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Large Meissen Model of Count Bruhl's Tailor on the Goat, circa Mid-Late 1800s

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  • Fabulous Meissen Porcelain Group of Count Bruhl's "Tailor on a Goat"
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    Located in New York, NY
    Meissen's “Count Brühl’s Tailor on a Goat,” is considered by many professionals as one of Meissen's greatest works. This marvelous figure is after the incr...
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  • Large, Impressive and Rare Meissen Porcelain Model of an Eagle, circa 1880
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    A very large, impressive and rare Meissen Porcelain Model of an Eagle, circa 1880. It is finely engraved and then hand-painted to create texture and realistic coloring. Naturalistica...
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  • Monumental French Ormolu Mted Bust of Alexander The Great, F. Girardon, 1800s
    By François Girardon
    Located in New York, NY
    A Monumental and Rare 19th Century French Ormolu Mounted Multi-Marble Bust of Alexander The Great, After The Model by Francois Girardon. Drawing inspiration from the renowned "Bust of Alexander the Great (356-323 BC)" housed in the esteemed Palace of Versailles, this monumental work of art showcases exceptional craftsmanship and meticulous attention to detail, serving as a testament to the creator's artistic prowess. Central to this magnificent sculpture is the resplendent red marble face, neck, and hair of Alexander the Great. Capturing the youthful essence of the conqueror, the sculptor depicts him as a young man with a clean-shaven countenance, his moderately long curls delicately cascading from beneath a remarkably unadorned helmet, save for a magnificent plume. The red marble harmoniously accentuates the life-like features of Alexander, imparting an air of regal elegance to the composition. Adding to the allure of this remarkable sculpture is an ormolu robe cascading over Alexander's shoulders, exuding an aura of nobility and power. Of particular note, the breastplate bears an embossed ormolu mask of a deity in profile, surrounded by elegantly sweeping acanthus leaves, paying homage to the influential forces that shaped the life of this great conqueror. Once again, the sublime combination of precious metal and marble amplifies the robe's magnificence, further accentuated by the presence of an ormolu body chain swaying gracefully from Alexander's left shoulder to his right hip. The selection of marbles for the cuirass and plinth serves as an additional testament to the artist's commitment to crafting a visually striking and harmonious composition. The grey marble cuirass complements the overall color scheme of the bust while providing a subtle contrast to the red marble features. At the neck, a pleated ormolu linen undergarment discreetly peeks out, showcasing the artist's meticulous attention to intricate details and enhancing the sculpture's depth. The original Alexander The Great Bust...
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    Antique 1870s French Louis XVI Busts

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  • Fine Pair of Meissen Porcelain Models of Eagles Resting on Branches
    By Meissen Porcelain, Johann Joachim Kaendler
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    A fine pair of Early 20th Century Meissen Porcelain models of eagles naturalistically resting on branches. Each Eagle can be seen with their wings spread wide out and their beaks ope...
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  • Large Meissen Porcelain Group of Lovers Kissing in the Ocean on a Rock
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    A Large Meissen Porcelain group of lovers kissing in the Ocean on a Rock. This piece is truly spectacular in both quality and size. The pair of lovers a...
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  • Pair of Meissen Porcelain Models of Brown Fieldfare Birds
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    Located in New York, NY
    A pair of 20th century Meissen Porcelain models of brown fieldfare birds. Each is naturalistically modeled perched on a white tree stomp with ferns and flowers. They are truly beautiful and very collectable as Meissen porcelain birds...
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    Vintage 1920s German Louis XVI Animal Sculptures

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    Porcelain

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    A very finely modeled French bisque porcelain figural group, incorporating a mix of glazed and natural bisque porcelain. Dating to the late 19th century, this is an excellent example of the work produced by modeler Charles Baury who worked in Paris for the firm of Jean Giles (founded in 1837) until Baury took over the manufactory in 1868 and a few years later moved it to Choisey-le-Roi. A periwinkle embossed maker’s seal cipher “VB” for Vion et Baury is found on the underside. The figures and costume are inspired by the whimsy, beauty and absurdity frequently found in earlier 18th and 19th century Meissen porcelain compositions, and the historical figure, Heinrich, Count von Brühl...
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  • Meissen Porcelain of a Man on a Goat
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