Early Staffordshire Pottery Whimsical Cat, Early 19th Century

Rare 18th century Whieldon-type creamware pottery cow, circa 1765. The rare press-moulded cow stands on a flat slab base with lobed edges. The cow is s...

English pottery model of a lion, Whieldon-type creamware tortoise-shell glaze, circa 1765-1785 The English pottery model of a seated lion with a Whieldon-type creamware tortoise-she...

English pottery hearty good fellow pearlware toby jug circa 1800    An unusual variation on the hearty good fellow standing toby jug, The base in white with the Toby figure standing, supporting a large white jug under his right arm, and holding a pipe with his left hand across his chest with his head turned slightly to the left. He has a bright blue jacket and yellow pantaloons with an orange waistcoat. He has a brown tricorn hat...

Best example I've ever had. Folk Art Sussex pottery pig jug and cup, from the Belle-Vue Pottery, Rye, UK, circa 1870. This Sussex pig from the Bell...

Mocha Pottery Earthworm Jug, circa 1820 The mocha pottery jug has two wide ocher bands each with an earthworm design. The top with a looping design and the lower one with a wavy ...

American Folk Art Door Stop in the form of a Sitting Cat, Early 20th Century This charming doorstop, crafted in the early 20th century, embodies the spirit of American Folk Art. De...

19th century Staffordshire pottery penny bank from England in the form of a cottage with flocked details. The coin slot has a few nicks from age and use.

19th century large Staffordshire cottage with very interesting design. It has many levels and interesting architectural details, accented with h...

Beautiful in detail and charming 19th century unglazed terracotta sculpture. Features a design of three cherubic children with lamps and fruit, playing with two goats on the base of ...

A fine antique English Staffordshire pottery figurine. Depicting a seated Spaniel. With confetti fur and painted black highlights. Simply a wonderful Staffordshire dog figurine...

A fabulous polychrome enameled earthenware parrot Delft or France, 18th or 19th century Suspended from a ring, with modern powder-coated stand. Measure: L parrot 26 cm.  

A fine and charming pair of Austrian 19th century polychromed majolica hanging wall sculptures of an elderly couple peeking through a window, probably by Friedrich Goldscheider (Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik.) Each wall sculpture depicting an elderly man wearing glasses and a traditional cap with his arms extended forward as if it was reading a book or a newspaper. The other depicting an elderly lady, also peeking through a window, wearing a laced cap with a bow tie and shawl over her shoulders, her arms are also extended forward as if it was reading a book or a newspaper. The male figure stamped on the back "78 - II ." The lady figure stamped on the back "37 - 79." Vienna, circa 1890-1900. Man's height: 16 1/2 inches (41.9 cm.) Man's width: 13 3/4 inches (34.9 cm.) Depth: 8 1/2 inches (21.6 cm.) Lady's height: 15 1/2 inches (39.4 cm.) Lady's width: 13 3/4 inches (34.9 cm.) Lady's depth: 6 1/2 inches (16.5 cm.) Goldscheider Manufactory and Majolica Factory (German: Goldscheider'sche Porzellan-Manufactur und Majolica-Fabrik, (now) Goldscheider Keramik) is an Austrian ceramic manufactory. In 1885, Friedrich Goldscheider came from the small Bohemian city of Pilsen to Vienna and founded the Goldscheider Manufactory and Majolica Factory. It became one of the most influential ceramic manufactories of terracotta, faience and bronze objects in Austria with subsidiaries in Paris, Leipzig and Florence. For over half a century Goldscheider created masterpieces of historical revivalism, Art Nouveau (Jugendstil) and Art Deco. Famous artists such as Josef Lorenzl, Stefan Dakon, Ida Meisinger and the two perhaps best known Austrian ceramic artists Michael Powolny and Vally Wieselthier worked for Goldscheider. Several of the artists who worked for Goldscheider also worked for other Viennese studios, such as Augarten, Keramos or for the German brands Rosenthal and Meissen. The Goldscheider family emigrated in 1938 to United Kingdom and USA. Walter Goldscheider startet a new factory in Trenton, New Jersey and returned to Vienna in 1950. Marcel Goldscheider went to Stoke-on-Trent and produced figurative ceramics for Myott and opened his own studio in the 1950s in Hanley. Both brothers died in the early 1960s. More than 10,000 different models were created over a period of three generations. Since the very beginning many of these won first prizes and gold medals at innumerable world fairs, exhibitions and trade fairs. Goldscheider figures...