Art Nouveau Blood Red Hu Stoneware Vase by Ernest Chaplet

The Venus of Willendorf if she were a pot; this diminutive size is perfectly suited for holding in your hands. This pot is meant to be caressed. Its rather buxom top narrows at the w...

Poppies, golden-accented in analagous colors of blue and orange, creep up their leafy green stalks which sag from the heavy weight of the flowers. Like tired heavy-lidded eyes, the poppies symbolize hypnos’ sleep-inducing effects. Dammouse’s somnific symbolism evokes an other-worldly dream-like state and acts as a vehicle to tap into the imagination. Much more than a pretty face, or a pretty vase, this is a sublime piece of art, and Dammouse makes clear the influence of Braquemond and others by employing this Symbolist style. Beaudelaire’s credo that “Beauty must contain the absolute and the particular, the eternal and the transitory” aptly applies. Created while both Chaplet and Edouard Dammouse were employed by Haviland & Co. at its Paris location, this vase is a prime example of Chaplet’s early creative output of matte brown stoneware. Both artists demonstrate a strong link and affinity for Japonisme in the vase’s traditional form and in the painterly approach Dammouse brings to the enamel glaze. His treatment of enhancing the floral decoration with gold detailing calls to mind Kintsugi aesthetic principles. Affixed to the vase’s underside is its original label indicating it was sold at the chic A la Paix, a Parisian gallery located on the prestigious Avenue de l’Opera which opened in 1891, specializing in glass and ceramic objects of art. Ernest Chaplet (1835-1907) Not only was Chaplet France’s premier studio ceramist, the example he set of personally creating a ceramic object from the conceptual phase through modeling, firing and glazing - constantly reaching for new and innovative modes of expression and technique - elevated the notion of a ceramist from artisan to Artist. While Director of Production for Haviland & Co., Chaplet expanded their focus from porcelain into stoneware production and developed the barbotine method of painting earthenware with liquid clay as well as conducted extensive research in glaze techniques. He was awarded a Gold Medal in 1889 at Paris’ l’Exposition Universelle for his revolutionary sang de boeuf glaze. That same year, Chaplet opened his own atelier in Choisy-le-Roi where he continued to produce avant-garde stoneware and support younger talent. Edouard Dammouse (1850-1903) Trained as a painter, Paris born Edouard Dammouse studied under Felix Bracquemond, Ernest Chaplet’s predecessor at Haviland & Co.‘s Auteuil studio. Edouard followed his brother, Albert, and Chaplet to Haviland’s Paris...

Model #1990. Auguste Delaherche turned the science of experimentation in ceramic ware into an art form. Coming from a long tradition of potters in the Beauvais region of France datin...

Auguste Delaherche turned the science of experimentation in ceramic ware into an art form. Coming from a long tradition of potters in the Beauvais region of France dating back to ant...

This early vase provides a rare glimpse into the making of a master. Auguste Delaherche turned the science of experimentation in ceramic ware into an art form. Coming from a long tra...

PIERRE-ADRIEN DALPAYRAT (1844-1910) After working nearly half his life as an itinerant faience painter and directing production for commercial porcelain manufacturers, Dalpayrat’s ey...

These vase are hidden gems in the art glass world as they are never signed. Made by Earnst Leveille in collaboration with Eugene Rouseau in Paris, circa 1900; this vase in glass blow...

Late 19th century Art Nouveau cylindrical vase. The brown and red speckles create a dynamic pattern that is complemented by the gold umbelliferous plants. Attributed to Ernest Léveillé (1841-1913). Circa :1900 Dimension: W: 5.3 in, D: 5.3in, H: 11.8in. Dimension: L: 13.5cm, P: 13.5cm, H: 30cm. Ernest-Baptiste Léveillé (1841-1913), also known as Ernest Léveillé, was a porcelain and crystal manufacturer, active in the second half of the 19th century and the beginning of the 20th century. He is best known for his porcelain, but he also made Japanese vases, bamboo vases, ovoid and cylindrical vases decorated with plants... Founder of the Léveillé house in 1869 at 74 boulevard Haussmann in Paris, Léveillé acquired in 1885 the house E. Rousseau, a porcelain and crystal manufacturer, and operated the business from 1886 to 1890 under the name Maison Rousseau et Léveillé réunies. Léveillé created the models and had them executed and engraved. His cracked and engraved vases earned him a gold medal. When Eugène...

Large stoneware vase in an extraordinary brass frame decorated with mistletoe branches.

Ernest baptiste leveille, vase art nouveau, France, 1910s. Dimensions: H= 21 cm; D= 21 cm.

Stoneware and gilt bronze Art Nouveau vase by Paul Louchet . Early 20th century Art Nouveau stoneware and gilt bronze vase by Paul Louchet. Dimensions: h: 36cm, d: 13.5cm

Original stoneware ceramic vase, circa 1900 Decorative yellow ceramic glaze color Art Nouveau style Measures: Height 12cm, large 8cm.