Swedish Art Deco, Palladium Theatre "Comedy" Sculpture in Copper, Stockholm 1920

A Scandinavian Modern, hand crafted metal sculpture of a bird make from brass, copper and iron on a wood base. Designer unknown, circa 1960’s. Measures: height: 13.5“ width: 11“ ...

Timo Sarvimäki stoneware platter depicting a deep blue pond or lake surface with lily pads, and a dragon fly in relief. Produced for Designhuset, Stockh...

Pal Kepenyes is a sculptor and researcher of Hungarian art, whose artistic production includes sculptures of small and medium format, jewelry and miniature decorative pieces, all mad...

Gertrud Bage unique, double glazed ceramic stoneware bow in blues and greens. Signed and label on bottom. Produced in Stockholm, Sweden, circa 1990-2000. Measures: Diameter: 13.75...

Very fine and large pair of polished brass sconces which embody the restrained elegance of what the French press described as "Swedish Grace" at the Exposition Internationale des Art...

Swedish Art Deco mirror with gilt carved details which include a seated putto holding a bow, arrow and quiver against a faux mahogany painted gesso background. Made by W. Lundell, si...

French Art Deco sculpture, France, 1920s. "Pierrot". Spelter and onyx. Height : 11.2"(28.5cm), Width : 8.7"(22cm), Depth : 4.5"(11.5cm). Very good condition

Sign: Lorenz Josef (Austria, 1892-1950). Sculptor, known for its dancers. Worked along with Goldscheider in Vienna. Materials: Bronxe and onyx with the original patina We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Josef Lorenzl (1 September 1892 – 15 August 1950) was an Austrian sculptor and ceramicist of the Art Deco period, the same era as Ferdinand Preiss (1882–1943) and Demetre Chiparus (1886–1947). Lorenzl was born on 1 September 1882 in Vienna, Austria and died there on 15 August 1950. Little is known about his early years, but more is known about his later life. Lorenzl started his career working at a foundry at the Vienna Arsenal where he learned the techniques of bronze casting. The Vienna Arsenal was a military storage...

This abstract 1920s Swedish sculpture of painted-and-gilded plaster, on a painted-wood base, is pleasing from all angles. At the time and place where it...

French Art Deco sculpture by Demetre Chiparus (1886-1947), France, 1920s. Dancer. Cold painted spelter and marble. Measures: Width : 13.9"(35.2cm), Height : 10.4"(26.5cm), Depth : 5....

Art Deco female figure - Sculpture bookends, France, 1920s. Pair of female bookends in silver plated finish, great pose in the Art Deco style, made in France.

Bronze art deco ram sculpture by Paul A. Lobel from the RKO Roxy Theater, Rockefeller Center, New York. Hand wrought. Provenance: RKO, Roxy Center Theatre; Mr. Eugene Lee Schoen; Mr. Neal Prince & Mr. Herbert Wade Hemphill Jr.; Mr. Neal Prince; The Trust of the above; Heritage Auctions. Presented by Joseph Dasta Antiques Paul Lobel (1899 - 1983): The accomplishments of Paul A. Lobel, industrial designer, metalsmith, sculptor and cartoonist/illustrator, may be viewed as the quintessential American success story. Born in Romania, at the turn of the century, he emigrated to the United States while an infant, and, from humble beginnings on Manhattan’s Lower East Side, grew up to attain a one-man show in Paris in 1925, win two awards at the International Exposition of Decorative Arts in Paris in 1932, be the subject of two exhibitions at the American Museum of Art and The Museum of Modern Art in New York City. He also founded an innovative jewelry and metals studio/shop in New York’s Greenwich Village. Furthermore, his contemporaries regarded him with awe and almost everything he attempted came to fruition. In the summer of 1926 Lobel exhibited 35 works, including drawings, etchings, paintings, metalwork and sculpture, in a one-man show at the Grande Librairie Universelle in Paris. During the next year, he toured London, Rome, Florence, Rotterdam, Brussels and Berlin, then, broke, returned to America where he again rented desk space and tried to resume his advertising career. But he was haunted by the modern design that he had been exposed to in Paris. So, after borrowing money to open a metalwork studio on Lexington Avenue, he sought out architect Eugene Schoen, an enthusiast of modern design, whom he had formerly been introduced to by Boardman Robinson. Schoen was in the process of opening a gallery devoted to showing the work of designers and craftsmen imbued with the spirit of modernism...