintained a ceramic business in Trenton, New Jersey. Very few pieces of his work remain from this period. When he retired from the ceramics business, he spent much of his time enjoying the arts. He frequently attended Juilliard performances, including most of the opera and drama presentations at the School, and was especially fond of the dance concerts. The last 40 years of his life, he taught painting in the New York area and worked with Metropolitan Museum of Arts in developing annuities, for future acquisitions. In addition, Stangren left annuities for MoMa in support of educational programs and left, in his will or through his executors, art supplies for the Harlem School of Art and benefits for the Urban Assembly organization. Mr. Stangren's love for the arts and for the performances he was seeing at Juilliard inspired him to take his participation a step further and to establish charitable gift annuities with the School. "I realized what Juilliard offered me, being a passionate music lover, and I decided to give something back" he said. "What Juilliard achieves is remarkable. When I think of the prominent actors, dancers and musicians that have been educated there, I am always staggered. It is deeply financially satisfying to be able to give back to the School, while benefitting from it at the same time." The Juilliard School is not the only organization that Stanley Stangren...

This exquisite KPM Porcelain Mythological Group of feasting Bacchus depicts Dionysus (also called Bacchus - a nature god of fruitfulness and vegetation, especially known as a god of ...

Surrealist Abstract Sculpture In the manner of Wifredo Lam ca. 1950’s-60’s DIMENSIONS Height (w/ base): 11.25 inches Height of base: 5 inches Width: 5 inches...

Art Deco silvered bronze sculptural group with two female putti figures reclining together in an embrace, surrounded by flowers and filigree. Sculpture has a beautiful silver finish, and rests on the original rouge marble base. Signed on the right front “Raphael Peyre”; and foundry mark “B.L. Paris” with “Cire Perdue” (lost wax) in an oval cartouche in the back. The piece is very heavy (51 pounds), crating recommended for shipment. Charles Raphaël Peyre...

Mischievous creature sculpture, by Aurelio Teno, unsigned, Spanish, circa 1960s. Constructed of a seashell, silver or silvered bronze, and semi precious stone eyes on an agate base. ...

This Brutalist inspired signed Aurelio Teno sensational Spanish sculpture is a combination of silvered bronze, quartz, amethyst and painted enamel over the bronze. It sits on a marbl...

Pair of Teno Co silver and shell red stone eye Gemini and Taurus, marble base figures/ bookends.

Collection of four objects of art each with its own ocean inspired composition in faux coral, metal, and glass. Priced individually. From left to right. 5783A: H: 6.5 W: 5 D: ...

A group of four animal sculptures by Archimede Seguso (1909-1999) Italy made circa 1970 comprising ofa dog, bird, rabbit and seal in solid opaque glass, foil label to one example 'Ar...

1950s sculpture made of corals and shells.