Large Medieval Alabaster Monk, 1480 AD

South Arabian Alabaster Inscription Calcite Alabaster circa 1st century A.D. ‘’Consequently, neither white marble of Paros nor any other stone which men admire can be compared with the precious stones of Arabia, since their whiteness is most brilliant, their weight the heaviest, and their smoothness leaves no room for other stones to surpass them.’’ - Diodorus Siculus, Library of History, Book II, 52.9 This inscription, finely worked on an alabaster tablet, is a remarkably well preserved example of Ancient South Arabian script, with its distinct bold, angular forms, written in the Qatabanic dialect - that is, the dialect spoken by the people of the kingdom of Qataban, which ruled much of modern day Yemen from the 7th Century B.C. to the 2nd Century A.D. The text, which reads: ‘[... ...]sa?d and Ma?add?i- / (of the lineage) of Hawfa- / She entrusted Anb- / against any malfeasance (which would remove it) from its place’ - indicates that it likely served to commemorate a temple offering. The quality of the script, incised so neatly into the surface of the alabaster, tells us that this piece was commissioned by somebody of considerable wealth and prestige, employing a scribe of equally considerable expertise. South Arabia was known throughout the ancient world for its incredible wealth - so much so that the Romans termed the region ‘Arabia Felix’ - literally, ‘Happy, or Fortunate, Arabia.’ That wealth was built largely on the trade of spices and incense, in which the Kingdom of Qataban played a major part. According to Pliny the Elder, this was the sole country through which frankincense could be exported, first being collected in the city of Shabwa, on the South Arabian coast, and from there travelling by camel up to Gaza, to be shipped all across the Mediterranean - not only that, but all growers of myrrh across Arabia were required to give a quarter of their yield to the king of the Qatabanians. As such, the kingdom became exceedingly rich and powerful, and Pliny goes on to tell us that ‘The nations of the Larendani and the Catabani, and the Gebanitæ [...] occupy a great number of towns, the largest of which are Nagia, and Thomna (the capital of Qataban) with sixty-five temples, a number which fully bespeaks its size.’ Because of the nature of its exports, frankincense in particular - the ‘sweat of of the gods’ according to the Egyptian Book of the Dead, and perhaps most famous as one of the three gifts brought to the newborn Christ - being closely associated with the divine, South Arabia’s reputation in antiquity was as a mysterious, almost sacred, and - crucially - extraordinarily wealthy region, at the very edge of the known world; in the words of Herodotus: ‘’Enough of marvels, and yet the land of Arabia gives off a scent as sweet as if divine.’’ This inscription invokes the protection of god Anbay, the judge-oracle of the chief god ‘Amm, who he served as an attendant. Much of what we know of the religious life of the ancient South Arabians comes to us from early Islamic texts, describing what is known in Islamic scholarship as ‘Jahiliyyah’ - the age before the advent of Islam in Arabia. What comes across in much of these texts is that these religious practices placed a great deal of emphasis on sacred stones, perhaps linked to the brilliance of the alabaster which is local to the region, and which a great many of the cult-objects produced in this time are made from. Hisham ibn-Al-Kalbi’s Book of Idols records: ‘’The Arabs were passionately fond of worshipping idols [...] Whenever a traveller stopped at a place or station in order to rest or spend the night, he would select for himself four stones, pick out the finest among them and adopt it as his god, and use the remaining three as supports for his cooking-pot.’’ This inscription was once in the collection of the intrepid British-Australian travel...

South Arabian Calcite female figure 3rd Century BC to 1st century A.D. Calcite Alabaster height: 30.5 cm A magnificent alabaster female figure, a f...

A magnificent and extremely sculptural specimen of the Seymchan meteorite, recovered in the Russian Far East. This rare and large end cut preserves the patinated and partially melted...

Sikhote-Alin Meteorite Shrapnel, Iron, Coarsest Octahedrite “This chunk of twisted metal shows the extreme force of the low altitude air burst which exploded the main mass, causing shockwaves which collapsed chimneys, shattered windows and uprooted trees. Sonic booms were heard more than 300 kilometres away and a 33-kilometre long smoke trail persisted in the sky for several hours.” - Dr Alan E. Rubin, PhD Department of Earth, Planetary, and Space Sciences, UCLA Dating back to the formation of the solar system, some 4.55 billion years ago, Sikhote-Alin meteorites are the best preserved of all known iron meteorites. This extremely aesthetic specimen is a beautiful example of the so-called shrapnel type. It is the result of a powerful secondary explosion which occurred close to the ground, producing a wonderfully scarred and sculptural appearance, with torn and jagged edges and delicate flow lines. On the morning of 12 February 1947, an enormous iron meteor passed through the Earth’s atmosphere, exploding over the Sikhote-Alin mountains in South-eastern Russia...

NWA 12759 Stone, Chondrite - L5 18.3 KG “This specimen of the NWA 12759 L5 chondrite has a smooth posterior fusion crust where meteoritic melt pooled as the rock descended through the atmosphere and was heated by friction with molecules of air. The meteorite is from the L-chondrite asteroid that was destroyed by an energetic collision 470 million years ago.” Dr Alan E. Rubin, PhD Department of Earth, Planetary, and Space Sciences, UCLA Detached from its parent body by a mighty impact, this large, oriented meteorite travelled over a hundred million miles through space before falling to Earth in the North African desert. Beautiful regmaglypts radiate from the apex of its cone shaped nose. These elongated dimples formed when streaks of superheated molten rock streamed off the meteor’s surface as it blazed through the atmosphere. The entire piece is coated in a glossy, umber-coloured fusion crust and close examination reveals remnants of encrusted, orange dirt. Whilst most meteors tumble as they travel through the Earth’s atmosphere, oriented meteorites...

A large and beautifully preserved fossilised leaf from the Green River formation, a site which has brought forth some of the best-preserved fossi...

A medieval English alabaster statue, possibly dating as far back as the late 14th / early 15th century, mounted on one of our exclusive large display plinths. Well weathered over the centuries, this 600-year-old statue depicts a medieval cloaked figure, possibly a monk, offering a glimpse into English architecture and sculpture of the Middle Ages. This sculpture is possibly made from Nottingham alabaster. During the 14th and 15th centuries, Nottingham was the centre of alabaster carving and painting. Alabaster works were mostly made as small alabaster models with religious themes. During the 16th century Reformation, many alabaster carvings were destroyed under King Henry VIII's rule, making any surviving examples even more significant. Provenance From the collection of Peter Hone (b. 1941). A master plaster caster, he is an expert and experienced collector, building up an extraordinary, museum-worthy collection of items in his one-bedroom flat in London W11...

A Burmese Alabaster sculpture of a Buddhist Monk devotee, Buddha. This posture is called Namaskara mudra, or Anjali mudra and is the gesture of greeting, prayer, adoration, and is al...

Incredible wood sculpture reminiscent of St. Barbara. Oak wood, partly rests of old painting Maasland, Netherlands, 1480 – 1520 Missing due to age: left hand, book front and palm branch.

A fragment of a sandstone corbel with flat upper face, moulded transverse ledge and two protruding lobes with reserved trefoil detailing. The lower edge has fine dentiled carving and...

Expectacular Antique Library, Bookends, Throne, medieval, revival Alabaster and marble bookends in the shape of monks sitting on a throne reading a book Medieval style figur of a mo...

Honor and loyalty are the supreme values of medieval knights, the heroes of a fascinating, romantic era that inspired this spectacular high porcelain limited edition. The ornamental ...