“Berger Allemand Assis” 'German Shepherd' French Bronze Sculpture by Louis Riché

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis no. 2" Patinated bronze Signed in cast "BARYE" Item # 109YHP24E Initially modeled by Barye in 1846 as a commission by Louis-Phillipe for the Tuilleries Gardens at a cost of 10,000 francs, the life-size sculpture sat near to Barye's Lion au Serpent until it was later moved in 1867 to the grand entrance to Pavilion de Flore and a pair was crafted for it using a mechanical technique, a gesture which incensed Barye, as he preferred to sculpt a mate to oppose Lion Assis but the government refused on the basis of the high cost. There are similarities between Lion Assis and Barye's Lion of the July Column, both beasts with notable similarity in the multiple layers of their manes and the quiet repose and powerful presence of the motionless Lion Assis is a natural development over his violent clashing group of Lion au Serpent from thirteen years prior. Version no. 1 was first offered in Barye's 1847 catalogue as no. 99 and due to the popularity of the sculpture it was cast in four different editions with varying dimensions. Lion Assis no. 2 was originally set over two base types: the more rare naturalistic base seen in the present model and the more common molded base (which incidentally also gives that variation some additional height). It was cast posthumously by Auguste Delafontaine, Hector Brame, Colin, Barbedienne and Graech-Marly. The same model and the original plaster and wax are held in the permanent collection of the Virginia Museum of Fine Arts (acc. no. 2007.70 & 71). The present model is an early posthumous cast with a richly textured surface and exquisite detail finished in an overall dark brown patina with hints of reddish undertones; the surface is silky and translucent. Artist Listings & Bibliography: *Barye: Catalogue raisonné des sculptures, Polleti & Richarme, 2000, p. 182, cat. A57, ill. 143 *The Founders and Editors of the Barye Bronzes, Reinis, 2007, see p. 85-88 for discussion of Delafontaine and their role in casting Lion Assis (fig. 50), see p. 79-80 (fig. 25) for discussion of Ancienne Maison Colin...

ANTOINE-LOUIS BARYE French, 1796-1875 "Lion Assis, no. 2" Sand-cast bronze with autumnal patina signed in cast BARYE, stamped verso "AD" surmounted by a ...

FRITZ HEINEMANN German, 1864-1932 "Der Fechter" [The Fencer] (1903) Patinated and parcel gilt bronze signed in cast "Fritz Heinemann" and inscribed "Akt Ges Gladenbek Berlin" raised over original black and white marble plinth cast circa 1915 Item # 310IXP02A A very fine example of a nude warrior after achieving victory in battle titled "Der Fechter" or "The Fencer", it is a reduction of the monumental marble...

LOUIS HIOLIN French, 1846-1910 "Aguador" Patinated and Polychromed Bronze signed to base “Hiolin” cast circa early 20th century Item # 311CSG30P-9 A little treasure, this Orien...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Dévorant une Gazelle (second edition)" Verde and autumnal patinated bronze Signed in cast "BARYE", incised "F. Barbedienne Fondeur" c...

ANTOINE-LOUIS BARYE French, 1795-1875 "Tigre Qui Marche" Patinated bronze Signed in base "BARYE", incised "F. BARBEDIENNE FONDEUR, FRANCE" conceived 1841, cast circa 1880-1900 Item # 110UGP10Q Barye's ability to merge our romantic idealization of nature with a colder reality of nature's predator is beautifully represented in this striding cat. Originally conceived in 1841, Tigre Qui Marche (Walking Tiger...

A Fine French Gilt Bronze Study of Two German Shepherd Dogs by Louis Riche This impressive bronze is finely detailed. It portrays two w...

French Art Deco nude lady and german shepherd by Louis RICHE, France , ca.1930. Polychrome glazed terracotta. Height : 17.5"(44.5cm), Width : 27"(68...

Superb large bronze with double patina representing a hunter and his dog, on a black marble base. The arrow is gone, the dog no longer waiting for it to hit its target to bring it ba...

A striking French Animalier gilt bronze study of a seated Alsatian in alert pose with head turned slightly and ears pricked. The surface with excellent naturalistic detail and very f...

Large unglazed terracotta sculpture depicting a young woman with a sheep. Signed at the plinth. The sculpture is in good good condition and has a nice old, vivid patina. Louis RICHÉ, France, 1877-1949 His first exhibit at the Salon in Paris was in 1896 at the age of nineteen. Riché sculpted many animals subjects but his favorite models were German Shepherd dogs. He continued exhibiting at the Salon and except for the interruptions of both World Wars he continued to create his artistic subjects. He worked mostly with the Thiébault Frères foundry, for the casting of his models but it is noted that some of his sculptures of lions were cast in silver by Risler and Carré...

A very good quality late 19th-early 20th century Bronze study of a male lion and lioness, Signed; L. Riche, French, 1877-1949.