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Neoclassical Style Relief, Second Half of the 19th Century

Neoclassical Style Relief, Second Half of the 19th Century

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Sculpture Scipione Tadolini the Greek Slave Second Half of the, 19th Century
Sculpture Scipione Tadolini the Greek Slave Second Half of the, 19th Century
Pair of Moors. Venice, Second half of the 19th century
Pair of Moors. Venice, Second half of the 19th century
19th Century Italian Neoclassical Style, Relief Carved Walnut Panel
19th Century Italian Neoclassical Style, Relief Carved Walnut Panel
Rare decorative fruit basket made of wax. Italy, second half of the 19th century
Rare decorative fruit basket made of wax. Italy, second half of the 19th century
Pair of French 19th Century Neoclassical Style Obelisks
Pair of French 19th Century Neoclassical Style Obelisks
French 19th Century Neoclassical Style Statue of Mercury
French 19th Century Neoclassical Style Statue of Mercury
Folk Art Wooden Sculpture, USA, Second Half 19th Century
Folk Art Wooden Sculpture, USA, Second Half 19th Century
French 19th Century Plaster Neoclassical Style Statue of a Maiden
French 19th Century Plaster Neoclassical Style Statue of a Maiden
Pair of 19th Century Italian Neoclassical Style Marble Obelisks
Pair of 19th Century Italian Neoclassical Style Marble Obelisks
19th Century Framed Relief Sculpture, Inspired by the style of Clodion
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Memento Mori chain seal, Saint Petrsburg, Russia, second half of 19th century.
Memento Mori chain seal, Saint Petrsburg, Russia, second half of 19th century.
Pair of French 19th Century Neoclassical Style Patinated Bronze Statues
Pair of French 19th Century Neoclassical Style Patinated Bronze Statues
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Neoclassical Style Relief, Second Half of the 19th Century

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    A Napoleon III armchair on s-shaped legs with a curved frame. The high, rounded backrest as well as the seat and armrests are upholstered. The golden patinated frame is decorated wit...
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  • Sculpture Scipione Tadolini the Greek Slave Second Half of the, 19th Century
    By Scipione Tadolini
    Located in SAINT-JEAN-CAP-FERRAT, FR
    Scipione Tadolini was a skilled sculptor whose broad talent covered the neoclassic to the romantic movements. His ancestors from a dynasty of Roman sculptors exerted a profound and lasting influence on the artistic production of the Eternal City. The Greek Slave fully demonstrates his masterly talent and serves as a reminder of antique models and the orientalist influences characterising the second half of the 19th century. Scipione Tadolini graduated from the Roman Academy and worked with his father on a series of celebrated portraits and ecclesiastical sculptures for Roman churches including a bust of Cardinal Giuseppe Alberghini for the Gesù (1847) and portraits of various members of the Cini family for the Church of Sant’Andrea della Valle (1844, 1846). Tadolini is also known as the author of a number of large-scale monuments for patrons around the world including an equestrian group of Simon Bolivar for the city of Lima, Peru. One of his best known sculptures is The Greek Slave which appears in his work from the late 1850s forward.The Greek Slave was created in several sizes in two variations: with the figure’s hand either raised to her chest or to her chin. The small number of versions all indicate the sculptor’s careful attention to the human form and passion with exoticism, which can be noticed through the tumbling folds of the present figure's headdress and the finely articulated jewellery...
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