Bronze Sculpture of Giuliano de Medici after Michelangelo, 19th Century

GRAND TOUR MODEL AFTER ANTIQUITY Naples, Italy (19th Century) "The Callipygian Venus" Sand-cast and patinated bronze signed foundry mark in the base "Fonderia Artistica Sommer Nap...

FRENCH SCHOOL 4th qtr, 19th century Bust of Greek Warrior Patinated bronze unsigned cast circa late 19th century Item # 304KEX30P A fine ca...

A CARVED MARBLE BUST OF A CLASSICAL STATESMAN Carrara marble on separately turned socle unsigned Circa mid-to-late 19th century Item # 307FDI13Q An incredibly powerful bust of ...

EMMANUEL DE SANTA COLOMA [AFTER] French, 1829-1886 "Cobesse et son Groom" Medium-brown patinated bronze Signed front left corner "SANTA COLOMA" cast circa 1900 Item # 204PAM05Q ...

"PANTHÈRE DE TUNIS NO. 2" AFTER A MODEL BY ANTOINE-LOUIS BARYE (FRENCH, 1796-1875) Signed in base "BARYE", incised to edge "F. Barbedienne Fondeur"; underside incised "24 / Z"; cast ...

MARCEL DEBUT French, 1865-1933 French Orientalist Model of a Girl Carrying Fruit Baskets Polychromed and patinated bronze signed "Debut", sealed with editeur cachet "Bronze Garanti...

This is a wonderful pair of French bronzes, Lorenzo di' Piero de' Medici also known as Lorenzo the Magnificent, and his younger brother Giuliano. Lorenzo is the larger of the two figures measuring 8.3" in height and 3.7" wide, and 3.4" deep, Giuliano is 8" high and 2.7" wide and 3.2" deep. Both are modelled opposing, seated, and clad in armor. These bronzes are from the 19th century, but from differing parts of the century. The model of Lorenzo is late 19th century, and the quality of the casting is good but not as good as that of Giuliano who would appear to be from the mid part of the 19th century. They make a good companion pair, but did not form part of the same casting run, and have been later paired up. Both have great coloring, with a similar dark brown and green patina. Provenance: These were part of the Fulwood Collection The Fulwood Collection comes from a Grade II listed rectory in the North of England. Formerly the childhood home of Sir Douglas Bader. The rectory was acquired by the late owner approximately 15 years ago. The house was formerly split into two separate houses, and with care he lovingly refurbished it back into a single house and refurnished in a blend of the Grand Tour style with Welsh and English provincial tastes. This property contained fine furniture, works of art, paintings, ceramics and other miscellaneous items some of which have been purchased by  “The Englishman’s Antiques”

19th century Bronze Sculpture of Cupid After Pierre Chenet Base diameter 6" 9"W x 23"H

A pair of patinated and gilt bronze campana vases, after the Medici and Borghese models. Classic egg and dart overhanging rim, above a waisted body cast in relief with a continuous ...

Mid-19th century over life-size carved marble statue of Michelangelo's "Bacchus". Grand Tour copy through the "Point To Point" method directly from the original keeping its masterful proportions and Fine details in an exact size to Michelangelo's work. We have never seen a 19th century copy of this Renaissance Masterpiece of this size and are quite fortunate to be responsible for its stewardship until purchase by a discerning collector The original "Bacchus" is a marble sculpture by the master, Michelangelo, created circa 1496 when the artist was 21. This statue was originally commissioned by Cardinal Raffaele Riario. However, it was rejected by him and eventually found its way to Jacopo Galli, Cardinal Riario’s banker and a friend of the sculptor, who purchased it in 1506. Some 66 years later it was bought for the Medici and transferred to the royal house in Florence, Italy. Currently it can be viewed at the Museo Nazionale del Bargello in Florence. It is one of just two sculptures surviving Michelangelo’s initial period in Rome, with the other being Pieta. The artwork: This somewhat oversized...

A fine French 19th-20th century orientalist silvered and gilt patinated bronze sculpture of "Rebecca" with a plaque that reads "Jeune Fille Arabe" (A Young Arab Girl - Water-Carrier)...

This is an elegant monumental Grand Tour bronze sculpture of Michelangelo's David, circa 1880 in date. The full-length portrait statue is of David, the 14ft marble statue depicts the Biblical hero David, represented as a standing male nude, David looks tense and ready for battle after he has made the decision to fight Goliath, but, before the battle has actually taken place. His brow is drawn, his neck tense, and the veins bulge out of his lowered right hand and holding his slingshot over his shoulder. This impressive scuplture is 107cm (3ft 6" ) tall and weighs over 36kgs (79lbs). This high quality hot cast solid bronze was produced using the traditional 'lost wax' process. The attention to detail of this sculpture is absolutely fantastic. Condition: In really excellent condition, please see photos for confirmation. Dimensions in cm: Height 107 x Width 41 x Depth 24.5 Weight 36.3 kg Dimensions in inches: Height 3 foot, 6 inches x Width 1 foot, 4 inches x Depth 10 inches Weight 80.0 lbs Michelangelo's David This astonishing Renaissance sculpture was created between 1501 and 1504. It is a 14ft marble statue depicting the Biblical hero David, represented as a standing male nude. Originally commissioned by the Opera del Duomo for the Cathedral of Florence, it was meant to be one of a series of large statues to be positioned in the niches of the cathedral’s tribunes, way up at about 80mt from the ground. Michelangelo was asked by the consuls of the Board to complete an unfinished project begun in 1464 by Agostino di Duccio and later carried on by Antonio Rossellino in 1475. Both sculptors had in the end rejected an enormous block of marble due to the presence of too many “taroli”, or imperfections, which may have threatened the stability of such a huge statue...