Josef Lorenzl Pair of Bronze Bookends, Naked Lady, Austria, 1920

Art Deco Theatrical dancing figure by Josef Lorenzl. Austria 1920´s Austrian silvered metal figure of theatrical dancer, raised on an marble base.  

Art Deco pair of panther bookends. Silvered bronze and marble. Made in France, 1920s. Both stamped France. Heavy marble bookends. In the style of Paul Jouve. They will give a chic lo...

Anton Chotka (Austrian, 1875-1925) Pair of dancig women gilt bronze bookends. The base is a bronze carpet with high details. Signed Chotka and stamped Aus...

Very nice Greco Roman fighters bookends. Statues made of gilt bronze. Bases signed Frecourt and France. The figures are different one from the other.  

Fantastic bronze bookends. Gilt bronze sculptures of North American native tribal chief. Mounted over green marble. Signed A. Bofill and numbered 35 an...

Art Deco silvered bronze elephant figure / sculpture bookends signed G. H. Laurent and stamped 24, France, 1920s. Perfect desk piece. Nice and heavy bronze bookends mounted over Gree...

ART DECO COLD-PAINTED BRONZE "GIRL IN THE TRICORN HAT" BY JOSEF LORENZL (AUSTRIAN, 1892-1950) Vienna, Austria, circa 1920s; marked verso "MADE IN AUSTRIA / REAL BRONZE", signed "Lorenzl" in script Item # 105BNP14A An exquisite cast of a dancer by Josef Lorenzl and executed in Vienna, Austria circa the 1920s, this inordinately fine model features crisp features, intricate garment work and a wonderful overall green cold-painted surface. It is situated over an original onyx plinth...

An antique pair of figural bookends offer bronzed cast metal sculpture of young boy street urchin, c1920 Measures- 7''H x 4''W x 2.5''D Catalogue Note:...

Vintage pair of bronze dolphins bookends. The dolphin figurines are displayed hovering a wave Size: each 10" height x 3" x 5". Weight: heavy: 5lbs. 8.

Period Art Deco bronze sculpture by Josef Lorenzo (1852-1950) of a beautiful ballerina seated with a pleasant gaze, in traditional outfit of tutu and tying her pointe shoes in prepar...

An excellent early 20th century Austrian Art Deco cold painted silver and enamel bronze figure of a beautiful young woman wrapped in a revealing shawl, with very fine colour and detail, raised on a stepped conical green onyx base, signed R Lor for Lorenzl Additional information Height: 34 cm Condition: Excellent Original Condition Circa: 1930 Materials: Cold Painted Bronze Book Ref Art Deco and Other Figures by Bryan Catley SKU: 8204 ABOUT Lorenzl Modesty Josef Lorenzl, Austrian 1892 ~ 1950 Lorenzl Freedom – When looking to the designs of the Art Deco period one talented sculptor and ceramist that cannot be ignored is Josef Lorenzl. A master designer, his bronze statuettes and ceramic figural work epitomise the era perfectly. As with Preiss, Chiparus and Colinet the other great sculptors from this period, Lorenzl was inspired by the female form and the new found freedom that women enjoyed, which he executed beautifully both in his bronze and ceramic designs. Pictured right: A Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 – Modelled cast and carved as a young woman adopting a stylish pose, her costume decorated with enamelled flowers, onyx plinth, base signed Lorenzl, dress signed Crejo 10.5/8 in. (27 cm.) high. Sold for £6,250 at Christies, London (Feb 2014). Josef Lorenzl Cold-Painted Art Deco Bronze and Ivory Deco Lady with Decoration by Crejo – Circa 1930 Although very little is known about Lorenzl’s early life we are aware that he was born in Austria in 1892 and was soon to become one of the most talented sculptors of the Art Deco Period. He started by working for a bronze foundry in Vienna Arsenal where he produced stunning Art Deco bronze statuettes. The majority of his works in bronze and ivory were of singular slim female nudes with long legs which conveyed elegance. His preference was for dancing poses which were not only evident in his singular statuettes but also in those attached to marble clocks, lamp bases and bookends. Like his contemporaries Lorenzl work was created in bronze or by using “Chryselephantine”, a Greek word which refers to the combination of various materials such as bronze, ivory, gold and silver. He signed his pieces in various ways sometimes abbreviating his name to ” R Lor”, “Lor” or “Enzl” but on some of the statuettes you will find an additional signature by Crejo. A talented painter who worked alongside Lorenzl, Crejo would paint decoration onto the statuettes such as flowers and these are the figures which bear his signature. Far more desirable with Crejo’s painting these can command a premium at auction. Recently Bonhams sold an example of Lorenzl’s work with Crejo decoration for £10,500 but the pieces created by Lorenzl alone generally fetch in the region of £2,000 – £12,000 depending on the subject matter and size. A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Pictured left: A Josef Lorenzl (1892-1950) Cold-Painted Art Deco Bronze and Onyx Timepiece with Deco Lady ~ Circa 1920. Modelled and cast as a crouching nude female figure holding a dial with onyx face, on onyx plinth raised on slate base, apparently unsigned11½ in. (31.7 cm.) high. Sold for £4,700 at Christies, London (Nov 2013). From his designs in bronze and ivory Lorenzl went on to work for the Austrian ceramics company Goldscheider. Again creating stunning sculptures of the female form collector’s are more aware of this period and his sculptures in ceramic than they are of his earlier bronze and ivory statuettes. Inspired by shape and bold colours Lorenzl’s sculptures had clean lines and geometric shapes. Although each piece possess great movement there was no intricacy or attention to detail and most of his figures wore their hair in the boyish bob which was fashionable at the time, making these simplistic and stylish figurines the epitome of Art Deco Bronze design. One of Lorenzl’s friends Stephan Dakon who he had met whilst working at the bronze foundry had the same vision and style as Lorenzl so it was the obviously thing for Lorenzl to recommend Dakon to Goldscheider when he started to work for them. Taken on as a freelance designer Dakon was of the same mindset as Lorenzl and so much of their work was very similar. People at the time even believed that the two were in fact the same person. Both the artists had an interest in the female form, dance and theatrical costume. This was enhanced with Lorenzl when he took a trip to Paris and visited Folies Bergeres. Famous dancer Josephine Baker was on stage with her chorus dancers, all wearing extremely flamboyant costumes, Lorenzl was captivated by the glamour and outlandishness of the dancers and so on his return to Austria reproduced gorgeous figurines wearing vibrant coloured costumes and in various dance poses. He was also able to use his skill as an Art Deco bronze sculptor to use the earthenware to his advantage. Carving delicate fingers and enhancing the women’s female form Lorenzl set about producing some stunning sculptures. “Captured Bird” was one of his most popular and was created in many different colours and sizes. This particular piece is of a dancing girl with a gossamer winged dress which was inspired by a dance performed by Niddy Impekoven and was also captured onto a lamp base with three figures of this elegant lady dancing around the stand.. Other dancing Deco Lady girl figurines which were created by Lorenzl include “Butterfly Wings,” “Spider-Web Dress...

Pair of Japanese Bronze Bookends, circa 1880