Carved White Marble Figure of a Flower Girl Signed to the Base 'Monti'

A male portrait bust in the Roman manner by Lawrence MacDonald (1799-1878) Carved in Carrara marble, rising from a round socle supporting a waisted column, the bust having resemblances to Arthur Wellesley, the Duke of Wellington as a young man. Signed by the artist, 'L. MacDonald, Romae, 1847'. Dated 1847 Dimensions: H: 26 in / 65 cm W: 19.5 in / 49 cm D: 10 in / 26 cm Lawrence MacDonald (1799-1878) Macdonald worked as an ornamental sculptor for the architect James Gillespie Graham before entering the Trustees' Academy, Edinburgh, in 1822. In Rome, in 1823 he was one of the founders of the British Academy of Art. He returned to Edinburgh in 1826 and became a member of the Royal Scottish Academy in 1829. Four years later he settled in Rome, and from 1844 he worked in Bertel Thorvaldsen's former studio. He became the city's most fashionable portrait sculptor and, according to the Art Journal, his studio was filled with 'the peerage done into marble, a plaster galaxy of rank and fashion'. His sitters included the essayist Henry Taylor...

A Splendid Pair of Venetian Figural Torchères Attributed to Valentino Panciera Besarel Of solid carved pine, waxed, blackened and beeswax-polished throughout. Each figure carved wit...

An exhibition-quality carved figure by Valentino Panciera Besarel Of near life-sized proportions, in carved Italian Walnut, the figure representing a pageboy, his features and flowing hair carved in exquisite detail alongside his romanticised Cinquecento garb consisting of a patterned doublet with chainmail underneath and long puffed sleeves, his carved belt slung around his waist with a65.5 bag and his pointed boots imitating the softly creased leather; his arms outstretched and presenting a large tray with heraldic relief carving. Standing on an octagonal shaped base od bois noirci with inset panels of faux marble. The circular plinth signed by the artist "V. Besarel Venezia." Venetian, circa 1870 Valentino Besarel (1829-1902) Born in Zoldo, near Bellune, home town of the great carver of the Seventeenth Century, Andrea Brustolon he was encouraged by his father to study under Professor Federici , and worked as a carver for a noted architect Guiseppe Segusini. Later, he received private commissions, and in 1861 his trade card listed amongst his clients Edward, Prince of Wales, the British Consul, Layard, and the King of Italy. He exhibited at the 1878 Paris Universelle Exposition, and won a Gold Medal. The churches of Este and Conselve, near Padua possess many groups of saints executed by him. Literature: Benezit, Emmanuel. Benezit Dictionary of Artists. [S.l.]: Grund,France, 1976. Ericani, Giuliana, and Anna Maria Spiazzi. Scultura lignea...

A pair of Royal Busts Of Clotilde of France, Queen of Sardinia And Marie Adélaïde of Savoy, Dauphine of France Both noblewomen carved from marble and dressed in contemporary fashion, wearing luxurious flowing garments, their hair coiffed, done up and ribbon-tied. On Sienna marble octagonal pedestals. French, circa 1880 Dimensions: H: 79 in / 200 cm The Two "Marie Adélaïde's" The marble portrait busts represent two French royal figures, Clotilde of France and her great-grandmother Marie Adélaïde of Savoy. Marie Adélaïde Clotilde Xavière, known as Clotilde of France (1759-1802), was Queen of Sardinia and the younger sister of King Louis XVI of France, who was married to Marie Antoinette. Marie Adélaïde of Savoy (1685-1712) was the Dauphine of France and Duchess of Burgundy. The famous sculptor Antoine Coysevox...

Bust of the Princess of Lamballe Marie Antoinette's Closest Confidante Carved from statuary marble and resting on a waisted rectangular Carrara socle, the portrait bust of Princess Marie-Louise Thérèse of Savoy-Carignan, later known as Princesse de Lamballe...

A Carved Marble Bust of a Nymph By Robert Physick (1815-1882) Carved from Carrara marble, the female bust signed and dated to the base "Robt Physick. Sculp : 1875." English, cir...

A French Art Deco carved white marble figure of a flapper girl. Beautifully carved and highly detailed statue raised on a Panozza marble base. Additional information: Measurements:...

The item are in great condition

Antique sculpted marble figure of a young girl Continental, late 19th century Measures: Height 77cm, width 21cm, depth 20cm This wonderful marble sculpture is a superb piece of ...

Continental solid silver sculpture of large cherub mounted on marble base measuring 11 1/2 inches in height on its base and holding a large garland of flowers. The figure is of very high quality and is very detailed and its height is 9 3/4''. The square marble base measures 4 2/3'' in length. Solid 0.800 silver sculpture...

A lovely 19th century carved Carrara marble figure of a young girl waving her right hand as a dove rests on her dress, she is standing aside a basket with a ball of string and a gar...

Pietro Bazzanti - Barzanti (Italian, 1825-1895) "After the Bath" - a very Fine and large carved white Carrara marble figure of a semi-nude young maiden standing by the sea-shore. The smiling and posing young beauty, with bare breasts and back, her right arm juxtaposed over her head, while holding a blanket over her waist with her left hand and standing barefoot by a rocky seawall and wavy shoreline. Signed 'P. Barzanti/Florence' (on reverse) and raised on a cylindrical swiveling carved verde antico solid marble pedestal. circa: Florence, 1880-1890. Pietro Bazzanti or Barzanti (Italian, 1825-1895) was a 19th Century Italian sculptor born in Florence. Together with his brother, Niccolò Bazzanti (Firenze, 1802-1869) who was also a sculptor, they both worked the sprawling Florentine studio 'Pietro Bazzanti e Figlio' a hugely successful sculpture studio, operated within the family at their gallery on Lungarno Corsini until the mid-twentieth century. The studio was a place where many talented professors and apprentice sculptors specialized in sculpting marble...