1966 Cast Iron Verdigris Leaping Frog Doorstop Garden Virginia Metalcrafters

Antique Art Deco J Loth Stoves Virginia Metalcrafters arts and crafts style andirons / firedogs featuring bow legged iron bases topped with a pierced floral filigree medallion. Marke...

Mid Century iron and brass andirons / firedogs by Harvin / Virginia Metalcrafters for the Colonial Williamsburg Restoration line of products. Features colonial styling with scrolled ...

19th century salin foundry French neoclassical cast iron sculpture statue, France Features two boys playing Front of plinth inscribed Salin, France Salin Foundry, Dammarie-sur-S...

An Impressive Cast Iron floor sculpture by Josep Maria Subirachs, circa 1960s. Reminiscent in form to an arrowhead or primitive blade. Josep incorporated grattage leaving the surface rough and jagged. Signed along the lower edge. From the private collection of Vincent and Elana Bolling. The Bollings were philanthropists and advocates for the performing and visual arts. JOSEP MARIA SUBIRACHS SITJAR was born on March 11, 1927 in Barcelona. From the age of nine to the age of twelve he experienced the tragic events of the Spanish Civil War, the overthrow of the Republican government in 1939 and the beginning of the Franco regime. Born into a working class family in the Barcelona district of Poblenou, the precarious economic situation suffered during the post-war period forced him to renounce studying architecture and he began working at the workshop of a gilder and amateur sculptor when he was just fourteen years old. By then, he was already modeling clay figures which he used to bring to the furnace at a local roof tile factory. From 1942 to 1947 he worked as an apprentice under the sculptor Enric Monjo at his workshop, acquiring technical skills. But the person who taught him most profoundly was Enric Casanovas, with whom he worked for a brief period because, unfortunately, the 'Noucentista' died in January 1948, just a fews months after Subirachs entered his workshop as a collaborator.The influence of Casanovas is apparent in the young sculptor...

An Impressive Cast Iron wall hanging sculpture by Josep Maria Subirachs, circa 1960s. Reminiscent in form to an arrowhead or primitive blade. Josep incorporated grattage leaving the surface rough and jagged. Signed along lower edge. From the private collection of Vincent and Elana Bolling. The Bollings were philanthropists and advocates for the performing and visual arts. Measure: 34". JOSEP MARIA SUBIRACHS SITJAR was born on March 11, 1927 in Barcelona. From the age of nine to the age of twelve he experienced the tragic events of the Spanish Civil War, the overthrow of the Republican government in 1939 and the beginning of the Franco regime. Born into a working class family in the Barcelona district of Poblenou, the precarious economic situation suffered during the post-war period forced him to renounce studying architecture and he began working at the workshop of a gilder and amateur sculptor when he was just fourteen years old. By then, he was already modeling clay figures which he used to bring to the furnace at a local roof tile factory. From 1942 to 1947 he worked as an apprentice under the sculptor Enric Monjo at his workshop, acquiring technical skills. But the person who taught him most profoundly was Enric Casanovas, with whom he worked for a brief period because, unfortunately, the 'Noucentista' died in January 1948, just a fews months after Subirachs entered his workshop as a collaborator.The influence of Casanovas is apparent in the young sculptor...

Vintage heavy cast iron horse head hitching post. Marked BM-015. Dimensions: 7.25” x 4” x 9.25” (Width x Depth x Height)

Beautiful pair of brass spread-wing eagle bookends by Virginia Metalcrafters, stamped 1952. The eagle is shown with its wings fully spread and a laurel branch and bundle of arrows clutched in its left talon. The eagle clutches a Union shield across its breast. The Union shield has a chief with three stars and six stripes completing the design. The eagle motif in décor and Folk Art has been widely used throughout our nation's history, most notably as part of our Great Seal. The founders of the United States were fond of comparing their new republic with the Roman Republic, in which eagle imagery, usually the golden eagle, was prominent. On June 20, 1782, the Continental Congress adopted the design for the Great Seal of the United States depicting a bald eagle grasping 13 arrows and an olive branch with its talons. When Charles Thomson put together the final design for the Great Seal, he placed a bundle of arrows in the eagle's left (sinister) talon. The official description specifies the bald eagle holding "in his sinister a bundle of thirteen arrows." The thirteen arrows are tightly aligned – a symbol of "strength in unity" that's found in the traditional cultures everywhere, from the Romans to the Iroquois— in this case a nod to the unity of the original 13 colonies. William J. Loth founded Virginia Metalcrafters in 1890, under the name Waynesboro Stove Company. The company, which made ornately cast Cook...

Beautiful collection of 22 solid brass leaf sculptures by Virginia Metalcrafters. Each piece signed on the backside with the VMC logo and embossed with item number and type of leaf. ...

Beautiful antique brass Irish Setter dog figural ashtray dating from the 1920s. Signed on the back. Made by Virginia Metalcrafters. Made of cast brass and has a wonderful patina. In ...

Gold toned brass Mayapple leaf tray. The Mayapple is unique in that it has just 2 leaves & 1 flower. The large umbrella like leaves are very dramatic & unusual, for this reason Virginia Metalcrafter's showcased the leaf in the 1940's. A very heavy cast brass tray...

Mid century cast brass leaf tray by Virginia Metalcrafters. Stamped "3-58 Ginkgo Leaf Tree of Heaven"

English hand cast English bulldog rusted garden ornament.