Vintage Bronze Eagle Sculpture, after Jules Moigniez, 20th Century

Presented is a 20th century bronze sculpture, after Jules Moigniez, of an eagle on a rocky perch. The dignified eagle has its wings tucked and his head turned to the side, showcasing exquisite craftsmanship. Textured feathers, a rugged base, and sharp talons show Moigniez’s artistry at the lost wax process. The bronze sculpture sits atop a marble base. Jules Moigniez (1835-1894) was a French sculptor widely known for his highly detailed bronze works depicting dynamic wildlife. After studying under Paul Cromolera, Moigniez made a name for himself at his first exhibition in 1855 at the Paris Exposition Universelle. From 1859 to 1892, he showed regularly at the annual Saloons, with a total of 30 recorded works exhibited. A successful sculptor in France, Moignez increased his British and American collector base by exhibiting at the London International Exhibition of 1862. Intensely dedicated to the process of casting, Jules and his father decided to establish their own foundry in 1857, solely for the purpose of having complete control at every step, as well as the freedom to experiment. They created bronzes with unusually and unique finishes, experimenting in gilded, silver, and multi-color chemical patinas. Most of his works were cast using the lost-wax patina and were always chiseled and chased with great skill and care. While many bronze artists at the time focused solely on the subject, Moigniez incorporated highly detailed bases to accommodate his various animals. After Jules Moigniez’s tragic death in 1894, his father continued to cast his son’s bronzes from the Moigniez foundry. Just before Moigniez’s father also passed away, he sold the foundry and his casts to Auguste Gouge, a family friend who once cast bronzes for Jules' teacher Paul Cromolera. Gouge continued to produce Moigniez’s bronze sculptures until WWI. Eagle sculptures, such as this, gained such popularity in America because of the symbolic and historical meanings associated with the elegant bird. The eagle motif has been widely used throughout American history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery was prominent. Since then, the eagle motif has appeared in allegorical engravings...

Presented is a patinated bronze eagle by Lorenzo E. Ghiglieri. The eagle is depicted landing on a tree stump, with wings dramatically raised. The stump is draped with a polychrome American flag. The bronze is signed "Lorenzo Ghiglieri...

Presented is a vintage brass sculpture of a bald eagle on rocks. Made in America in the early 1960s, this sculpture features a large-scale, rea...

This is a stunning early to mid 20th century hand-carved bald eagle. The eagle is carved out of one large piece of wood, making the intricate detailing on the feathers and beak that ...

This is an original American eagle, hand-carved from pine during the early to mid 20th century. The eagle features a touch of original gilt over yellow sizing with hand-painted highlights, emphasizing the eyes and beak. The eagle is displayed with both wings fully outstretched. The feathers are expertly detailed, especially considering that this eagle is a single-piece carving. The eagle is both the national bird and the national animal of the United States. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States depicting a bald eagle grasping 13 arrows in its sinister (left) talon and an olive branch with its dexter (right) talons. Those arrows are tightly aligned, a symbol of "strength in unity" that's found in the traditional cultures everywhere, from the Romans to the Iroquois. In this case, the bundle of arrows were a nod to the unity of the original 13 colonies. The olive branches emphasize the power of peace. The eagle motif has since appeared in allegorical engravings...

Presented is an original signed bronze sculpture by American artist Veryl Goodnight. The sculpture is called "Come Forth A Dream" and depicts four running horses, galloping together with free-spirited and unbridled energy. The patinated bronze was cast in 1987 in a very limited edition of only 25. This specific bronze is signed, dated, and numbered 19/25. Veryl Goodnight(b, 1947) is a celebrated contemporary American artist working in Southwest Colorado. Her studio ranch is situated between Durango and Mesa Verde National Park and the dramatic landscape, abundant wildlife, and fellow ranching community provide endless inspiration for her art. Her many years spent in the West, observing, painting, and sketching her surroundings, gave Goodnight a profound awareness of the mannerisms of ranchers and animals alike. This experience translates directly to her art. Goodnight has monumental sculptures across the United States, in Europe, and Japan. The most notable is “The Day The Wall Came Down...

An excellent mid 19th Century French Animalier bronze study of a falcon perched on a branch using its outspread wings to balance and with its beak open. The bronze exhibiting excellent intricate hand chased surface detail and very fine rich brown lightly rubbed patination, signed J Moigniez. ADDITIONAL INFORMATION Height: 23 cm Width: 23 cm Condition: Excellent Original Condition Circa: 1870 Materials: Bronze Book reference: Animals in Bronze by Christopher Paine Page no. 79 SKU: 9000 ABOUT Jules Moigniez (French, 1835 ~ 1894) Moigniez was a French animalier sculptor of the 19th century. He worked primarily in bronze and frequently exhibited his sculptures at the Paris salon. He was best known for his bronzes depicting birds, although his skill and versatility enabled him to produce quality horse sculptures (primarily racehorses), dog sculptures and hunting scenes. His bird sculptures were among the finest ever created in his time. Moigniez was born at Senlis, Oise, France in 1835, the son of a metal gilder. Moigniez’s father bought a foundry to cast his sculptures, which was of great benefit to Moigniez as he didn’t have the added foundry costs that most of his contemporaries had to pay. Moigniez studied sculpture under the tutelage of Paul Comoléra (a student of François Rude) in Paris. It is quite likely that Moigniez’s attraction to bird sculpture was a direct result of his education under Comoléra, who was himself a bird specialist. Over the course of his 40-year sculpting career Moigniez exhibited thirty works at the Salon between 1855–92. His first submission in a major art exhibition was his plaster, Pointer Stopping at a Pheasant, at the Exposition Universelle of 1855.[1][2] Moigniez was known for the fine detail and chiseling of his sculptures. His bronzes—usually cast using the lost wax method—were always immaculately chased and patinated, and were especially popular in England and Scotland.[2] More than half of his output during his lifetime was sold in the United Kingdom. By the end of the 19th century, his sculpture had become popular in the United States as well. In contrast with other animaliers of the period such are P.J. Mêne and Antoine-Louis Barye, Moigniez’s bird sculptures often incorporated highly detailed bases complete with bushes, extensive foliage and undergrowth. His castings were generally of excellent quality with a variety of patinas, the gilded and silvered patinas being the most desirable and sought after by collectors. His bronzes could be reproached for an excess of detail, a result of overly-finicky, over-worked chiseling. Moigniez received redemption, however, by portraying in his sculpture a certain “elegance of attitudes”. His Chien braque...

Vintage oversized bronze sculpture of a parrot with green bronze patina after J. Moigniez. This sculpture is meticulously decorated with de...

Vintage oversized bronze sculpture of a parrot with green bronze patina after J. Moigniez. This sculpture is meticulously decorated with de...

Patinated bronze stags standing over rocky outcrop, signed after Jules Moigniez with marble base.

An untitled bronze sculpture depicting a horse and greyhound. Beautiful bronze work, standing on realistic base, signed on the back of the base: J. Moigniez (French 1835-1894). This ...

20th Century bronze depicting a saddled race horse. After Jules Moigniez (French, 1835-1894). Signed along the top by the hind legs. The bronze is mounted to a oval green plinth base...