'Elephant Du Senegal' Late 19th Century Bronze Sculpture by Antoine-Louis Barye

A Mid-19th Century bronze sculpture of a standing Asian Elephant with raised trunk by Alfred Barye (1839-1882). Rich dark brown, worn patina expected with age....

'Seated Minstrel' A late 19th century bronze sculpture by Emile Boisseau (1842-1923) depicting a seated Troubadour in traditional costume playing the lute. Rich light brown patina. S...

A late 19th Century cold painted bronze by Louis Hottot (1825 - 1905). Yellow enamel and spelter with brown, cream and grey patination. Signed L Hottot to base. Dimensions: H 77.5c...

A late 19th century bronze study of an alert Pointer. Unsigned.

A late 19th century cocker spaniel holding a toy in it's mouth. Bronze.

A late 19th century Grand Tour figure of Pan playing the pipes atop a marble book base. Bronze and marble.

Antoine-Louis Barye (French, 1795-1875). ‘Éléphant du Sénégal’ (‘Senegalese Elephant’). Patinated bronze. Cast by Ferdinand Barbedienne, Paris, from the model by Antoine-Louis B...

ANTOINE-LOUIS BARYE French, 1795-1875 "Lionne du Sénégal" Patinated bronze signed in base "BARYE" incised "F. Barbedienne, Fondeur, Paris" conceived 1857, sand-cast circa 1900 ...

A delightful mid 19th Century French bronze figure of a tortoise with excellent hand chased surface deail and very fine fine rich brown patina rubbed to a golden hue in areas, raised...

"Guerrier du Caucase" by Antoine L Barye Excellent French bronze study of a mounted Caucasian Warrior in full armour, the bronze with excellent hand chased surface detail and rich green, brown, black and orange patination, signed BARYE. A fabulous example of this important sculpture in optimal condition. Additional Information Height: 20 cm Width: 17 cm Depth: 7 cm Condition: Excellent Original Condition Foundry: Atelier Barye circa: 1874 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 78 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...

A charming mid 19th Century French bronze group of two feeding rabbits with fine autumnal (green, brown, black and orange) patination and excellent hand finished surface detail, sign...

A delightful late 19th century animalier bronze group of a family of resting deer including alert Stag and resting Doe & Faun. The subject modelled with wonderful intuition and skill. The surface has a rich green patination and excellent hand chased detail. Raised on a stepped bronze base, signed Barye and inscribed F Barbedienne Fondeur. Additional information Height: 22 cm Width: 25 cm Depth: 14 cm Condition: Excellent Original Condition Foundry: Barbedienne Circa: 1870 Materials: Bronze Book Ref BARYE Catalogue Raisonne des Sculptures by Michel Poletti – Alain Richarme Page no. 301 Description Antoine Louis Barye “The Michelangelo of the Menagerie” These are the words of Théophile Gautier in praise of Barye’s genius. Throughout his life Barye endeavoured to capture the fundamental nature of the animal kingdom in all its diversity, wild or tame, exotic or familiar, cruel or gentle, bringing to life the roaring, trembling, living beasts. The son of a goldsmith, apprenticed to a steel engraver at a young age, Barye found himself making moulds for ornaments, acquiring knowledge that he would later build on to produce his exquisitely chased bronzes. When he was called up at seventeen, he joined the army’s topographic brigade where he used clay to model raised relief maps...