Beautiful Early 1800's Medallion of Tsar Alexander II

Bust of Alexander II. Rare bust of Alexander II in gilded bronze on a malachite base from the 19th century The quality of the bronze is excellent with man...

Beautiful Italian Caesar Bust early 20th century Carrara marble Measure: H: 51 cm Perfect condition.

Beautiful Italian " Goethe " Bust early 20th century Carrara marble Measures: H: 41 cm Perfect condition.

Beautiful Italian " Ippocrate " Bust early 20th Century Carrara Marble H: 56 cm perfect condition.

Beautiful Italian " Torso " early 20th century carrara marble. Measure: H: 46cm including base, 35cm without Restored

Roman manufacture of the 18th century. Pair of sculptures in burnished and gilded metal. Measures: Height 40 cm. Marble base. Good conditions.

A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...

Hardwood wagon wheel from the state of Puebla, Mexico, circa early 19th century. The wagon wheel is from the colonial era. Most colonial wheels contain ir...

An Italian carved and painted wood lion from the early 19th century. How not to be charmed by this exquisite painted lion, who almost seems to be smiling? The sculpture mixes a touch...

This is a 20 inch statue of a child holding a flame. The sculpture mislead and surprisingly heavy for its size. The patina is beautiful.

Sculpture: Tsar's Falconer. Description: Excellent and detailed quality of the composition, very lifelike, finely detailed representation of a Tsar’s falconer, a main personage of every Tsar's grand hunting event. Designer; Evgeny Alexandrovich Lansere (1848 - 1886) was a famous Russian sculptor of the 19th century; Lansere came from a family who came to Russia from France; he studied with the animal sculptor Nikolai Iwanowitsch Lieberich and specialized in the representation of horses and riders. In search of appropriate motifs, he traveled through the interior of both European and Asian Russia every year, and Algeria in 1883. Artist: Evgeny Ivanovich...

Beautiful white terracotta sculpture depicting an oriental goddess. Extremely refined drapery, garments and headgear, Tuscany, early 20th century. - The hand of the sculpture needs ...