Antique Satsuma Vase with Geishas/Elegant Ladies in Landscape/Pagode Scene

A japanese stsuma earthenware pair of vases of baluster shape, moulded with a scene with ladies playing go and doing calligraphy. There is relief. Unmarked Additional information: ...

Fabulous small Japanese. Absolute top quality decoration an pottery. Marked at the base. Additional information: Material: Porcelain & Pottery Region of Origin: Japan Period: Meiji ...

Fabulous japanese earthenware Satsuma Vase of great shape and scene. With animal head 'handles' Marked: Satsuma Additional information: Material: Porcelain & Pottery Japanese Style...

Fabulous and small japanese earthenware Satsuma vase of great shape and scene. Marked: Cannot decipher. Additional information: Material: Porcelain & Pottery Type: Vase Region of O...

Interesting and finely painted pair of satsuma vases. Very cool and of high quality. Additional information: Primary Material: Bronze, Porcelain & Cloisonne Material: Porcelain & Po...

Introducing a rare and exquisite pair of Satsuma vases from the Meiji period, dating back to the 19th century. Both with an amazing winter landscape with flowers and ducks. Marked at...

Pair of antique Japanese Satsuma vases. Each with opposing Scenes of figures and raised elephants. The pair in good condition.

"Late Meiji era Kutani vase, circa 1903. A beautiful porcelain blue ground centered by an intricate Geisha flanked by gold figural Foo Dog handles. Features a floral and foliat motif throughout. Signed along the base. Kutani ware, Japanese porcelain made in Kaga province (now in Ishikawa prefecture). The name “Old Kutani” refers to porcelain decorated with heavily applied overglaze enamels and produced in the Kaga mountain village of Kutani. The powerful Maeda family had established a kiln there by 1656. The clay bodies used were gray and coarse-grained. On most pieces—dishes and bowls were especially common—a white or blue-white matte glaze was decorated in dark, restrained colours, initially greens, yellows, and some reds, and later purples and dark blues. Some items had cobalt blue decoration under a white glaze. The most noted Old Kutani pieces are “Green Kutani,” in which most of the surface is covered in a green or blue-green glaze to which one or two colours have been added (or the glaze is applied evenly over a design executed in black). The bold designs of Kutani ware drew freely from Chinese ceramics, paintings, and textiles. They are renowned for their rich pictorial ornament executed in lively, intense lines. Owing to local financial problems and difficulties in obtaining the necessary pigments, the Kutani kiln was abandoned some time in the Genroku period (1688–1704). Ceramics production in Kaga enjoyed a renaissance early in the 19th century, however, including the establishment of another kiln at Kutani in the 1820s. In addition to a revival of the styles of Old Kutani ware, there arose a style using gold on a coral-red ground, which was perfected during another spate of activity that began in the 1860s. Technical advances were made and Western-style pigments were adopted, and by the 1890s modern Kutani...

Rare Meiji Period Japanese satsuma vase with superbly painted scenes of a sage and his young companion observing three golden turtles swimming in a la...

1900 Japanese Satsuma porcelain huge vase with Samurai scenes.

Antique Japanese Meiji Satsuma Porcelain Vase, Garden Scene & Pheasant, C1910 Measures- 6.25''H x 3''W x 3''D

An Satsuma ceramic stone ware vase, circa 19th century, around the end of the Edo and the beginning of Meiji period. In the form of a Classic garlic bottle whose prototype was from China, the white bodied piece is decorated with an early form of kin nishikide, the so called golden brocade, a palette of iron-red, blue, green, yellow, purple and black with golden highlight. The over glazed enamel paint shows a group of robed figures in a garden setting with a lion and three tigers. A transparent overall glaze shows very fine crackles. The design is relatively sparse with plenty of negative space in contrast to the Satsuma production from the late 19th century, when the trend became fussy and overly glitz, due to the influence by the perceived western taste for the export market. This piece may still be made for export but its pattern was more influenced by both Kyoto Pottery and the Kano school of painting compared to the export ware by the end of the 19th century onward to the early 20th century. It was believed by many that this was a result of Satsuma potters visiting Kyoto in the late seventeenth century to learn over glaze painting techniques. There are some age glaze crackles especially around the foot. The piece is not signed in keeping with the earlier production before Satsuma ceramics...