'War and Peace', Pair of Antique Italian Marble Figures

Full of humour and narrative detail, this joyous set of two figural sculptures are charmingly cast in bronze to depict young boys playing with animals. One of the figures shows a boy in draped...

Pair of antique terracotta allegorical figures French, 19th Century Female figure: Height 223cm, width 63cm, depth 42cm Male figure: Height 216cm, width 63cm, width 42cm This statuesque pair of terracotta figures depicts a man and a woman, who represent the allegories of Hunting and Fishing, respectively. The figures are classically inspired and realised in the Academic style. The man holds aloft a bird, and the woman holds a fish while a net trails in her arm. Both figures are set onto circular bases, which stand on square pedestals with steps. Both pedestals are inscribed 'M.I.T.A.L/Terrecotte/IMPRUNETA' and one figure is inscribed 'Arnaud Etienne Henry...

Large pair of patinated and gilt bronze Atlas figures French, 20th century Figure with globe: Height 135cm, diameter 46cm Figure with armillary sphere:...

Pair of patinated bronze figures of Mercury and Fortuna, after Giambologna French, Late 19th century Measures: Height 87cm, width 15/19cm, depth 31cm This pair of patinated bron...

Pair of antique Meissen porcelain figures of Malabar musicians German, Late 19th Century Woman: Height 33cm, width 13cm, depth 11cm Man: Height 32cm, width 20cm, depth 11cm Expertly crafted in the late 19th century by the artists at Meissen, the figures depict a charming pair of Malabar musicians. The design of this pair is after models by Friedrich Elias Meyer (German 1723–1785), an artist at Meissen. The figure of a lady is playing the hurdy-gurdy and the moustached man the guitar. Both figures are wearing a pale straw hat, their bodies covered by a maroon-coloured and fur lined jacket...

Pair of patinated bronze figures after Giambologna French, late 19th Century Mercury: Height 84cm, width 17cm, depth 31cm Fortuna: Height 84.5cm, width 17cm, depth 29cm The patinated bronze figures are pictured in the nude, adopting active poses. Both stand on their tiptoes on one foot — Fortuna resting on a scrolling base, and Mercury on a gust of wind, produced by Zephyrus, the god of the western wind — and their other leg is flicked back. In both, one arm is raised, and the other rests at their side. The figures stand on cylindrical yellow marble bases, which are ringed with continuous relief panels, depicting cherubs at the helm of sailing ships, and navigating using globes...

Pair of Antique Italian Marble Sculpture of Classical Female Nude Figures. Crafted with exquisite precision, each piece depicts a captivating female nude figure, celebrating the idea...

A pair of fine antique neoclassical hand-carved alabaster figures of Grecian ladies on carved alabaster bases.

Pair of Bronze Indian Sculptures of 'War and Peace', by Carl Kauba (1865-1922).

Attractive pair of Italian neoclassical style parcel-gilt and patinated bronze opposing figures of artistic maidens surmounted by moulded glass shades made into lamps, all standing o...

An extremely well carved pair of Statuary Carrara marble busts on marble pedestals, by important sculptor Odoardo Fantacchiotti.  Odoardo Fantacchiotti (11 May 1811–4 June 1877) was an Italian sculptor of the late-Neoclassic period. He was born in Rome, but his family moved to Florence. In 1820, he enrolled in the Accademia di Belle Arti di Firenze. At the Academy, he studied under S. Ricci, and first started exhibiting in 1828. Gaining the patronage of the Grand Duke, he continued his studies, following the ideas of Aristodemo Costoli of depicting the "bello naturale". In 1839 at the Academy, he exhibited the work of the Massacre of the Innocents. In 1840 he was named professor at the Academy. Among his public works are the statue of Boccaacio and dell'Accorso for the ground floor niches of the courtyard of the Uffizi, medallions commemorating Francesco Redi and the bust of Ferdinando II de Medici for the Museo della Specola, a statue of Sallustio Bandini (now at the Accademia dei Georgeofili, but initially planned for the loggia of the Uffizi. A marble Virgin...

Exceptional pair of carvings of putti holding a jardinière above their heads. Great carvings of figures with a bird at the foot of one of the figures and an animal blanket at the foot of the other figure. Great carving without problems. Great for an entry or architectural niche.