Fine Bronze Bust of a Man in Manner of Sir Jacob Epstein (British 1880-1959)

A French 19th century bronze and marble bust of Marianne in full armor. The nicely cast Baroque Revival brown patinated bronze and carved white marble figure of Marianne, the allegorical personification of the French Republic, presented in her militaristic guise, reminiscent of Minerva, wearing a Phrygian helmet and armored breastplate centered by winged male mask and with lion shoulder armor pads, all raised on a conforming black marble base. Circa: 1890-1900. Marianne has been the national personification of the French Republic since the French Revolution, as a personification of liberty, equality, fraternity and reason, as well as a portrayal of the Goddess of Liberty. Marianne is displayed in many places in France and holds a place of honor in town halls and law courts. She is depicted in the Triumph of the Republic, a bronze sculpture overlooking the Place de la Nation in Paris, as well as represented with another Parisian statue on the Place de la République. Her profile stands out on the official government logo of the country, appears on French euro coins and on French postage stamps. She was also featured on the former franc currency and is officially used on most government documents. Marianne is a significant republican symbol; her French monarchist equivalent is often Joan of Arc. As a national icon Marianne represents opposition to monarchy and the championship of freedom and democracy against all forms of oppression. Other national symbols of Republican France include the tricolor flag, the national motto Liberté, Égalité, Fraternité, the national anthem "La Marseillaise", the coat of arms, and the official Great Seal of France. Marianne also wore a Cockade and a red Phrygian cap symbolizing Liberty. Minerva and its pendant bust of Mars evoke the classicizing subjects, bust-length formats, and style that originated in France during the reign of Louis XIV (1643–1715) and that concurrently was popularized across Europe. The busts' simple forms, stiff poses, and solemn facial types are consistent with the late Baroque sculptures that were carved in Flanders during this period. In Flanders, especially in Antwerp and Brussels, sculpture and architectural decoration traditionally was carved using combinations of native black marble (noir belge), mottled red marble (rouge belge), and white marble or alabaster. The use of these stones in colorful counterpoint speaks most strongly to the busts’ Flemish origins. The veneration of ideal heroes and heroines in ancient costume and arms took on extravagant form in the 17th century, with countless variations. Within this imaginative tradition, the identification of the pair as Minerva and Mars cannot be certain. The female bust, for example, could be identified as Bellona, Roman goddess of war, who is depicted in 17th and 18th century French paintings wearing flamboyantly plumed helmets and low-cut cuirasses that expose her breasts. Whatever their identities, the female and male warriors are portrayed as calm rather than bellicose beings. The sovereign pair does...

A very fine and larger-than-life and very realistic museum quality patinated bronze bust of President William H. Taft (1857–1930) by Frederick Ernst Triebel (American, 1865-1944) cast by Nelli Foundry in Rome, Italy. William H. Taft, the 27th President of the United States and Jurist, is depicted with his renown thick mustache and wearing a bow tie, vest and coat. Inscribed on the back: F.E. Triebel. Sculp and Fond. Nelli, Roma, circa first quarter 20th century. Due to its size, subject and high quality, this bust was probably commissioned for a Museum or public exhibition, such as an embassy or government building, the same way as other similar works by the sculptor. The Roman foundry operated by the Nelli family during the last quarter of the 19th century cast works for many leading sculptors of the day, including Alfred Gilbert and Anton van Wouw...

Louis Kley (French, 1833-1911) A fine and charming patinated bronze group of a young boy climbing on a vase fearful of two mice. The finely executed bronze group depicting an naked i...

A fine Italian 19th-20th century lifesize carved marble bust of a lady wearing a hat, the beautifully carved marble bust of a lady posing with a gaze to her right, wearing a bonnet w...

A large and impressive French 19th century life-size bust depicting Othello, the North African Moor of Venice character in the 1603 play written by William Shakespeare (1564-1616), a...

A fine French 19th-20th century Art-Nouveau patinated bronze bust of "Marie Antoinette" (Queen of France 1755-1793), after the model by Agathon Léonard or Léonard Agathon van Weydeve...

A regal bronze with brown patina life size bust on a pedestal by famed American-British sculptor Sir Jacob Epstein. An exquisite example of modern & post-war British art. Circa early...

Embrace artistic flair with this vintage Boho bronze bust of a man, inspired by Jacob Epstein's iconic style. American-crafted with distinctive character, this sculpture captures the...

Mid-century bronze bust of a man's head mounted on a black marble cube base. (Signed "H. Haas '71).     

Middle Eastern Moorish style bronze bust of a man with a turban on round shaped base (19/20th Cent.).     

Beautifully cast with Paris foundry mark and signature of artist.

Workshop of Sir Francis Chantrey (1781-1841) A bust of Sir Walter Scott (1771-1832) Statuary marble Measures: 30in. (76cm) high.