Doré and Patinated Bronze Nude Late 19th Century by Ferdinand Lepcke

Henri Honore Plé (1853 - 1922). This beautiful original 19th century French sculpture depicts a moment between father and son. Fine quality patinated bronze, in the naturalistic styl...

Mathurin Moreau (1822 - 1912) France. Large pair of bronzes in opposition with rich brown patina. Original 19th century bronze sculptures of Two young girls in a field...

Rare pair of bronze sculptures by Emile Herbért. Fine quality silvered and gilt bronze figures of a warrior woman and a poet women dressed accordingly with military attire and poetic words. Signed and foundry marked with the G. Servant mark. Pierre-Eugène-Emile Hébert, French, (1828 - 1893). A native Parisian, Hébert apparently lived and worked in the capital until his death. He was born in 1828, and studied sculpture privately, with his father Pierre (1804-1869) and Jean-Jacques Feuchère (1807-1852), both of whom pursued modestly successful careers in the Salon and as public sculptors beginning in the 1830s. Hébert learned extensively from their very divergent paths. Whereas Pierre Hébert...

Auguste Moreau (1834 - 1917) Fine quality bronze sculpture of a young boy being confronted by a mother goose as he holds her baby. rich light brown patina. Signed and mounted on a ro...

A fine unusual Art Nouveau two tone gilt and patinated bronze bust of a young lady rising from the center of a tulip flower with fine detail, raised on a breche griotte circular marb...

Pair of French 19th century gilt bronze (electrotype technique) relief plaques. Children in backyard farm, garden scene.

Late 19th century cupid bronze patinated gilded dimension: 27 cm high by 15 cm by 12 cm. Founder Richaud et Cie in Marseille. Model after Falconet.

Decorative patinated and bronze doré lidded incense censor burner with tripodia phoenix bird supports set against a fluted bowl with dense floral wreath beneath a multi-cloud mounte...

Period French Empire Bronze Doré and Patinated Clock Depicting Atlas with original gilt edged and velvet lined case. Atlas son of Titan, from Greek mythology is holding the clock on ...

A large and important late 19th century gilt and patinated bronze, French champlevé cloisonné enamel and wood mantel clock. The top figure is of Nike of Samothrace...

A French silvered-bronze athénienne by Ferdinand Barbedienne, Paris, last quarter 19th century with a revolving liner, the frieze applied with bucrania suspending ribbon-tied berried laurel swags above a border of bellflowers on a stippled ground above three seated female sphinxes issuing stylised foliage and scrolls on lion monopodia cast with the mask of Hercules, scrolling foliage and anthemions joined by stretchers, raised on a concave-sided triform marble base on a further thin silvered-bronze base, inscribed to the tripod base 'F. BARBEDIENNE' Measures: 103.3cm. high, 41.5cm. diameter; 3ft. 4 3/8 in, 1ft. 4 1/4. This impressive athénienne is a key reminder of the longevity of a particular model and design’s success from Antiquity through to the 19th century and up until this day. Typically known as the ‘Trépied du Temple d’Isis’, this athénienne is designed after the Roman antique originally found at Pompeii and now at the Museo Archeologico Nazionale, Naples (fig.1). From being for example an inspiration for the baptismal font of Napoléon’s son in 1811, this model was the inspiration to many highly skilled makers throughout the 19thcentury such as the Manfredini brothers from Milan and of course the Parisian well-established bronze founder Ferdinand Barbedienne who executed the present example. The Temple of Isis was a Roman temple dedicated to the Egyptian goddess Isis and was among one of the first discoveries during the excavation of Pompeii in 1764. Certainly considered as one of the most elegant examples of antique tripods, the existence of this model was then popularized to the rest of Europe via prints, one of the first being by Giovanni Battista Piranesi in 1779. This type of tripod was also popularised by an engraving in C. Percier and P. Fontaine’s, Receuil de Décorations Intérieures of 1801. Interestingly, there is also a watercolour now in the Musée Carnavalet, Paris, showing this type of tripod displayed at the 1801 Exposition des Produits de L’Industrie in the Louvre. The passion for Greek and Roman Art in the 19th century. The discovery of Pompeii and Herculaneum around the middle of the 18th century gave rise to a new passion for Antiquity and the excavated masterpieces renewed the repertoire of fine and decorative arts and served as models for Neoclassicism. Members of the aristocracy as well as connoisseurs, particularly in England, completed their education by undertaking a ‘Grand Tour’ of Italy and often fell victim to the recently unearthed Greek and Roman artefacts...

"La liseuse" by Carrier Belleuse gilt patinated bronze, late 19th century, 26 cm high and 9 cm in diameter. note that 3 fingers are missing. Additional i...