Two Massive Late Qing Cloisonné Enamel Models of Cranes

This red coral specimen, with flowing lines and organic form, is a beautiful example of how the work of nature can be, and has been, celebrated as a...

The enamel vases in this pair are of ‘garlic head’ form, each sitting on a four-leg, four scrolled foot wooden stand. The vases are of tripartite form. Each vase features a flared neck, an ovoid body, and a pinched stem, and each includes four gilt bronze (ormolu) medallions fashioned into reticulated cloud scroll patterns. Glimpsed through the reticulated medallions of each vase is a smaller, nestled vase, similarly decorated to the external shell. The body of each vase presents a rich blue enamel ground onto which cloisonné enamel motifs, bounded within gold enamel wire, are worked. The motifs are traditional, ranging from lotus scrolls and lotus flowers to ruyi heads, and are executed in a bold green, red, yellow, and pink palette. Upon the neck of each vase are mounted two gilt bronze elephant...

Called ‘pagode’ (or pagoda) figures, these Meissen Porcelain models are based on the sculptures of deities found in pagoda temples in the Far East. Meissen began to produce these kinds of porcelain figures in the early 18th century, prompted by the demand for the Far Eastern ‘pagodes’ being imported into Europe at this time. The Meissen factory in Germany was founded in 1709 and was the first producer of true porcelain wares in Europe. The company’s main patron was Augustus II the Strong, the Elector of Saxony and King of Poland. Meissen was, and continues to be, famous for its tableware, vases, candelabra, animal sculptures and figures, like this pair, which were often graceful and light-hearted in character. These models feature the Meissen mark of the two blue crossed swords on their undersides. These porcelain models take the form of a Chinese couple...

Large pair of Chinese cloisonné enamel horse sculptures Chinese, Early 20th Century Horses: Height 159cm, width 185cm, depth 71cm Bases: Height 48cm, width 174cm, depth 69cm Both: ...

Pair of cloisonné enamel decorated and silver gilt eggs Russian, 20th Century Height 7cm, diameter 5cm This duo of Russian antique eggs, artfully hand-fashioned from gilded silver and bedecked with painstakingly rendered cloisonné enamel, serve as proud emblems of the nation's rich lineage of gem-studded eggs. Crafted from sterling silver, as attested by the coveted '84' zolotnik stamp, each egg gleams with a seductive sheen, their interiors revealing the full splendour of gilded silver. The enamel floral arabesques, a hallmark of Russian craftsmanship, undulate elegantly across the egg's shell in an intricate ballet. These arabesques are arranged in a patterned circular band around the eggs, with larger circular, floral emblems taking centre stage in the body of the pieces. The bold blues of the enamel - in varying shades, from azure to navy - are offset by vibrant ruby red accents, making for an arresting visual contrast. Deeply rooted in a vibrant cultural tradition, these Russian eggs...

Large Chinese sculpted coral depicting a dignitary and attendants Chinese, early 20th Century Measures: Height 38cm, width 40cm, depth 20cm Taking beautiful natural red coral as...

A Chinese carved stone temple sculpture of a woman circa 1900s. This Chinese sculpture features a woman wearing an elaborate headdress and flowing robes and holding a bouquet of flow...

A stunning pair of late 20th century life-size Chinese cloisonné tigers from the Baron Estate. In Chinese symbolism, these tigers represents the ma...

Stunning Chinese Guanyin cloisonné enameled figurine/sculpture. Comes with the original wood stand. Hands and head are carved. Stunning color...

A large and powerfully cast Chinese bronze censer in the form of two Buddhistic lions, Qing dynasty, late 19th century. The censer is well cast with a strong sense of movement, featuring a pair of fierce Buddhistic lions playfully antagonizing each other. Locked in a mock battle, the smaller lion...

A fantastic Chinese cast bronze censer in the form of two Buddhistic lions play fighting, late Qing Dynasty, late 19th century, China. The censer formed as a pair of Buddhistic li...

A finely carved Chinese zitan wood figure of an unidentified bodhisattva, possibly Guanyin, late Qing Dynasty, circa 1900, China. The androgynous figure has a plump, almost matronly face, with downcast eyes and a gentle smile. The hair in long tresses, gathered and tied in a high chignon. The enlightened being is portrayed seated in dhyanasana, bare feet resting on crossed legs, both soles pointing up. Thick robes billow and drape around the full figured body. The hands display...