Staffordshire Pearlware Neptune Figure
View Similar Items
Staffordshire Pearlware Neptune Figure
About the Item
- Creator:Staffordshire (Manufacturer)
- Dimensions:Height: 12 in (30.48 cm)Width: 4.3 in (10.93 cm)Depth: 3.7 in (9.4 cm)
- Style:Folk Art (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1820
- Condition:Generally good. KILN EFFECTS: glaze accumulation to the base; glaze pops to glaze under dolphin's mouth; shallow firing crack to top of thigh. RESTORATION. Neptune is reglued and joins retouched, through the ankles and dolphin's tail. The work is of.
- Seller Location:Chelmsford, GB
- Reference Number:Seller: 218081stDibs: LU4246112864002
Staffordshire
Thanks to its reserves of clay, lead, salt and coal, Staffordshire, England, has been a center for ceramics since the early 17th century. The county was home at one time to hundreds of pottery workshops and as many as 4,000 bottle-shaped kilns that operated year-round. The term “Staffordshire Potteries” refers to the industrial area of Stoke-on-Trent — comprising the towns Burslem, Fenton, Hanley, Longton, Stoke and Tunstall — where most of the production was concentrated.
In 1720, potter John Astbury discovered that he could make what would later be called creamware by adding ground flint powder to the local red clay. Because resources were so plentiful in Staffordshire, local potters could afford to experiment, working to refine their techniques and designs. One such innovator was Thomas Whieldon, an important 18th-century potter known today for his tortoiseshell ware, whose brilliant glazed surface of caramel, yellow and green hues was made with copper and manganese compounds.
Whieldon operated the Fenton Low workshop, making coffee- and teapots, dinner services and even ornamental knife hafts. He was an influential figure: Josiah Spode apprenticed at the workshop prior to opening his company in 1770, and Josiah Wedgwood partnered with Whieldon for five years before establishing his eponymous firm in 1759.
Wedgwood is perhaps the best known of the Staffordshire potters. The firm produced a line of light-colored earthenware for Queen Charlotte, who liked it so much that she granted permission to market it under the moniker Queen’s Ware, which despite the name, was designed for everyday use.
In the same regal vein, in 1773, Wedgwood created the 954-piece Frog service for Catherine the Great, of Russia. The company is also known for its black stoneware, Black Basalt, which imitates the color and shapes of Etruscan vases; Jasperware, with its classical reliefs applied on the unglazed body; and pearlware.
By the end of the 18th century, Staffordshire was the primary producer of ceramics for the American colonies, even creating patriotic wares celebrating independence for this market. The imagery on Staffordshire ceramics became more standardized during the mid-18th century with the advent of transferware, in which a design etched on a copper plate is printed on tissue paper, which is then used to transfer the wet ink onto the ceramic surface. This technique enabled artisans to decorate their wares with complex scenes that wrapped around an object’s surface and make several copies of popular patterns.
The Staffordshire potters also produced decorative figurines, such as this charming pair of cows dating from the 19th century. Particularly popular in Great Britain were pieces with hunting imagery, such as this George IV porcelain stirrup cup in the shape of a fox head wearing a gilt collar inscribed with the word “Tallyho.” Among the many whimsical vessels produced is this mid-19th-century frog mug. The exterior is painted with a charming scene of people picking fruit on one side and ladies on a garden swing on the other side, while inside a molded frog’s head at the bottom of the mug makes a gurgling sound when the beverage has been almost completely consumed.
On 1stDibs, find a range of antique ceramics from the Staffordshire Potteries including decorative objects, tea sets, dinner plates and other items.
- Staffordshire Pearlware Bocage Piper FigureBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware bocage figure with a musical theme which features a man playing a bagpipe, his dog beside him, seated on a shaped base. Decorated 'in the round', deco...Category
Antique 1820s English Georgian Figurative Sculptures
MaterialsPearlware
- Staffordshire Pearlware Piper with Dog Bocage FigureBy StaffordshireLocated in Chelmsford, EssexStaffordshire pottery pearlware bocage figure with a musical theme which features a boy playing a pipe. His dog by his side, stood on a shaped base. Decorated 'in the round' - decora...Category
Antique 1820s English Folk Art Figurative Sculptures
- Staffordshire Pearlware 'John Wesley' BustBy StaffordshireLocated in Chelmsford, EssexStaffordshire pottery pearlware bust with a religious theme which features John Wesley, resting on a plinth base. Decorated 'in the round', decoration to front and reverse. Open bott...Category
Antique 1820s English Folk Art Figurative Sculptures
MaterialsPottery
- Staffordshire Pearlware Musicians and Sheep Bocage GroupBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware bocage figure with a musical theme which features a couple seated before a tree, playing musical instruments. Sheep and dogs around them, seated on a ...Category
Antique 1820s English Folk Art Figurative Sculptures
MaterialsPottery
- Staffordshire Pearlware Child in Rocking CradleBy StaffordshireLocated in Chelmsford, EssexStaffordshire Pottery pearlware model which features a child asleep in a cradle. The cradle sits on curved feet, enabling the cradle to rock from side to side.Category
Antique 1820s English Figurative Sculptures
MaterialsPearlware
- Ralph Wood Staffordshire Pearlware Medici LionBy StaffordshireLocated in Chelmsford, EssexRalph Wood Staffordshire pottery earthenware color glazed figure which features a Medici lion, stood on a plinth base. Decorated 'in the round', decoration...Category
Antique 1780s British Georgian Figurative Sculptures
MaterialsEarthenware, Pearlware
- Antique Dudson English Staffordshire Pearlware Bocage Shepherd Figure 5"By Dudson PotteryLocated in Dayton, OHAntique early English Staffordshire porcelain pearlware bocage group, showing male and female shepherds with a red and white lamb, standing in front of a flowering tree. Attributed ...Category
Antique Mid-19th Century British Colonial Figurative Sculptures
MaterialsPorcelain
- English Staffordshire Figural GroupBy StaffordshireLocated in Bridgeport, CTA Woman and Young Man holding hands with a wrapped parcel in back and a bag and cane in front. With a white tree support with textured foliage at back. Measures: height 11 1/2", le...Category
Antique 19th Century English Country Figurative Sculptures
MaterialsPorcelain
- Staffordshire Pearlware Bocage Pack of Red Spaniel Puppies/ SheepBy StaffordshireLocated in West Palm Beach, FLStaffordshire Pearlware bocage pack of red spaniel puppies or sheep- A rare whimsical grouping of three seated red and white animals under a tree on an oval naturalistic base.Category
Antique 19th Century English Georgian Pottery
MaterialsPottery
$1,516 Sale Price20% Off - Massive Staffordshire Pearlware Pottery Figure of Ceres or Plenty, circa 1815Located in Downingtown, PAMassive Staffordshire Pearlware Pottery Figure of Venus, circa 1810 The extremely large figure depicts Venus, Aphrodite of the Classical Greek legend. This model is of great rarity. Venus, is superbly painted, depicted in purple robes with green edging as she rise from the foam of the sea The condition is excellent. Only one other example is known- see below. Dimensions: 24 1/4 inches high x 8 1/2 inches wide x 8 inches deep See: Myrna Schkolne, Staffordshire Figures 1780-1840, Family, Friendship, Play, & Classical Subjects, Vol 4, Page 186, Figure 194.37 from the Collection of Arnold and Barbara Berlin, although this example is plainly decorated with a white dress with scattered flowers and a Greek Key border to the plain base. History of Venus Venus is the Roman goddess of love, beauty, pleasure, and procreation. She is the equivalent of the Greek goddess Aphrodite. Venus was born from the foam of the sea after Uranus, the sky god, was castrated by his son Cronus. She was carried to the island of Cythera by seashells and then to Mount Olympus, where she became the wife of Vulcan, the god of fire. Venus in Art Venus has been a popular subject for artists since ancient times. She is often depicted as a beautiful woman, nude or partially clothed, and is often accompanied by symbols of love and beauty, such as doves, roses, and apples. Some of the most famous depictions of Venus include the Venus de Milo, a marble sculpture from the 2nd century BCE, and the Venus of Urbino...Category
Antique Early 19th Century English Regency Figurative Sculptures
MaterialsCeramic, Pearlware, Pottery
- Grayson Perry "Home Worker" Staffordshire Figure 'Design 2', 2021By StaffordshireLocated in London, GBA Grayson Perry glazed ceramic hand painted Home Worker Staffordshire Figure, which is part of his "Home Worker & Key Worker" series created for the Bristol Museum of Art in 2021. Th...Category
2010s British Figurative Sculptures
MaterialsCeramic, Earthenware
$778 Sale Price20% Off - Grayson Perry "Home Worker" Staffordshire Figure 'Design 4', 2021By StaffordshireLocated in London, GBA Grayson Perry glazed ceramic hand painted Home Worker Staffordshire Figure, which is part of his "Home Worker & Key Worker" series created for the Bristol Museum of Art in 2021. Th...Category
2010s British Figurative Sculptures
MaterialsCeramic, Earthenware