Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 10

Hunter with Deer Attributed to Amadeo Gennarelli, Italian, Art Deco

About the Item

Materials: Silvered bronze and marble We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982.If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Amedeo (sometimes Amadeo) Gennarelli (1881-1943) An Italian/French sculptor, he was a pupil of Francesco Jerace. Gennarelli settled and worked in Paris, from 1913 to 1930. He exhibited at the Salon, particularly in the 1920s. He became a very well known sculptor who worked in bronze, marble, ceramics and on occasion, wood. Two of his more well-known works are "Carrier Pigeon" and "Towards Destiny".   Why are there so many antiques in Argentina? In the 1880 – 1940 there was a grate wave of immigration encouraged by the periods of war that were taking place. 1st World War took place between 1914 and 1918 2nd World War took place between 1939 and 1945 The immigrants options were New York or Buenos Aires. Tickets were cheap and in Buenos Aires they were welcomed with open arms, as it was a country where everything was still to be done. Argentina was the country of new opportunities, labour was needed and religious freedom was assured, in many cases the of the family travel first until they were settled and then the rest of the family members join them. In the immigrant museum “Ellis Island Immigrant Building” in New York you can se the promotional posters of the boats that would take them to a new life. Between the years 1895 and 1896, Argentina had the highest DGP (gross domestic product) per capita in the world according to the Maddison Historical Statistics index, this situation arose due to the large amount of food being exported to European countries, which were at war. The Argentinean ships left the port of Buenos Aires with food, but they returned with furniture, clothes and construction elements, (it´s common to see this the old buildings of the historic neighbourhood of San Telmo, the beams with the inscription “Made in England)”, as well as many markets that were built in Buenos Aires, such us the San Telmo Market, whose structure was brought by ship and afterwards assembled in 900 Defensa Street. With the great influence of European immigrants living in the country, the children of the upper classes travelled to study in France, resulting in the inauguration of “La Maison Argentinienne”, on 27th of June 1928, in the international city of Paris, which hosted many Argentinians that were studying in Frace. It´s the fourth house to be built after France, Canada and Belgium, being the first Spanish-speaking one. Still in place today (17 Bd Jourdan, 75014, Paris, France). Many of the children of these wealthy families who attended international art exhibitions, museums and art courses abroad, took a keen interest in the European style. This is why Buenos Aires was at the time referred as “The Paris of South America”. Between the years 1890 and 1920 more than a hundred Palaces were built on Alvear Avenue the most exclusive avenue in Buenos Aires. Today some of these palaces have been transformed into museums, hotels and embassies. In the year 1936, the Kavanagh building was inaugurated, it was the tallest reinforced concrete building in South America. During 1994 the American Society of Civil Engineers distinguished it as an “international engineering milestone”, and it´s now considered a World Heritage of Modern Architecture. At the time was common to hire foreign architects such as Le Corbusier, who visited Buenos Aires/Argentina in 1929 and in 1948 he drew up the blueprints for a house built in La Plata City (which was declared a World Heritage Site). In 1947, the Hungarian architect Marcelo Breuer designed “Parador Ariston” in the seaside city of Mar del Plata. After an Argentinean student at Harvard University convinced him to come to Argentina. He worked on an urban development project in the Casa Amarilla, area of La Boca. The Ukrainian architect, Vladimiro Acosta, arrives in Argentina in 1928 and worked as an architect until que moved to Brazil. Antonio Bonet, a Spanish architect who worked with Le Corbusier in Paris, arrives in Argentina in 1937, where he carried out several architectural works and in 1938 designs the well-known BFK chair. Andres Kálnay, of Hungarian origin, made around 120 architectural masterpieces, among which the former Munich brewery stands out, he even made the furniture’s design. The German architect, Walter Gropius, director of the Bauhaus, lived in Argentina, where he wrote articles for “Sur” magazine and founded in Buenos Aires, an architectural firm with Franz Möller, who was also an architect, where he built two houses. At the same time several famous designers decided to immigrate to Argentina, among them we can find the well-known French designer, Jean-Michel Frank, who arrived in the country in 1940 and also worked for the Rockefeller family. Special pieces were made, which were sold exclusively in the country, such as the well-known German company “WMF”, who sold their products by catalogue, which were chosen by the ladies of high society in the list of wedding gifts, as well as the pieces designed by Christofle. The Swiss sculptor Alberto Giacometti, made special pieces for Argentinean mansions. In 1904 the first Jansen branch outside Paris was established in Buenos Aires, as the Argentinean clientele demanded a large amount of furniture, from the end of the 19th century to the mid-20th century. In 1970, the brand Rigolleau Argentina made pieces authorised by Lalique. The brands Maple and Thompson also set up shop in the country. The French plastic artist, Marcel Duchamp moved to Argentina in 1918-1919. Glass signed Gallé, Charder, Leverre, Schneider, Muller and other French firms. They were bought in flower shops and were given to ladies with beautiful floral arrangements. Some furniture manufacturers travelled to international fairs and bough the patterns to produce the furniture in Argentina, such as the furniture firm Englander and Bonta, who bought the patterns ins Italy. It is worth mentioning that in Argentina we have the largest community of Italians outside of Italy, as it is estimated that 70 percent of the inhabitants have at least one Italian descendant, followed by Spanish immigrants. The most Important furniture stores in Argentina: Comte is founded in 1934 (under the direct management of Jean Michel Frank in 1940). Nordiska (Swedish company established in 1934). Churba in 1960, a company that brought foreign designers to present their furniture in the country: Denmark: (Arne Jacobsen, Finn Juhl, Bender Madsen, Ejner Larsen, Poul Kjaerholm, Hans Wegner) Sweden: (Hans Agne Jakobsson, Gustavsberg) United States: (Herman Miller) Finland: (Lisa Johansson, Folke Arstrom, Tapio Wirkkala, Alvar Aalto, Timo Sarpaneva) Swedish Factory: (Orrefors) Italy: (Littala, Vico Magistretti, Emma Gismondi, Gae Aulenti, Angelo Mangiarotti, Elio Martinelli, Gianna Celada, Angelo Mangiarotti, Mario Bellini, Carlo Scarpa) Finland: (Olivia Toikka) Plata Lappas (Lappas Silver): a goldsmith shop founded in 1887 in Argentina by Alcibiades Lappas of Greek origin. In 2019, in Argentina took place “the Art Deco world congress”, in which we participated as hosts invited by Geo Darder, founder of the Copperbridge – Foundation, in which prominent people from all over the world attended to learn about Art Deco in Argentina. Argentina currently has more than 100 Art Deco buildings and another 90 Art Nouveau buildings throughout the city of Buenos Aires. Argentina is a country that has not been involved in many wars, which is why it has been a refuge for works of art and antiques from different periods of time, unlike European countries. That is way many collectors, museums and antique dealers from all over the world visit it, you should not miss the opportunity to visit this great country. Laura Guevara Kjuder, architect.
  • Attributed to:
    Amadeo Gennarelli (Designer)
  • Dimensions:
    Height: 23.63 in (60 cm)Width: 35.83 in (91 cm)Depth: 7.88 in (20 cm)
  • Style:
    Art Nouveau (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1920
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Ciudad Autónoma Buenos Aires, AR
  • Reference Number:
    Seller: SC-311stDibs: LU6785230959082
More From This SellerView All
  • Murano, 1950, Italian Attributed to Flavio Poli
    By Flavio Poli
    Located in Ciudad Autónoma Buenos Aires, C
    Murano We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'V...
    Category

    Vintage 1950s Italian Space Age Abstract Sculptures

    Materials

    Murano Glass

  • Murano, 1950, Italian Attributed to Flavio Poli
    By Flavio Poli
    Located in Ciudad Autónoma Buenos Aires, C
    Murano The sommerso technique was originally developed in the 1930's by Carlo Scarpa at Venini & Co. Sommerso (Italian for "submerged") is the Murano glassmaking technique of creati...
    Category

    Vintage 1950s Italian Space Age Abstract Sculptures

    Materials

    Murano Glass

  • Ducks Murano, 1940, Italian, Attributed to Seguso, Barovier
    By Barovier Seguso & Ferro
    Located in Ciudad Autónoma Buenos Aires, C
    Murano with gold We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Attributed to Seguso - Barovier We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. The history of "Seguso Vetri D' Arte" is directly linked to the "Vetreria Artistica­ Barovier" company. When the Barovier workshop was forced to reduce production in 1929, due to a financial crisis in America, the original group of ten partners had to separate and Antonio Seguso in 1931, assisted by his sons Ernesto and Archimede opened a small workshop of his own. They were joined by Luigi Olimpio Ferro and Napoleone Barovier the following year. Together the craftsmen establish the "Artistica Soffieria e Vetreria Barovier Seguso & Ferro" company as equal partners. In 1934 Flavio Poli joins the firm as artistic director and within only a brief period of time a distinct style of designs emerged. The close collaboration between Flavio Poli, Archimede Seguso and Alfredo Barbini played an important part in the success of the company. New glass techniques are developed which include never before seen color applications. The companies innovative designs constantly received awards and during the 1935 World Fair in Brussels and the 1936 Milan Triennale they did attract the interest of a new group of clientele. One of them is the French wholesale company "Veronese" from Paris which would play a defining role in the history of the company. The demand for an increase in production requires additional investments and the partners felt that there is a need to multiply their investment tenfold. Luigi Olimpio Ferro subsequently decided to withdraw from the company and his shares are acquired by Flavio Poli, which makes him a full partner. As a result, the company name is changed to Seguso Vetri D’ Arte and it is officially recognized in 1937. A period of great success and prosperity ensues, lasting until the outbreak of World War II. The post ­war period is a time of great change in Europe and the rebuilding of the economical structure in Italy requires major investments which result in the introduction of new import duties and taxes. To safeguard the copyright of the Seguso Vetri D'Arte designs an application for a second entry into the commercial registers of Venice is made by the partners in 1945. Strict export regulations curb international business relations for many years after the war and the company decides to focus on the domestic market instead. In 1946 a large retail location is opened at the Piazza Diaz in Milan where in addition to the art glass, German porcelain and Italian pottery is offered. In 1950 Flavio Poli develops a new sommerso glass technique, which consists of an overlaying of transparent layers of glass. The overlapping creates new shades of color which prior to the introduction of this technique had not been seen. Flavio Poli's most iconic design is the "Valve", which resembles an upright, slightly opened clam shell. The design was introduced in 1951. Mario Pinzoni joins the company in 1953 as a personal assistant to Flavio Poli and his responsibilities as a draftsman included the compilation of archival and the existing production drawing s...
    Category

    Vintage 1940s Italian Art Deco Centerpieces

    Materials

    Gold

  • Joseph D´Aste Sculpture Italian, Art Deco Woman
    By Joseph d' Aste
    Located in Ciudad Autónoma Buenos Aires, C
    Style: Art Deco Material: marble and bronze Country: Italy We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. Joseph D...
    Category

    Vintage 1920s Italian Art Deco Figurative Sculptures

    Materials

    Marble, Bronze

  • Frances Table Attributed to Maison Bagues Art Deco
    By Maison Baguès
    Located in Ciudad Autónoma Buenos Aires, C
    Amaizing coffe table. Material: Bronze and glass Style: Art Deco Country: France If you want to live in the golden years, this is the table that your project needs. We have speciali...
    Category

    Vintage 1930s French Art Deco Coffee and Cocktail Tables

    Materials

    Bronze

  • Sconce Art Deco, 1930, "Attributed to Gilbert Poillerat", France
    By Gilbert Poillerat
    Located in Ciudad Autónoma Buenos Aires, C
    Style: Art Deco Material: iron and wood Country: France We have specialized in the sale of Art Deco and Art Nouveau and Vintage styles since 1982. If you have any questions we are at your disposal. Pushing the button that reads 'View All From Seller'. And you can see more objects to the style for sale. "Attributed Gilbert Poillerat" There have been many important French designers associated with Art Deco and through the 1930’s, ’40’s and beyond who worked in wrought iron. One usually thinks of Edgar Brandt, Raymond Subes, and Paul Kiss. For quite a while, when Art Deco was enjoying its first flush of recognition in the 1970’s, Gilbert Poillerat remained relatively unknown. This would soon change as the natural progression of design exploration began to move into the 1930’s and beyond, and Poillerat would emerge as one of the most original and important designers of his time. Gilbert Poillerat was born in 1902 in a small town in France that, oddly, had three names – Mer, Loir et Cher. Like many other furniture designers, he attended the famed École Boulle, where he trained as a metal chiseler and engraver, graduating in 1921. Following his graduation, he worked with arguably the best and most influential wrought-iron master – Edgar Brandt. He worked for Brandt for over seven years in both design and production. There can be no doubt that this time was hugely important, not only in furthering his training and perfecting his technique, but also exposing him to the new ideas that had blossomed forth during the Art Deco movement, when wrought-iron escaped the constraints of tradition that had kept it static for so long. In 1927, Poillerat left Brandt, and began working for Baudet, Donon and Roussel, a firm specializing in construction frameworks. He was placed in charge of their decorative iron-work division, which produced tables...
    Category

    Vintage 1930s French Art Deco Wall Lights and Sconces

    Materials

    Iron

You May Also Like
  • Marble Sculpture of Horse by Amadeo Gennarelli (1881-1943)
    By Amadeo Gennarelli
    Located in New York, NY
    Stylized marble sculpture of a horse by the Italian sculptor, Amedeo Gennarelli (1881-1943), mounted on a wooden plinth with veneer.
    Category

    Early 20th Century Italian Art Deco Animal Sculptures

    Materials

    Marble

  • Art Deco Bronze by Amedeo Gennarelli
    By Amadeo Gennarelli
    Located in Bridgewater, CT
    Amedeo Gennarelli (1881-1943). "Woman with Lyre" Black patinated bronze, cire perdue casting, numbered 7 in a limited edition of 10. Sign...
    Category

    20th Century French Art Deco Sculptures

    Materials

    Bronze

  • Amedeo Gennarelli Bronze Bust Art Deco Woman
    By Amadeo Gennarelli
    Located in Oakland, CA
    An original patinated bronze bust by Amedeo Gennarelli, circa 1925. This slightly nude model is depicted from her shoulder looking forward with a stylized turban on her head. a stunning deep bronze patina signed in the cast ‘A.Genneralli’. The model has a beautiful face with a realistic depiction of lips, nose, and overall features. Each angle from the front, back, or side equally depicts the quality and beauty of this unique bronze. In addition to the signature in the lower cast, on the back of that case is also the words, “cire perdue” which indicates it is the “lost wax” process, certainly made in France. The fantastic patina on this piece. Amedeo Gennarelli (Naples 1891-Paris 1943) was an important Italian sculptor during the Art Deco period in France. A student of Francesco Jerace...
    Category

    Vintage 1920s French Art Deco Figurative Sculptures

    Materials

    Bronze

  • Art Deco Bronze Sculpture Archer Learning a Boy to Use a Bow by Gennarelli 1930
    By Amadeo Gennarelli
    Located in Antwerp, BE
    The young archer, Art Deco bronze sculpture of a boy learning to use a bow. By Amadeo Gennarelli, Born in Napels, worked in France. The bronze has a lively green patina, France ca. 1...
    Category

    Vintage 1930s French Art Deco Figurative Sculptures

    Materials

    Bronze

  • Largest Size Made Original Art Deco Nickeled Bronze Sculpture Gennarelli
    By Amadeo Gennarelli
    Located in New York City, NY
    This impressive model of the nude holding a dove towering 34" high is the largest and rarest size made. A fine original French Art Deco polished nickeled bronze and black Belgian marble statue by Amadeo Gennarelli; signed Gennarelli in the stone base. The figure called "Le messager", the messenger is the original name created by the artist. In addition to the artist's signature, this sculpture bears the original label inscribed with this title and date 5...
    Category

    Early 20th Century French Art Deco Figurative Sculptures

    Materials

    Belgian Black Marble, Bronze, Nickel

  • Hunter and Deer Sculpture
    Located in Buenos Aires, Argentina
    Hunter and deer sculpture materials pewter electro plated and marble Origin Germany, circa 1900 perfect condition.
    Category

    Antique Early 1900s German Neoclassical Figurative Sculptures

    Materials

    Pewter

Recently Viewed

View All