Verre Églomisé Figurative Sculptures

Neapolitan nativity scenes are very different from those seen in churches due to the importance of secular settings. They are not limited to staging the child Jesus surrounded by the holy family. Still, they managed to reproduce the daily life of the Neapolitans of the seventeenth and eighteenth centuries. The elegance of the figuration and the fineness of the execution of these santons also reveals the quality of the know-how of the Neapolitan artisans. The markets, hotels, dances, itinerant vendors, beggars, taverns, various trades, guarding herds, the royal procession and all that was within reach of everyday life or fantasy had their place in the Neapolitan crèches...

PRESENTING A STUNNING Daum Heron Pate de Verre Art Glass Sculpture with original box. Made by the World renowned French maker of ‘Daum’ of Nancy, France circa 1960-80. Gorgeous art glass piece, hand crafted with translucent/frosted pale blue base, extending upwards to an amber tinted head. Properly marked/etched signature on the base of “Daum, France”. Provenance: Acquired by us from a fine Mississippi Estate, along with other Daum, Lalique and Steuben pieces. It has it’s original Daum box...

Traditional Dogon architecture throughout a Dogon village consists of a series of unique and exceptional mud buildings which the Artist, Victor Anicet, featured in an organic sculptural manner in his Porte Dogon...

Francois Decorchemont Pate-de-Verre Chameleon Paperweight sculpted with orange and clear bubbled glass. Francoise Decorchemont pioneered the pate de Verre industry in the turn of the...

François-Emile Decorchemont Pate-de-Verre Glass Mold Of A Female Ladies Face. A rare, large and very heavy sculpture of either a mask or a modeled face. At 3.5 inches thick in glass with a peach, pink or rose color; this statue was exhibited in the Brooklyn Museum, New York in 1971. With much research; I haven’t seen or heard of a similar form by Decorchemont. The original Brooklyn Museum loan sticker is on verso with the Decorchemont stamp on her left cheek. For serious collectors or rare Art Deco, Art Nouveau glass. Circa 1910 Molded Signature DECORCHEMONT Height: 7 Inches (13.3 cm) Width:. 5.2 Inches (16.5cm). AVANTIQUES is dedicated to providing an exclusive curated collection of Fine Arts, Paintings, Bronzes, Asian treasures, Art Glass and Antiques. Our inventory represents time-tested investment quality items with everlasting decorative beauty. We look forward to your business and appreciate any reasonable offers. All of our curated items are vetted and guaranteed authentic and as described. Avantiques only deals in original antiques and never reproductions. We stand behind our treasures with a full money back return if the items are not as described. François-Emile Décorchemont French, 1880-1997 François Décorchemont, originally an accomplished painter and potter of recognized ability, turned to the making of glass in 1904. Pâté de verre was the medium in which he excelled and for which he is best known. After studying decorative art in Paris, François Décorchemont returned to his native Conches in 1910 to develop new techniques in stained glass, particularly in the use of crystal to give multicolored and faceted panes. After 1909, while continuing to produce fine glass paste pieces, Francois Decorchemont began to experiment with a new casting technique. François Decorchemont, Emile's son and also an artist, helped out in his father’s studio, in particular helping him to research the possibilities of creating jeweled adornments in pates d'email (enamel pastes) for Gerome's polychrome sculptural creations. Francois Décorchemont, a potter and painter at the outset of his career, became fascinated with the IDEA of developing and utilizing a thin translucent glass material in his work. It was in essence the revival and an adaptation of a long forgotten Egyptian glass-making process using colored crystal powdered glass, metallic oxides and an adhesive paste. This "new" material, known as pâte de verre was developed around the turn of the century, principally at the Sevres porcelain factory, by a number of artists working there, notably Henri Cros and Albert Dammouse. The end of the 19th century was an illuminated period in the history of art. Impressionist painting appeared and created an interest in glass as material. Traditional sculpting materials such as bronze and marble made way for glass with its possibilities of light and color. Henry Cros and François Décorchemont became the leaders of French pâte de verre and facilitated the proliferation of this colorful glass. His first major work, in 1934, was inn the Eglise Sainte-Odile near Porte Champerret in Paris, some 300 square meters of brilliant colors. After the war, he devoted his work to churches in the Eure, including of course Beuzeville where, thanks to the generosity of the local council, the church is lit at night so that his work can be admired from outside. During the first half of the 20th century a number of French artists became famous for their work in pâte de verre, and Francois Decorchemont among them. March 2014, 20th Century’s Greatest Art Dealer Felix Marcilhac’s Collection Privee at Sotheby’s - Chang Yi Entrusts Antoine Leperlier in the Bidding of a Francois Decorchemon's Original. It has been reported that Felix Marcilhac’s Collection Privee auction at Sotheby’s brought in 33,125 Euros (28,000 RMB), three times the estimated price. Marcilhac is considered the greatest Art Deco dealer...

Pate de verre Snail paperweight by Almeric Walter and Henri Berge, 1905. Great example of Art Nouveau executed in naturalistic style for Daum factor...

Pierre Chenet était un sculpteur animalier français du XXe siècle. Ses sculptures de bronze d'animaux sont célèbres pour leur mouvement réaliste. Il utilise sa technique dite de " l...

Gabriel Argy-Rousseau Pâte de Verre Chevalier Paperweight, Circa 1920 Art Nouveau - Art Deco period mottled glass is shades of red, pink, orange and purpl...

French Art Deco Pate-De-Verre Alligator Sculpture, Daum France.

The Bonbon Chouval  (Horse Biscuit in Creole) was originally a traditional pastry from the island of Martinique. Carelessly shaped as a horse, the biscuits were sold on the village m...

Almeric Walter and Henry Mercier Pate De Verre Art Nouveau Figure of a Nude Cherub or boy seated with his hand on his head. A wonderful pâte-de-ver...

Grand vase Art en verre granité rehaussé d'un décor de peinture émaillé figurant un couple d'oiseaux. Belles dimensions avec ses 40 cms de hauteur pour 15 cms de Large. L'objet e...