"Lion au Serpent No. 3” French Bronze Sculpture by Barye & Delafontaine

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 4" Dark-green patinated sand-cast bronze Signed in cast "BARYE" cast after 1875 Item # 204XDG15S ...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 2" Patinated bronze Signed in cast "BARYE" Item # 109YHP24E Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique, a gesture which incensed Barye, as he preferred to sculpt a mate to oppose Lion Assis but the government refused on the basis of the high cost. There are similarities between Lion Assis and Barye's Lion of the July Column, both beasts with notable similarity in the multiple layers of their manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior. Version no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to the popularity of the sculpture it was cast in four different editions with varying dimensions. Lion Assis no. 2 was originally set over two base types: the more rare naturalistic base seen in the present model and the more common molded base (which incidentally also gives that variation some additional height). It was cast posthumously by Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly. The same model and the original plaster and wax are held in the permanent collection of the Virginia Museum of Fine Arts (acc. no. 2007.70 & 71). The present model is an early posthumous cast with a richly textured surface and exquisite detail finished in an overall dark brown patina with hints of reddish undertones; the surface is silky and translucent. Artist Listings & Bibliography: *Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143 *The Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88 for discussion of Delafontaine and their role in casting Lion Assis (fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison Colin...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis, no. 2" Sand-cast bronze with autumnal patina signed in cast BARYE, stamped verso "AD" surmounted by a ...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Dévorant une Gazelle (second edition)" Verde and autumnal patinated bronze Signed in cast "BARYE", incised "F. Barbedienne Fondeur" c...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

ANTOINE-LOUIS BARYE France, 1796-1875 "WALKING LEOPARD" (conceived 1831, cast after 1875) Patinated bronze bas-relief plaque on walnut backing Signed "BARYE" Item # 109VKQ16P A beautifully textured and well-preserved bas-relief plaque of Walking Leopard mounted...

Antoine-Louis Barye (1796-1875.) Bronze maribou stork and snake with rich brown patina, signed “Barye” on the embankment. Antique edition cast marked F...

This intimidating lion takes a break and relaxes. He lies down and looks as if he puts his paw in paw and waits patiently for the next encounter. He is the gate keeper he stays alert at all times and watches for any unknown creatures to cross into his territory. The features on the lion are magnificent and are very life like. His undercoat is long and you can see the fur stringing off of his underside while he puts his legs to the side. His mane is grand and he has gigantic paws which will take anyone or thing out in one swift swipe. You can see the details beautifully. This lion has a brown patina and was casted using the “Lot Wax Method” it is mounted on a black marble base. This sculpture is signed by Barye...

A fine original, French, early 20th century bronze statue of a walking wolf "Loup qui Marche" signed by Antoine-Louis Barye, Henry Bonnard foundry Co NY ...

This particular bronze sculpture of the famous model of Antoine Louis Barye (1796 - 1875) shows a great elaborated basset dog. This version of Barye´s "Chien Basset Debout" was firs...

"Antoine Louis Barye (1796-1875) Large standing Stag patinated bronze in beautiful original condition. The Bronze with brown patina. Signed o...

Antoine-Louis Barye French, (1796-1875) Manchu tartar Patinated bronze; Signed BARYE on base Measure: 21 x 8 1/2 inches.