Sophie Coryndon, Spitalfields, UK, 2018

Tapestry Fragment Triptych is composed of two panels of layered, cast Jesmonite honeycomb, that have been gilded with 23.5 ct gold leaf. The overlapping layers of the panels hang, emulating ornate textiles. Coryndon became interested in bees after learning about the current global crisis facing the insects. At once colossal and delicate, Dossel beautifully preserves the fragility of its source material. Dossal is the term for an ornamental cloth suspended behind an altar. It is sometimes referred to as an alter screen...

The Yard Sale Project’s Palombaggia table pushes the limits of the traditional table form. The pictured asymmetrical table, on view now, is comprised of an a...

Curtis Fontaine’s abstract ceramic sculptures are created through a unique process of hand building that relies as much on intuition as structural aptitude. Years apprenticing under ...

Curtis Fontaine’s abstract ceramic sculptures are created through a unique process of hand building that relies as much on intuition as structural aptitude. Years apprenticing under ...

Curtis Fontaine’s abstract ceramic sculptures are created through a unique process of hand building that relies as much on intuition as structural aptitude. Years apprenticing under ...

Created from a solid rosewood, 18th century Dutch cabinet, black tie roofing is Jadot’s reflection on the evolution of our civilization, and...

As much an artefact to handle and caress as a sculptural object, this marble piece retains the ruggedness of nature but combines it with artistic form. A skein of veins is revealed t...

Superb large organic mid century hand carved wooden sculpture, UK. Lovely patina and colour. possibly musical theme.

Seven Stages of Degradation is a unique art glass installation of seven components by the British artist Louise Thompson and the British designer Sophie Thomas. Each piece is solid glass with internal colored detail and trapped bubbles. Each topped with a found beach plastic cap. An ongoing body of work with the first set exhibited as part of the Summer Exhibition 2018, at the Royal Academy London. The artwork's aim is to highlight the current serious issue of ocean plastic. Although not essentially about it’s dramatic harmful effect on the sea’s inhabitants and environment, this artwork focuses on the prolonged duration for which it can exist within these vital waters. About the collaborating artists; Louis Thompson With a professional career spanning over 25 years, Thompson has taught in the UK and abroad. He has exhibited extensively in the UK, Europe, USA and Japan. In 2012 Thompson received two prestigious awards in the UK: British Glass Biennale Winner and the Jerwood Foundation Makers Commission. He has been invited to create installations for various museums and international exhibitions and his work is held in permanent museum collections in Belgium, Germany, Japan, Czech Republic and the V&A Museum in London. Thompson has completed International residencies at the prestigious Museum of Glass in Tacoma, The Glazenhuis Museum in Belgium and most recently at Soneva Art Glass in the Maldives. Sophie Thomas A highly respected and established leader in creative campaigning and communication design, Thomas’ long...

Mankind has loved hematite for its sleek beauty and red undertones since its first discovery. It has been utilized as a reddening pigment by the ancient Egyptians, mined by the Etrus...

Assembled smal sculpture with ball added, embedded in a black painted stone. I learn out of a past that has been created for me, a foundation to build on my own work And create new pathes of art, design and everything that comes with it. Like my hereos Braque and Duchamp invented an artform out of existing things, I build my works out and with existing useable pieces like furniture parts...

Upholstered armchair by Peter Shire, 2018 Upholstered with Kvadrat Divina Fabric, Aluminum, Wood & Paint. Approximate measures: 60 1/4" high x 40" wide x 39" deep Peter Shire: ...