Wood Sculpture Depicting a Dragon by Rosario Lattuca, circa 1970

Pair of engraved metal sculptures depicting two mythological birds, traceable to the French sphere and datable to the late 19th and early 20th centuries. The two sculptures are almost identical, distinguished by minor differences, such as the position of the legs; the most striking feature, however, lies in the metal chrome plating in that one sculpture...

Bamboo wood sculpture depicting a fisherman with oriental features, with a long beard and wearing a headdress, while holding two fish in his hand. The lower part is embellished with an elaborate carved fishing net. The work is of Chinese provenance...

Sculpture made of hardwood from around the end of the 15th century, placeable in the upper Venetian area. Depicting a female figure characterized by a draped robe, as was the cust...

The sculpture in question, representing a boy with drape, is the work of Augusto Murer cast in 75 pieces, of which this is No. 58/75. Made of bronze in 1980 and in excellent condit...

Drawing made in pencil and white lead on paper by artist Alberto Pasini (1826 - 1899) around 1860, during his time in Istanbul. The subject is the recognizable "Blue Mosque," bett...

Drawing made in pencil on paper measuring 15 x 19 cm by artist Alberto Pasini (Busseto 1826 - Cavoretto 1899) depicting a female face datable to around 1870. The work has the sign...

Finely refined natural size wood sculpture depicting a mutton.

BEAUTIFUL SCULPTURE IN POLYCHROME LINDEN REPRESENTING SAINT GEORGE SLAYING THE DRAGON ORIGIN : SOUTHERN GERMANY, SWABIA PERIOD : LATE 15th CENTURY Polychrome linden wood, silvered flange Measures: Height : 104 cm Width : 21 cm Good state of conservation, original polychromy HISTORICAL Officer in the Roman army, Saint George passed through a city plagued by a voracious dragon that devoured its inhabitants. To appease the monster's hunger, the villagers offered him sheep, but when all the cattle were sacrificed, two young people were drawn. One day, fate designated the king's daughter, forced to be delivered to the dragon. Initiating a fight to save her, Saint George, on his horse, triumphed over the monster by piercing it with his spear. In order to symbolize the victory of faith over Evil, the different versions of the legend end with the death of the dragon. However, the Golden Legend, by Jacques de Voragine affirms that the creature was only wounded and that the saint would have dragged it, chained, at his side. Before leaving the city, Saint George distributed to the poor the money that the king had given him as a reward. After his victory over the dragon, came the passion of the saint. Indeed, Saint George was martyred for refusing to sacrifice to pagan idols during the persecution of Diocletian. The saint suffered numerous physical abuses from which he miraculously survived. He was eventually beheaded and his holy body was retrieved by an angel. DESCRIPTION This polychrome sculpture represents Saint George standing, his foot on the dragon which he strikes down with a spear. This image is one of the most evocative of the iconography of Saint George. He is represented young and beardless, in infantry armor, typically German, due to the length of the poacher who protects the thighs of the saint. The armor covers his whole body, from the neck, with the gorget, to the foot with the sabatons. The armor is realistic thanks to the precision of the parts composing it and this silver highlight which gives it a patina with metallic reflections The saint is wearing a hood with raised brown edges, revealing curly hair down to the bottom of his neck. The face of the saint seems serene, and his attitude controlled, a symbol of chivalrous virtues. Concerning the posture, Saint George raises his right arm and bends the left in order to plant his spear in the mouth of the dragon. He is in contrapposto, his left foot crushing the long neck of the monster. The dragon, on the other hand, is salamander-like with large, pointed ears and a large, jagged crest on its back. The creature opens its mouth and twists its neck in pain. A green color covers its skin, and highlights of red are located inside its mouth and ears. This exceptional piece is the reflection of a remarkable sculptural work, due to the harmony that emerges from the composition, the precision of the details and expressions, as well as the contribution of the polychromy that animates this scene. LITERATURE Louis Réau, Iconographie de l’Art Chrétien...

This wood scultpure showing fine traces of polychromy depicts John the Baptist, one the Old Testament’s last prophets and the first martyr of the New Testament. He is easily recognizable with the lamb he is carrying in his left hand. The way the artist has carved the face exudes a spiritual strenght inherited from previous centuries. Description Saint John the Baptist is depicted bare feet, seated in a hieratic manner. His elongated face is marked by a beard and a moustache. The straight nose and wide eyes indicate a Spanish origin. This asumption is reaffirmed by the Saint’s resigned expression. His parted hair frames his face while uncovering his ears. He wears a round collar red-orange tunic, draped onto the body and belted at the waist. A flap of his green coat covers his knees and falls down in stylized pleats. Following iconographic rules Saint John the Baptist is pointing with his right hand the lamb seated...

Rosario Russell Fiore (American, 1908-1994) WPA ceramic sculptures of a harvester and a foundry worker . foundry worker: 7 ½ inches wide by 3 ½ inches deep by 9 inches tall Repair...

IMPORTANT WOOD SCULPTURE, GOTHIC DEPICTION OF SAINT WENCESLAUS ORIGIN : CENTRAL EUROPE PERIOD : MID-15th CENTURY Height : 83 cm Length : 30 cm Depth : 20 cm Basswood Good condit...

An exquisite furnishing accessory made from a single block of solid scented Cedarwood of Lebanon, its design celebrates the Chinese New Year by taking inspiration from the dragon, th...