Large Cast Brass Walnut Nutcracker Sculptural Object

A commanding and contemplative presence, this monumental carved wood sculpture features an abstracted human form with a soft, serene expression. The craftsmanship showcases the natur...

A heavyweight brass Surrealist pipe that is spring-loaded to function as a note holder, and with an opening to hold a pen. The bronzed flat plate metal base is attached to the pipe...

Elegant curved, artist-signed abstract bird sculptures. Signed "Ogden 82". Figure #1: 15"W x 3.13"D x 19"H Figure #2: 19"W x 4.25"D x 18.5"H Attributed to Samuel (Sam) Ogden (192...

13.63"H with candles, as shown. Gorgeous, sculptural 2-candle holder with teal included candles. We love the soft, curving form of this unique piece. It looks beautiful from every d...

Modern sculptural object. Made from fiberglass.

Rare sculptural holder in solid brass, organic Danish style, it is a work of great refinement and style. A work of applied arete, which can be used as an ashtray, pocket emptier, or ...

Charming and functional, this Mid-Century Modern brass crocodile nutcracker is attributed to Austrian designer Walter Bosse and dates to the 1950s. Made from solid brass, this sculpt...

Article: Ceramic object Designer and producer: Dieter Crumbiegel Information: Dieter Crumbiegel (born June 6, 1938 in Essen) is a German artist (painting, ceramics) and university professor. Since 1961, Crumbiegel has held solo and group exhibitions of ceramic objects in West and East Germany, Belgium, CSFR, France, Italy, Australia, New Zealand, Switzerland, Spain, Hungary and Taiwan. Decade: 1980s This original vintage Studio Ceramic Object was designed by Dieter Crumbiegel and produced in his own Studio in the 1960s in Heinsberg in Germany. It is made of solid very heavy stoneware pottery and has a very unique light beige main coloration with abstract brown illustration. the bottom is marked with typical Producer signature. a very collectible and very rare item of the Crumbiegel Collection. the object has a very sculptural form and in its size of 18cm in height and 21cm in diameter, it is very impressive. straightforward and minimalistic design of the 1980s design era. This item is a wonderful addition to every modern home. Dimensions: Height 18cm Diameter 21cm. Condition: This item is in a very good vintage condition with patina. slight traces of use. VITA: Dieter Crumbiegel graduated from high school in 1957 at the traditional language Burggymnasium in Essen. He then studied painting from 1957 to 1961 at the State University of Fine Arts in Kassel with Fritz Winter and Marie-Louise von Rogister, ceramics with Walter Popp, art theory and art sociology with Stephan Hirzel and Georg Hoeltje, and art history and art education with Ernst Röttger. During the 1958/1959 academic year he received a holiday scholarship from the Max Beckmann Society and spent some time in the Liliamor house with its founder Lilly von Mallinckrodt-Schnitzler in Murnau. In 1959 he also received a scholarship from the German National Academic Foundation. Crumbiegel completed his studies in 1961 with the first state examination. After the 2nd state examination in 1964, Crumbiegel worked with Robert Sturm at the educational institute in Fulda as a lecturer for the training of art and craft teachers at general schools with a training focus on the construction of vascular ceramics. In 1971 he took over the class for sculpture and architectural ceramics at the State Technical School for Ceramic Design in Höhr- Grenzhausen. From 1979 to 2001 he was a professor at the Niederrhein University of Applied Sciences in Krefeld in the design department, studying ceramics/porcelain/glass design. In 1979, Crumbiegel was appointed a member of the Académie Internationale de la Ceramique (AIC) / International Academy of liamorCeramic in Geneva. The German members of the AIC joined together in 1983/1984 to form Group 83 - German Ceramicists,[1] of which he himself became a member in 1986. Crumbiegel founded the “Krefeld School for Ceramics/Design”[2] as a continuation of the Kassel School for Ceramics run by his teacher Walter Popp, from which artists and designers such as Frank Louis emerged. In 1983 he was appointed supervisor at Helwan University in Giza/Cairo. From 1971 he gave lectures on new trends in ceramic art at the Hetjens Museum in Düsseldorf. Between 1969 and 1978 he was a member of various award juries, such as the jury for the Richard...