Amphora-Shaped Porphyry Vase, France, Late 18th Century

Charming Louis XV period Rocaille planter in chiseled and gilded bronze, scalloped with asymmetrical decoration of acanthus leaves and scrolls, and an openwork shell in its center. A...

Beautiful pair of amphora vases in white and blue porcelain, richly decorated on each side with beautiful polychrome floral compositions framed by handles with openwork motifs of ori...

A very fine pair of Imari porcelain vases, of tapering form with flared top. Decorated with polychrome birds and flowers on white background. The body is painted with shaped panels o...

Pair of Greek style vases made two patina bronze. Each, designed in the shape of a tripod amphora adorned with Hercules heads, is decorated in low-relief...

Signed F. Barbedienne A pair of charming trumpet-shaped vases in gilt bronze with a polychrome cloisonné enamel decoration, one blue and the other green and red. They feature two annular handles and stand on four feet surmounted by a stylized palm. The vases are ornated with a Byzantine decoration. The high quality of the enamel is typical of Barbedienne’s production. It enhances this pair of vases especially with the wide range of colours used to create the decoration. The enamel is smooth and shiny and shows many shades to form the Byzantine decoration. The partitioned cloisonné is finely engraved and contributes to the decoration by adopting vegetal and foliage shapes. The Model These two vases can be linked to a vase presented by Ferdinand Barbedienne at the 1862 London Universal Exhibition and purchased at this time by the South Kensington Museum (now the Victoria and Albert Museum, London, Inv. 8026-1862). This vase has on its belly a polychrome cloisonné enamel decoration standing out against a turquoise background as show these vases. This decoration, called Byzantine, covers all the vase with coloured arabesques and scrolls. It rests on four claw feet with lion heads from a design near of our vases. Barbedienne and the Cloisonné Enamel Ferdinand Barbedienne continously innovated and he revived the use of enamel on art works during the second half of the 19th century. The Sèvres Manufacture enamel workshop had ever tried it in 1854-1855, but Barbedienne was the one who succeeded to join enamel to an industrial decorative objects production. From 1858 “At Mr Barbedienne’s, enamels in copper ornaments have got their former prestige back” (Les bronzes de la Maison Barbedienne, C. Simon, in L’Art du XIXe siècle, 1858, n°21, p. 252). The Barbedienne Company had now an enamel workshop where objects ornamented with oriental style or medieval style enamels were made. Four years after, Barbedienne’s cloisonné...

A very impressivel pair of granit urns, each of Campana form, the rims cast with acanthus leaves, the bodies applied with foliate scrolls and flowers, with ram mask handles, on a mou...

This is a white porcelain vase made in Korea in the latter half of the 18th century. During the Joseon dynasty in Korea, white pottery was considered a noble one. Many masterpieces...

Spanish Mid 19th Century Glazed Alhambra Majolica Amphora Vase Valencian medieval jug reflexes with heraldic shield.

Two delft vases late 18th-early 19th century produced in the Dutch region off delft in the Netherlands Minor old restorations on the top No cracks Marks on the bottom Beautiful and m...

Three late 18th century polychrome glazed Delft pottery vases, two of baluster form, one of trumpet form, each with a central cartouche depicting a lands...

LIMOGES amphora-shaped vase, vintage Hand-painted and gold borders. Excellent condition, with no cracks or crazing. Original and fully branded Limoges label on the base. DESIGN ...

This Khmer brown glazed terracotta vase is a very stunning piece with its organic shape and all the signs of the time. The enameled surface well shows its period and for this reasons...