Pair of French Glazed Terracotta Lions Grasping Fleur De Lis Plaques, Circa 1840

French Terracotta roaring lion mounted on rocky rectangular plinth. Plaque reads Lion Guettant Sa Proie, Par Foucher. Late 19th Century

Italian glazed and hand-painted terracotta figural bust of Diana raised on a two tiered circular faux painted plinth. Goddess of the moon, Mid-19th Century.

Pair of Igorot tribesmen figural wood carvings depicting hunter and huntress with companion canines, weaponry, and displayed on circular fluted plinth...

Marble Busts of Roman on pedestal. Early 19th Century

Italian hand carved marble bust of Eros with cloak & quivers. Eros signifies the god of love. Early 19th Century

English marble bust of Ludwig Van Beethoven, Late 19th century. Ludwig van Beethoven was a German composer and pianist. A crucial figure in the t...

A pair of early 20th Century terracotta garden lions from Auch in Southwestern France. Minor old restorations over the years. Circa 1900-1920. Dimensions: 35"H x 20"D x 16"W Base: 1...

A pair of French vintage terracotta lions. This pair of lions from France, standing approximately 2 feet in height, each feature abundantly fl...

Pair of large blue and white delft lions, Luneville, circa 1840.

Rare Pair French Retour D'egypt Terracotta Lions Sculptures Statues Los Angeles , Exceptional fine pair of Large French Retour D'egypt period terracotta lions, circa 1790-1810. The French Egyptian Revival style or the retour d'Egypte refers to style that makes use of the motifs and imagery of ancient Egypt. By the end of the 18th century enthusiasm for ancient Egypt generated by Napoleon's unsuccessful conquest of Egypt and, in Britain, to Admiral Nelson's defeat of Napoleon at the Battle of the Nile in 1798. Napoleon took a scientific expedition with him to Egypt and this was the first time a major study of ancient Egypt was done. Publication of the expedition's work, the description de l'Égypte, began in 1809 and came out in a series though 1826 influencing a new way of life in France thru architecture and decorative arts. However, works of art, decorative arts, furniture and, in the field of architecture and garden follies, funerary monuments in the Egyptian style had appeared in scattered European settings from the time of the Renaissance. The Egyptian Revival style came out in a few waves in France before Napoleon during the ancient Régime Egyptian motifs were mixed with the neoclassical-Louis XVI style in architecture, furniture and decorative arts. A big surge hit France around 1798 during Napoleons Egyptian expedition. This was the first major Egyptian Revival period as this was the first time in history that a major study on Egypt was done. French people became fascinated with the ancient Egyptian history, culture, architecture and furniture. Egyptian ornamentation like scarab beetles, sphinxes, winged lions and lotuses details were incorporated into Classical style furniture and decorative arts creating a style known as a hybrid neo-Egyptian. The next wave was during the height of the French Romantic period 1820s-1850s. The Egyptian Revival emerged as a result of the famous archaeological digs of the first half of the 19th century and was primarily used for Tomb memorials, temples, and cemeteries and some decorative arts. This style is distinguished by its adaptation of Egyptian forms and motifs, sphinxes guarding buildings including lotus blossoms, Pharaoh's heads, the winged disk symbol of the sun God, as well as the use of bold bright colors. At the end of the 19th century 1870s-1890s the Egyptian Revival styles were in vogue once more. At the Height of the Victorian period the Egyptian style was even more elaborate than before. Often incorporated with Neo-Greek & Renaissance Revival styles. Victorians were even more fascinated with these rare finds and incorporated their motifs into jewelry, furniture, glass and Art pottery. Heavily ornamented overstuffed furniture...

A pair of British Colonial painted terracotta lions from the mid-20th century. This vintage pair of lions from Kerala, India have each been created in a seated position with a single front leg or paw raised atop a shield, which is decorated with a single conch shell at center. This pair of lions have textured manes, and alert facial expression with gaping mouths. These pieces have a wash of grey coloring throughout, still allowing some areas of the natural terracotta to be visible from beneath. This pair of mid-century British Colonial lions stand...

A pair of cast lion figures. Great finish.