After Loetz, Bohemian Jugendstil Iridescent Art-Glass Flower Vase, ca. 1900

French Art Nouveau Ocean Life Theme Vase Cachepot Iridescent Stoneware & Patinated Bronze Crab Appliqué ca. 1900s ABOUT We present here a most unusual and utterly decorative Fren...

DIMENSIONS: Height: 12.5 inches Width: 6.75 inches Depth: 6.75 inches ABOUT AWAJI POTTERY Awaji pottery was made on the Japanese island of the same name between 1830 and 19...

Japanese Art Nouveau Flower Vase Awaji Ware Art Studio Pottery ca. 1900s ABOUT AWAJI WARE ART STUDIO POTTERY Awaji pottery was made on the Japanese island of the same name between...

About This museum-quality Bohemian Jugenstil lamp by Loetz Witwe Glassworks, ca. 1900 is distinguished by non-trivial composition, refine? forms of amazing proportions and the unique selection of materials. The Loetz art glass lamp shade in form of a fly agaric mushroom cap is of ideally organic form and color; and is flawless. The patinated bronze lamp base mounted on a red veined marble plinth is a work of art by itself. It consists of a tall, graceful mushroom stem and a plump baby-mushroom nestled against it in the middle of a moss-covered clearing, in the middle of which an elegant lizard made of cold-painted bronze froze in sensitive tension. Dimensions Height: 13 inches Depth: 5.5 inches Width: 6.5 inches Loetz Witwe Glassworks: In 1836, Johann Eisner established a glassworks in the Southern Bohemian town of Klostermühle, today part of the Czech Republic. The Art Nouveau Period was the glory years of the company. The glassworks created large numbers of its own new designs of iridescent, trailing art nouveau glass, sometimes in collaboration with well-known artists and designers like Marie Kirschner and Franz Hofstötter (aka Franz Hofstätter). The company’s success during this period had two prime drivers – the technical expertise of Prochaska and the business acumen of von Spaun. Loetz Witwe created many of its own designs, and also supplied glass commissioned by major customers like E. Bakolowits (Vienna) and Max Emanuel...

ABOUT IRIS The iris is a special and mysterious flower. Not only because of its striking appearance, but also from an artistic and historical point of view. It is also like a work of art, as though created by Mother Nature. The unique leaves of this plant not only create wonderful shadow casts, but also look as if they were painted by hand. It's no wonder that iris acts as the muse for countless artists, and can be seen in many famous works of art. The iris was first spotted in the time of Pharaoh Thutmose, in 1504 BC. He had the iris inscribed into the wall reliefs of a temple as a sign of his power, as well as decorating his sceptre with motifs of the flower. Since then, the iris has been a symbol of victory in Egypt. But the symbolism of the iris goes further than that. In Japan, the flower represents courage and is the symbol of the boys' festival. In Islamic cultures, the iris is a symbol of prosperity. In Europe, the flower was a popular weapon symbol in the Middle Ages and stood for chivalry. And in Christianity, the iris was seen as a symbol of the trinity because of its three-part flowers. With more than 300 varieties, the iris is now the most popular flower among growers and gardeners following the rose. Countless artists use the iris in their works and the flower is present in all eras. You can see the flower on furniture, vases, jewelry, fabrics, sculptures, coats of arms and much more. Did you know that the iris is also called the sword lily? It's not a coincidence that it used to symbolize physical and emotional pain and suffering caused by a weapon. We also see the flower in religious art, where it's often associated with Mary and Jesus. The iris is also associated with the Greek goddess Iris, where the flower symbolizes reconciliation and divine messages. This is also reflected in many paintings. Finally, the iris is also visible in Dutch and Flemish still-life paintings. This can be in a religious form, incorporated into an object or as a decorative flower. In the Art Nouveau art movement, the iris (along with other plants, such as the birch) was often used as an expression of feminine beauty. With its almost otherworldly appearance, the iris is perfectly suited to the Art Nouveau aesthetic and is featured in many well-known works of art. The poet of that era, Hermann Hesse...

DETAILS: Fully marked on bottom. DIMENSIONS: height: 6.75 inches, width: 4.5 inches, depth: 4.5 inches ABOUT THE ARTIST Paul Dachsel (Czech, born circa 1880) was the son-in-law of Alfred...

Conch shell glass vase handmade by Johann Loetz Witwe Austria/Bohemia Jugendstil circa 1902 "Candia Papillon" Decoration. The extravagant Candia Papillon decor lends a special brilliance to the shell shape of this collectible. The iridescent quality of this decoration not only encompasses the outside of the intricately applied silver crumbled dots, but extends into the interior of the glass shell. A characteristic of this scroll vase...

Conch shell glass vase handmade by Johann Loetz Witwe Austria/Bohemia Jugendstil circa 1902 "Candia Papillon" Decoration. The extravagant Candia Papillon decor lends a special brilliance to the shell shape of this collectible. The iridescent quality of this decoration not only encompasses the outside of the intricately applied silver crumbled dots, but extends into the interior of the glass shell. A characteristic of this scroll vase...

Austrian Jugendstil glass vase lemon yellow circa 1903 Johann Loetz Witwe decor Phenomen Genre 3/430 Our vase bears the decor called Phenomen Genre 3/430, which was designed in 19...

Bohemian Glass Vase Loetz Austrian Jugendstil Yellow circa 1901 decoration PG 1/154 One of the main reasons for the big success of Loetz at the Pa...

Small but elegant glass vase in a polished brass mount. The vase was designed by Antoinette Krasnik (School of Koloman Moser). The vase was produced by the Bohemian glass manufacture...

Vase iridescent glass Johann Loetz Witwe Austrian Jugendstil "PG 7773" decoration In the 1890s, the Loetz company tried to break with the convention of the regional glass production...