Bloodroot, Small Scale Cast Bronze Botanical Sculpture with Subtle Patina

Bloodroot start to bloom before the foliage unfolds in early spring common in the upper Midwest of the United States. After blooming, the leaves unfurl to their full size as seen in ...

This small bronze sculpture is a maquette for a large scale sculpture at the Olbrich Gardens in Madison, Wisconsin. Made with the ancient lost wax method, a process dating back to th...

This extraordinary sculptural portrait head takes its beginnings from classical antiquity. Attention to detail and complete understanding of the human figure are evident. The sculpture, which is made of resin and patinaed with a rusted iron can be shown on a base or lying down. Dean Kugler The Black Road: Iron, 2021 Resin and Iron Patina 20h x 16w in 60.96h x 40.64w cm DK0041 Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk College. 22 June 2016 – Dispatch-Argus. Coverage of my one-man show titled “Animal Farm.” 22 Sept 2015 – Quad-City Times. “Body of work”. Article by David Burke about a one-man art show at Black Hawk College. 30 October 2014 – WVIK radio and online. Coverage of the ribbon-cutting for “Gravity” installation at the Rivercenter in Davenport, IA. 28 Sept 2014 – TV interview on WZZM13 in Grand Rapids covering ARTPRIZE and my sculpture, Gravity at the Gerald Ford...

Reminiscent of John James Audubon specimen drawings, these two meticulously drawn swallow tail butterflies are matted separately and framed in a beautifully carved silver frame Sylvia Beckman Bloodroot, 2010 colored pencil on paper 19.5 x 18.25 framed SUB005 Sylvia Beckman, b. 1938, Detroit, MI Education University of Michigan, School of Arch. & Design University of Wisconsin, Botany Private apprenticeship in stone sculpture, bronze, gilding and painting Exhibitions 2017 “Coming Attractions”, Gallery Victor Armendariz, Chicago, IL 1997 S.O.F.A. exhibition, Ann Nathan Gallery, Navy Pier, Chicago, IL 1997 Monumental Bronze Sculpture Commisson, Olbrich Park, Madison, WI 1994 Sculpture, Olbrich Botanic Gardens, Spring Display, Madison,WI 1994 Paintings & Drawings, North Seas Gallery, Charlevoix, MI 1994 Paintings & drawings, Olbrich Botanic Center, Madison, WI 1988 Monumental Stone Sculpture...

This is an extraordinary bronze sculpture of a Classic male nude by artist Dean Kugler. Attention to detail and complete understanding of the human figure are evident. The figure stands with most of his weight on one foot, contrapposto, and his arm stretched overhead revealing a powerful, muscular physique. With inspiration from Michelangelo's unfinished series of sculptures housed at the Galleria Dell'Acadamia Museum in Florence, displayed in the hall leading to Michelangelo's David sculpture, this figure too is bound within its own material symbolizing the eternal human struggle to free themselves from material trappings. The sculpture is beautifully custom mounted on a stone base. Dean Kugler Slave (after Michelangelo) bronze Measures: 20 H x 5 W x 5 D in 50.80 H x 12.70 W x 12.70 D cm DK0035 Kugler uses scale and the juxtaposition of disparate elements in order to engage and challenge the viewer. He combines elements such as strength and weakness or beauty and damage to be experienced simultaneously within the same piece of work to create a tense energy. Kugler also incorporates the technical skill of tight rendering with the dynamism of abstraction to create this energy to add additional excitement and intrigue to his aesthetic.   Dean Kugler is a seasoned interdisciplinary artist, painter, and figurative sculptor. His 3D work is featured primarily at Gallery Victor Armendariz in Chicago. In the last three years, Dean has also been featured at Abend Gallery in Denver, The Figge Art Museum, and Bereskin Gallery in Iowa. He has shown at SOFA Chicago in 2017, 2018, and 2019 and participated in ArtPrize in 2013, 2014, and 2015. He sees himself primarily as a sculptor due to the challenges he finds and thrives on within the process. In all its beauty, crudeness, and subtleties, the figure offers infinite opportunities to express feelings and emotions. There is also a physicality to sculpture that requires the work to be experienced through movement in order to reveal more about the piece. Dean has always been drawn to the interactive nature of large-scale sculpture that is available to the public - he loves the idea that his work entices the observer to go beyond what they can see and add tactility to the experience. By using both realism and abstraction, he creates a visual that challenges the viewer to resolve what they are seeing. Therefore, providing a greater connection between the artist and the viewer. Education 1993 – AA from Blackhawk College. 1995 – BFA from Western Illinois University. Texts 1995 – “Drawing: Skills, Means, Freedom”. Jan Clough / Ann Mullin. pub. 1995. 1993 – “Images” College publication featuring multiple pieces. 1992 – “Images” College publication featuring multiple pieces. Bibliography Dec 2022 - American Art Collector. “Room to grow”. Pages 48 and 49. 1 Oct 2018 – River Cities Reader. Article discussing a group show titled “Earth, Wind, and Fire” at Bereskin Gallery. 18 Aug 2018 – River Cities Reader. Article by Mike Schulz about my show titled “Relic” at the Quad City Arts. 1 Nov 2017 – Dispatch-Argus and QCOnline, Coverage of my showing at SOFA. 16 Dec 2016 – River Cities Reader. Article by Rick Martin about one-man art show titled “It Figures” at Black Hawk...

Mary Block Walking Cat, 2022 bronze 39h x 64w x 13d in 99.06h x 162.56w x 33.02d cm MBK001

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