Pair Brass Carnivale Masks Mounted On Black Marble

Pair of Murano glass carnivale masks. Handblown and molded gold flecked black cased glass with infused colorful circular details.

Stamped and cut polished metal tribal mask. Foliate headdress, pierced and plated lower lip with pierced ears joining together in a necklace. Three dimensional with lacquered black b...

Pair of Art Deco inspired solid brass crane sculptures surmounted on dark grey Carrara marble pedestals with brass sabots. One sculpture stands 2...

Expertly cast and finished brass leaping gazelle sculpture mounted on a brass plinth based walnut pedestal.

Cast brass standing elephant on a textured pedestal with nice patina.

Carved to resemble a fossilized ammonite shell, this wood sculpture surmounts a brass clad pedestal.

To relieve stress and uplift their Community, the Baule people of modern-day Côte d'Ivoire engage in a daylong masquerade known as the Mblo. A series of dances that escalate in compl...

Wall ceramic mask, circa 1950 French midcentury ceramic mask with elegant black ceramic glaze color. Original perfect conditions Measures: Height 24 cm, large 22 cm, depth 7...

Attributed to the Yoruba people of western Nigeria, this wooden headdress was worn during a masquerade known as egungun. A widespread Yoruba ritual, egungun performances honor a comm...

This helmet mask created by the Mende people of Sierra Leone was made for the women of their tribe to wear while dancing. Commissioned by women for their ...

Unique Venetian Murano glass 3D Modern mask, exclusive to Cosulich Interiors & Antiques, Mondrian inspired, realized in several block colors, aqua blue, turquoise, lime green, red, o...

Very important “Nwantamtay” dance African mask, consisting of three sections: The upper in plain rectangular shape surmounted by a crescent shape moon, the middle with beautiful geometric triangles in black bitumen and white kaolin, surrounding a red cruciform in the centre of remarkable contrasting colors, and the lower part or face inscribed in a circular space that inspired numbered great artists like Joan Miro, Picasso and Henry Moore of a very strongly solar symbolism, with a projecting protuberance emanating from the forehead like a sculpted bird beak, that descents toward the mouth. Concentric eyes harmonize with the circular mouth, both with of elegant proportions. The whole mask exudes a supreme harmony and perfect balance rarely seen in this pieces. The back-side presents nice ware that attested the ancient origin and traces of animistic ceremonies as the use of animal blood residues. The painting of brown bitumen or cola, the natural colorants in red and ocher tones and the white kaolin are original and do not show any repainted or restored areas, giving a freshness rarely seen in old pieces. This exceptional mask Bwa, of the Hound`e Region in Burkina-Fasso, was used it the transit ceremonies and funerals manifesting the presence of “Do”, name given to their God sons, protectors and powerful spirits. The round face also represents an owl, the curving beak of the bird plants a seed into the sun, like a female sexual vulva being fecundated by the male organ; the eternal symbol of Ying and Yang, masculine and feminine, and the quest of life and death. This mask of Primitive facture can be compared to the one in the celebrated Verite Collection (this one being larger) sold in Paris at the Hotel Drouot, Saturday June 17, Lot 59, for 80,000 Euros and remarkably stands out from the Pierre and Tannia Matisse sold in Sotheby’s, New York in May 13, 2011. Another similar piece was published in: “Arman et l’art africain...