Bronze Sculpture of Chained Woman by Odoardo Tabacchi from the 1800s

Bronze cup made by Antonio Pandiani in 1800. Measures: Ø 12 cm Ø 10 cm h 10 cm Antonio Pandiani was born in Milan in 1838 and died there in 1928. He was a great neoclassical sculptor belonging to the well-known artistic and industrial dynasty of the Pandians of Milan. Antonio studied at the Brera Academy learning the academic style and was immediately appreciated for his portraits. Very often the style of his works reproduces in miniature historical monuments...

Pair of bronze appliques made in the 1800s, each of which has a pair of original hand-sculpted cameos with different scenes / views Both lights come with wiring and wiring, which ...

Bronze statue by Tito Obici, late 1800s Ø 12 cm h 29 cm Excellent conditions.

Bronze sculpture and marble base depicting the fight of a Centaur with a lion, made in 1800 Ø cm 48 Ø cm 20 h cm 45 The sculpture is not signed by an artist, it represents one of ancient empires...

Sculpture of a reclining female nude in bronze and wooden base, created by Michele Zappino in the 1990s Ø 49 cm Ø 20 cm h 14 cm

Ceramic bird sculpture, made by Cacciapuoti in the 1950s Measures: Ø cm 22 Ø cm 20 H cm 35.

After Odoardo Tabacchi (1831-1905) a very fine Italian 19th century patinated bronze figure of "La Tuffolina" (The Diver). The finely cast brown patin...

An Italian carved and painted wood lion from the early 19th century. How not to be charmed by this exquisite painted lion, who almost seems to be smiling? The sculpture mixes a touch...

'La Tuffolina' - an important white marble group of a diving girl on a naturalistic base, by Odoarda Tabacchi Italian, circa 1880. Signed 'O.Tabacchi/Torino'. This Fine marble group depicts a graceful young girl wearing a knitted bathing dress, her hair held in a chignon with her arms raised above her head in a diving position, standing on the edge of a natural POOL, with the waves lapping behind her. This charming and dynamic figure, full of natural grace proved to be one of Tabacchi's most popular sculptures and was edited in a number of sizes in both bronze and marble. First exhibited in marble at the Esposizione d'arte di Napoli del 1877, it was reportedly purchased by King Vittorio Emanuele II and illustrated in L'Illustrazione Italiana, No 23, June 10, 1877, in an engraving based on a sketch by Michetti. It was subsequently exhibited with great acclaim at the 1878 Paris Exposition Universelle and examples were also produced in ceramic, including Parian ware examples by the English firm of Robinson & Leadbenton. A comparative marble version is in the collection of the Museo di Capodimonte, Naples. Odoardo Tabacchi...

A rare sculpture by Charles Cordier. 1850s-1900s Beautiful model retaining the original finishes. Signed “C H Cordier” on edge of arm. On a marble base. For a more detailed conditi...

Bronze with black patina. Signed and numbered on the right foot "Jacques Tenenhaus 1/8", Landowski Foundry's mark, 2001. Provenance: Artist's Workshop.

In the soft glow of a dimly lit room, there stands a pair of French statuettes from the enchanting 1800s, a testament to a bygone era of elegance and opulence. These remarkable works of art, fashioned from lustrous bronze, exude an air of timeless grandeur that beckons you to step closer and marvel at their exquisite craftsmanship. Each statuette is a masterpiece in its own right, a testament to the skill and dedication of the master sculptor who brought them into existence. The attention to detail is nothing short of astonishing, with every sinew of the majestic lions' bodies meticulously chiseled and lovingly rendered. The craftsmanship is so fine that one cannot help but be captivated by the lifelike expressions and powerful stances of these regal creatures. These two lions, poised in a position of imposing authority, emanate an aura of strength and royalty that transcends time and space. Their heads held high, their fierce eyes gazing into the distance, they embody the very essence of majesty and dominance. Their finely chiseled manes cascade down their muscular necks, a testament to their untamed, wild nature. But it is not just their form that captivates the beholder; it is the material itself that adds to their allure. Cast entirely in bronze, these lions bear traces of antiquity beneath their paws, a subtle reminder of the centuries that have passed since their creation. The patina of age only enhances their mystique, as if they have borne witness to a thousand stories, silently guarding the secrets of the past. In symbolism, lions are revered as symbols of strength and royalty, and these statuettes do justice to that legacy. They are more than mere sculptures...