Vintage Han Dynasty Style Cast Iron Horse Sculpture on Wood Base 21"

Vintage heavy cast iron horse head hitching post. Marked BM-015. Dimensions: 7.25” x 4” x 9.25” (Width x Depth x Height)

An Impressive Cast Iron floor sculpture by Josep Maria Subirachs, circa 1960s. Reminiscent in form to an arrowhead or primitive blade. Josep incorporated grattage leaving the surface rough and jagged. Signed along the lower edge. From the private collection of Vincent and Elana Bolling. The Bollings were philanthropists and advocates for the performing and visual arts. JOSEP MARIA SUBIRACHS SITJAR was born on March 11, 1927 in Barcelona. From the age of nine to the age of twelve he experienced the tragic events of the Spanish Civil War, the overthrow of the Republican government in 1939 and the beginning of the Franco regime. Born into a working class family in the Barcelona district of Poblenou, the precarious economic situation suffered during the post-war period forced him to renounce studying architecture and he began working at the workshop of a gilder and amateur sculptor when he was just fourteen years old. By then, he was already modeling clay figures which he used to bring to the furnace at a local roof tile factory. From 1942 to 1947 he worked as an apprentice under the sculptor Enric Monjo at his workshop, acquiring technical skills. But the person who taught him most profoundly was Enric Casanovas, with whom he worked for a brief period because, unfortunately, the 'Noucentista' died in January 1948, just a fews months after Subirachs entered his workshop as a collaborator.The influence of Casanovas is apparent in the young sculptor...

An Impressive Cast Iron wall hanging sculpture by Josep Maria Subirachs, circa 1960s. Reminiscent in form to an arrowhead or primitive blade. Josep incorporated grattage leaving the surface rough and jagged. Signed along lower edge. From the private collection of Vincent and Elana Bolling. The Bollings were philanthropists and advocates for the performing and visual arts. Measure: 34". JOSEP MARIA SUBIRACHS SITJAR was born on March 11, 1927 in Barcelona. From the age of nine to the age of twelve he experienced the tragic events of the Spanish Civil War, the overthrow of the Republican government in 1939 and the beginning of the Franco regime. Born into a working class family in the Barcelona district of Poblenou, the precarious economic situation suffered during the post-war period forced him to renounce studying architecture and he began working at the workshop of a gilder and amateur sculptor when he was just fourteen years old. By then, he was already modeling clay figures which he used to bring to the furnace at a local roof tile factory. From 1942 to 1947 he worked as an apprentice under the sculptor Enric Monjo at his workshop, acquiring technical skills. But the person who taught him most profoundly was Enric Casanovas, with whom he worked for a brief period because, unfortunately, the 'Noucentista' died in January 1948, just a fews months after Subirachs entered his workshop as a collaborator.The influence of Casanovas is apparent in the young sculptor...

19th century salin foundry French neoclassical cast iron sculpture statue, France Features two boys playing Front of plinth inscribed Salin, France Salin Foundry, Dammarie-sur-S...

"Standing Woman" by Nita Sunderland, Features an abstract form of a Standing women. Circa 1960s Mounts via iron pipe along base Nita K. Sunderland, 92, American sculptor, died July 17, 2020 at Generations at Riverview in East Peoria. Nita was born November 9, 1927, in Newton, Illinois, to parents Sarah (Taylor) Sunderland and Glenn H. Sunderland. She grew up in Newton, and continued her education in Norton, Mass, where she graduated from House in the Pines junior college in 1947. There she developed impressive equestrian skills and became captain of the school’s Riding Club. She briefly taught physical education at Lancaster Country Day School in Lancaster, PA, before resuming her education. She studied art at Duke University before transferring to Bradley University, where she received her BFA in 1952. Nita taught art at the University of Michoacan, Mexico, from 1953 to 1954. She received her Masters degree in ceramics from Bradley University in 1955 and joined the Bradley faculty a year later. As one of the first woman college sculpture instructors in the United States, Nita was constantly breaking the glass ceiling throughout her career. She taught sculpture, drawing, and 3-D design at Bradley until she retired as a Professor Emeritus in 1988. Nita is known for her mostly large-scale works of sculpture carved from Indiana limestone...

An impressive bronze eagle over an altar stick after Archibald Thorburn (Scottish 1860-1935). Features a bronze figure of a perched golden eagle. The eagle is in black with a gold be...

Vintage midcentury Asian bronze horse sculpture, Han dynasty flying horse Offered for sale is a striking vintage midcentury bronze horse sculptur...

Han Dynasty Horse Sculpture, 206BC- 209 AD It is interetsing to note the position of the riders feet. They are gripping the shoulder of the horse. D...

Grand, crème glazed terracotta, Han-style, braying stallion sculpture.

Han Dynasty painted pottery horse and rider A Chinese Han Dynasty painted pottery horse & rider. Made from grey pottery and cold-painted in white, red and black pigments. The rider dressed as a warrior and in the pose of holding reins for the horse. Comes with a custom sturdy lucite stand. Measures: Height: 13.5 inches (33cm). Length: 13 inches Depth: 5 inches Han Dynasty (206 BC – AD 220). Condition: Very good with past restoration to legs. The great influence of the horse throughout the history of China can...

A fine Han dynasty polychrome painted terracotta horse and rider. The warrior is dressed in orange and black on a black horse. Measures: Height 14 inches (35 cm) Width 12.5 inches (32 cm). Condition: Excellent with tastefully undetectable repairs. During the unification of China under the Han dynasty, bands of mounted nomadic warriors from the north threatened the country. In order to thwart their attacks, the Chinese sought to import stronger, faster steeds from Central Asia (as opposed to the Mongol ponies used by the invaders), eventually leading to the creation of the Silk Road. This small sculpture of a mounted soldier reveals the crucial military role of the horse. When compared to the diminutive stature of the rider, the importance of the horse becomes readily apparent. This creature provided security and strength, allowing the empire to secure its borders and expand its influences across Central Asia. The magnificent regalia of the horse, including a brilliantly painted saddle in red and green/gold, reflect the respect this animal received. The warrior as well is gorgeously decorated with a painted red tunic and gray chest...

Superb sculpture of a laying doe from the Chinese Han Dynasty (206BC-220AD). Remainders of polychromic paint, namely red, symbol of good fortune and joy as well as the season of summer, and green, symbol of vigor and vitality and the season of spring. Mounted on base. Condition seen in pictures. Dimensions in cm ( H x L x l ) : - Sculpture : 35 x 40 x 10 - With base : 45.5 x 44 x 15 The Han Dynasty ruled China from 206 B.C. to 220 A.D. and was the second imperial dynasty of China. It is known for its promotion of Confucianism as the state religion and opening the Silk Road trade route to Europe, permanently altering the course of Chinese history. Han Dynasty art and inventions like paper still influence the world today. From the Han Dynasty to the present, deer can be found in many materials and media—rock crystal, nephrite, ink on paper, porcelain, cloisonné enamel, jade, bamboo root, textile, bronze, etc.—alone or in groups, among trees and rocks and in various positions. They appear on everyday objects, from boxes to incense burners, incense holders, lamps, mirror holders and the droppers scholars used when they wrote. A symbol of longevity and grace in Chinese mythology, the word deer is pronounced lu, a homonym for emoluments—favors granted to officials. They therefore represent wealth, nobility and success in imperial examinations (civil service exams for selecting candidates for the state bureaucracy in Imperial China). Deer were the faithful companions of Shu Lao, the god of longevity, and the goddess Magu. They were reputed to live long and to be the only creature able to find the mushroom of immortality, linghzhi. Although its spots are different, deer are sometimes confused or associated with stags, a Manchu hunting trophy whose antlers served to make prestigious furniture. (La Gazette Drouot, Claire Papon) For the colours found on this piece, in Chinese culture, red symbolizes good fortune and joy. Green, symbolizes the spring when everything is brimming over with vigor and vitality. The Han Dynasty (206 B.C. to 220 A.D.) continued the Qin Dynasty’s use of dark colours, but incorporated red. During the earlier years, or Western Han Dynasty, ordinary people wore red while court dress was black. Shoes were red in color. The clothing worn for sacrificial rites was black edged with red. In the later Eastern Han Dynasty, red symbolized the dynasty’s “fire Virtue” and became predominant. Court dress was red. Sacrificial rites called for a red-edged white layer under robes with red socks...