1910s Figurative Sculptures

Large unglazed terracotta sculpture depicting a young woman with a sheep. Signed at the plinth. The sculpture is in good good condition and has a nice old, vivid patina. Louis RICHÉ, France, 1877-1949 His first exhibit at the Salon in Paris was in 1896 at the age of nineteen. Riché sculpted many animals subjects but his favorite models were German Shepherd dogs. He continued exhibiting at the Salon and except for the interruptions of both World Wars he continued to create his artistic subjects. He worked mostly with the Thiébault Frères foundry, for the casting of his models but it is noted that some of his sculptures of lions were cast in silver by Risler and Carré...

A classic decorative Jesus statue. Some wear with a nice patina, but this is old-age. Made of a kind of Metal (probably white metal) on a wooden base. Ver...

Reni Schaschl (1895 -1979) was an Austrian artist who worked across many disciplines - glass, textiles, graphics, and especially ceramics. She was an early member of the Weiner Werst...

Antique decorative bunch of grapes, the grapes are made of white/pink quartz. The iron wires are covered with green silk. The leaves are beautifully cu...

Lady in solid Italian Art Nouveau marble with column and fountain 1910 It has some cracks as shown in the photos

Guanyin in carved wood and polichrome, China, early 20th century, Asian art Measures: H 56cm, W 16cm, W 15cm.

French antique birdhouse find it in Paris. We painted the base only the dome is in original condition and it is beautiful. Dimension of the dome heig...

These stunning angel sculptures are sold as a pair. They were originally placed on an church altar, with one facing left and the other facing right. With their detailed facial features and sweeping wings, they are truly captivating works of art. They were designed by Daprato Statuary Company in the 1910’s. Daprato Statuary Company was founded in 1860 in Chicago by four brothers, who were statue-makers from Barga, Italy. By the 1890’s, the company had grown to be a worldwide ecclesiastical art...

Clement Massier French Majolica figure which features a prowling tiger. Colouration: orange, brown, green, are predominant. The piece bears maker's marks for the Clement Massier pottery.

Designed by Adolph Amberg, modelled as a Japanese lady in traditional dress, a parrot perched on her left arm, above an oval base. The sculptor Adolph Amberg designed the Hochzeitszu...

Meissen rarest figurine: Boy with Dosser filled with Winegrapes by Theodore Eichler, circa 1910. Size: Height 28.0 cm (= 11.02 inches) Diameter 9.2 cm (= 3.62 inches) Manufac...

Sculpture of still life in Murano glass, constructed using the technique of blown and applied glass with intricate detailed poly chrome pieces of fruit in a glass bowl is made by Ar...

Carved marble bird resting on a rock with rough crystals, 20th century. Measures: H: 12 cm, W: 19 cm, D: 9 cm.

Found in a chateau in Loriol du Comtat, in the Provence region of France, this large-scale plaster sculpture is signed and dated by the artist, making it a rare find. Originally part of a boiserie containing a fireplace, the sculpture decorated the main hall of the chateau. The artist, Marius Sain, created the piece for the owners of the chateau in 1914. The lovely depiction of a shepherdess and her flock is a fitting subject for an area of France in which shepherding is such an important part of the culture. The preserved heritage of transhumance in Provence goes back at least 800 years, as evidenced by collections of ancient songs, stories, and art. Life-size in scale, the lovely sculpture features a mix of high-, mid-, and low-relief embellishments. A hooded shepherdess tends to her flock of sheep with a crook in hand. A dog sits calmly at her feet as the flock gathers in front of them. Both the shepherdess and the dog are in high relief, as is the lead sheep. The lamb seen suckling from the front sheep was crafted in mid relief, as is the visible head on the far right of the sculpture. There are a few sheep behind them in low relief. Large trees can be seen on either side of the group, while off in the background (faintly visible) are a castle with four fastigiate Mediterranean cypress trees (known as Stricta) and a spired church. The attention to detail is magnificent, with textured surfaces including the animals’ fur and the uneven ground. A previous owner (recently) had an iron and limestone stand created for displaying purposes. The cream-colored limestone has been cut into three pieces and is inset into the six-legged iron frame. Block print on the plaster can be seen just above the edge of the stand. The letters read Le Soir, which is French for “The Night”. The right side of the sculpture has been signed “M Sain 1914”. Marius Joseph Sain was born in 1877 in Avignon, France. In 1902, Sain moved to Paris to study at the Ecole des Beaux-Arts. Through introductions by his older brother and painter, Paul...

This wonderful porcelain sculptural group depicting children playing in an 'adult wedding’ conveys with surprising accuracy the emotional component of the moment, conveyed in the expression of children's faces. Dimensions: Height: 7.13 inches (17.82cm) With: 11.75 inches (29.37) Depth: 4.5 inches (11.25cm) Royal Vienna Porcelain. The Royal Vienna Porcelain Manufactory (German: Kaiserlich privilegierte Porcellain Fabrique) was a porcelain manufacturer in Alsergrund in Vienna, Austria. It was founded in 1718 and continued until 1864. The firm was Europe's second-oldest porcelain factory after Meissen porcelain, and for 25 years the two remained the only European...

Rare female articulated mannequin from an artist’s studio in Paris, circa 1910-1920. The charming figure is carved from lime tree and signed on the back: Marquette Artistique C.M.B –...

Large and highly affecting, this 52-inch high mahogany sculpture of a woman holding her child, looking out pensively into the world, won the Frank Logan Medal of the Arts at the 22nd Chicago Artist Exhibition in 1918. It is the greatest masterpiece of Emil Zettler, who is best known today for his architectural sculptures in collaboration with George Grant Elmslie, Perkins, Hamilton & Fellows, Holabird & Roche and other leading Chicago architects. An array of his sculptures survive, for example, on the facade of the Old Second National Bank, Aurora, Illinois, as well as two great hotels: the Palmer House...

This sensuous ceramic piece depicts a beautifully sculpted nude figure embracing an exaggerated grape cluster, sculpted by Kai Nielsen for Bing & Grondahl in Copenhagen. While all examples of this piece are rare, the glazes here are extremely unusual, emphasizing a dark ebony color contrasting with a rich purple for the grapes. Officially noted as a "drunken young man," this piece was one of a series depicting wine-lovers issued in 1912, which also included a Bacchus on a donkey, a satyr boy with grapes, and a satyr paired with a woman. Nielsen was a noted sculptor in Denmark, active in the early 20th century, who was heavily influenced by Rodin and Maillol and dealt often with mythological subjects. His bronzes and ceramic pieces have been auctioned by dealers in Copenhagen...

- Wood, cast-iron - circa 80 kilogramme - circa 1910.

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Fantastic detailed pair of car driver´s bookends. Silver plated bronze. Signed G. Lorenzini. Perfect for a automobilia fan. Perfect gift for Car Mascot - Hood Ornament

B&G, Kai Nielsen, 1882-1924. Figurine in the form of a lying woman with a bunch of grapes, from the series 'Grape Harvesting.' Signed Kai Nielsen, 1919. Model number 4...

An Austrian Art Deco patinated and polychromed bronze sculpture "The Feather" by, Bruno Zack of a Native American Indian with a feather headdress riding a top a running horse. The sc...